Denis Dufour

• Name — Denis Dufour • Born — 9 October 1953 • Birthplace — Lyon, France • Education — Paris Conservatory • Occupation — Composer, Music Educator and Artistic Director • Known for — Acousmatic Art (invented the term), Futura Festival, Motus • Notable Works — Notre besoin de consolation est impossible à rassasier, Bocalises • Style — Perceptive morphology

• Year — Name of work — Medium type — Instrumentation — Length — Opus — Remarks • 2021 — Zwei kurze Stücke — acousmatic — stereophonic acousmonium/loudspeakers — 14.14 — op.191 • 2020 — Air — acousmatic — stereophonic acousmonium/loudspeakers — 09.09 — op.190 — text by Thomas Brando, from the cycle Les Acousmalides • 2019 — Missa pro pueris — acousmatic — stereophonic acousmonium/loudspeakers — 47.47 — op.189 — text by Thomas Brando • 2019 — Touché par l'air — mixed/solo — voice and stereophonic acousmonium/loudspeakers — 11.11 — op.188 — text by Thomas Brando, dedicated to Hém-Ish • 2019 — Spot 4 — instrumental/solo — piano four hands — 04.00 — op.187 — dedicated to Jacques Raynaut and Ludovic Selmi • 2019 — Abschied und Lebewohl — instrumental/solo — piano — 02.10 — op.186 — dedicated to Karlheinz Roschitz • 2019 — Koley Bāzār — acousmatic — stereophonic acousmonium/loudspeakers — 08.08 — op.185 • 2018 — Amor Niger L. — mixed/solo — voice and stereophonic acousmonium/loudspeakers — 06.30 — op.184 — text by Thomas Brando, from the cycle Le Livre des désordres • 2018 — BlindPoint — acousmatic — stereophonic acousmonium/loudspeakers — 30.30 — op.183 • 2017 — Les Cris de Tatibagan — acousmatic — stereophonic acousmonium/loudspeakers — 115.00 — op.182 • 2016 — Tapovan — acousmatic — stereophonic acousmonium/loudspeakers — 18.18 — op.181 — text by Thomas Brando, dedicated to Tomonari Higaki • 2016 — Anamorphose — acousmatic — stereophonic acousmonium/loudspeakers — 10.10 — op.180 • 2016 — Origine — acousmatic — stereophonic acousmonium/loudspeakers — 17.50 — op.179 — dedicated to Dieter Kaufmann • 2016 — In-quarto — instrumental/ensemble — 2 violins, viola and violoncello — 21.00 — op.178 — from the cycle Fantaisies romantiques et baroques/Plis de perversion • 2015 — Chambre 44 — mixed/ensemble — flute, alto saxophone, percussion, piano and stereophonic acousmonium/loudspeakers — 10.30 — op.177 • 2015 — Túngara — mixed/solo — marimba and stereophonic acousmonium/loudspeakers — 06.30 — op.176 — from the cycle Fantaisies romantiques et baroques/Marais, dedicated to Philippe Spiesser • 2015 — Sprint — instrumental/ensemble — flute, percussion, violin, violoncello and contrabass — 11.00 — op.175 — from the cycle Le Livre des désordres • 2014 — Si tendre, si funeste — acousmatic — stereophonic acousmonium/loudspeakers — 05.17 — op.174 — hommage to Marguerite Duras • 2014 — Les Fleurs enchantées — mixed/ensemble — 3 flutes and stereophonic acousmonium/loudspeakers — 12.00 — op.173 • 2014 — Fluorescence — instrumental/ensemble — 4 flutes — 13.00 — op.172 — hommage to Jean-Philippe Rameau • 2014 — Spot — instrumental/solo — piano — 03.30 — op.171 — from the cycle Fantaisies romantiques et baroques/Délicieux danger, dedicated to Nicolas Horvath • 2013 — Blue Rocket on a Rocky Shore — acousmatic — stereophonic acousmonium/loudspeakers — 31.31 — op.170 — text by Thomas Brando • 2013 — Stèle pour Pierre Schaeffer — instrumental/ensemble — flute, bass clarinet, alto saxophone, trumpet and violoncello — 05.00 — op.169 — from the cycle Fantaisies romantiques et baroques/Délicieux danger • 2013 — Dernier quatuor — instrumental/ensemble — 2 violins, viola and violoncello — 15.00 — op.168 • 2013 — Aristée et Eurydice — acousmatic — stereophonic acousmonium/loudspeakers — 04.00 — op.167 • 2013 — Quatuor “les héros anonymes” — mixed/ensemble — flute, oboe, viola, contrabass and stereophonic acousmonium/loudspeakers — 10.43 — op.166 • 2013 — Cinq formes d'appel — instrumental/ensemble — trumpet and bass clarinet — 09.00 — op.165 • 2013 — In Paradisum — acousmatic — stereophonic acousmonium/loudspeakers — 06.40 — op.164 • 2012 — Post mortem (Et puis paf!) — mixed/choral — choir of mixed voices and stereophonic acousmonium/loudspeakers — 08.21 — op.163 — text by Thomas Brando • 2012 — Accordéon — mixed/solo — voice and stereophonic acousmonium/loudspeakers — 03.24 — op.162 — from the cycle Fantaisies romantiques et baroques/Plis de perversion • 2012 — Selva — acousmatic — stereophonic acousmonium/loudspeakers — 06.40 — op.161 • 2012 — Volver — acousmatic — stereophonic acousmonium/loudspeakers — 06.30 — op.160 • 2012 — Syntagma — acousmatic — stereophonic acousmonium/loudspeakers — 13.00 — op.159 — dedicated to Iannis Xenakis • 2011 — Hentai — acousmatic — stereophonic acousmonium/loudspeakers — 10.32 — op.158 — text by Thomas Brando • 2011 — Variations acousmatiques — acousmatic — stereophonic acousmonium/loudspeakers — 14.26 — op.157 • 2011 — Les Invasions fantômes — acousmatic — stereophonic acousmonium/loudspeakers — 32.50 — op.149 — text by Thomas Brando • 2011 — Poursuite — instrumental/ensemble — violin and violoncello — 09.30 — op.156 • 2011 — Rivage de la soif — acousmatic — stereophonic acousmonium/loudspeakers — 10.00 — op.155 — text by Thomas Brando, from the cycle Les Acousmalides • 2010 — The Wall — acousmatic — stereophonic acousmonium/loudspeakers — 28.40 — op.154-a • 2010 — Mur — multimedia — stereophonic acousmonium/loudspeakers and video — 28.40 — op.154-b • 2010 — Ryoan-ji [Le jardin de Pierre de Kyoto] — acousmatic — stereophonic acousmonium/loudspeakers — 10.19 — op.153 — from the cycle Fantaisies romantiques et baroques/Délicieux danger • 2009 — La Chasse à l'ombilic — mixed/ensemble — narrator, violin, viola, violoncello and stereophonic acousmonium/loudspeakers — 11.06 — op.152 — text by Thomas Brando • 2009 — Gaillarde — instrumental/ensemble — ensemble of recorders — 06.30 — op.151 • 2009 — Face aux ténèbres — mixed/ensemble — alto saxophone, percussion, piano and stereophonic acousmonium/loudspeakers — 10.14 — op.150 — from the cycle Le Livre des désordres • 2009 — L'Attente des nuages — mixed/solo — contralto and stereophonic acousmonium/loudspeakers — 38.15 — op.148 — text by Thomas Brando • 2009 — Augen Licht — acousmatic — stereophonic acousmonium/loudspeakers — 25.00 — op.147 • 2009 — The Blob — acousmatic — stereophonic acousmonium/loudspeakers — 10.11 — op.146 — from the cycle Le Livre des désordres • 2008 — Acid Folk — mixed/ensemble — clarinet, violoncello and stereophonic acousmonium/loudspeakers — 42.00 — op.145 • 2008 — PH 27-80 — acousmatic — stereophonic acousmonium/loudspeakers — 80.27 — op.144 — dedicated to Pierre Henry • 2008 — Heimliches Licht — mixed/solo — flute and stereophonic acousmonium/loudspeakers — 07.25 — op.143 — from the cycle Le Livre des désordres • 2008 — Noir — mixed/solo — piano and stereophonic acousmonium/loudspeakers — 06.00 — op.142 — from the cycle Le Livre des désordres • 2008 — Flamme — instrumental/orchestral — symphony orchestra — 03.30 — op.141 • 2007 — Carosello — acousmatic — 16 channel acousmonium/loudspeakers — 08.14 — op.140 • 2007 — Dionaea — acousmatic — stereophonic acousmonium/loudspeakers — 10.10 — op.139 — from the cycle Le Livre des désordres • 2007 — Spiritus / Stella — instrumental/ensemble — 2 viola de gambas — 10.00 — op.138 — from the cycle Le Livre des désordres • 2007 — L'Esprit en étoile — acousmatic — stereophonic acousmonium/loudspeakers — 14.44 — op.137 — from the cycle Le Livre des désordres • 2006 — Altitude — instrumental/solo — viola — 12.30 — op.136 • 2005 — Oriflamme — instrumental/ensemble — saxophone and percussion — 12.00 — op.135 • 2005 — Voix Off — acousmatic — stereophonic+hexaphonic acousmonium/loudspeakers — 91.02 — op.134 — text by Thomas Brando • 2005 — Salves — mixed/ensemble — flute, saxophone, percussion, piano and stereophonic acousmonium/loudspeakers — 35.00 — op.133 • 2004 — Deux rainettes vertes — mixed/ensemble — 2 guitars and acousmonium/loudspeakers — 10.10 — op.132 — from the cycle Fantaisies romantiques et baroques/Marais • 2004 — Secret plié en seize dans le coffre de hune — instrumental/ensemble — guitar, violin, viola and violoncello — 05.00 — op.131 — from the cycle Fantaisies romantiques et baroques/Plis de perversion • 2004 — Rainette verte — instrumental/solo — guitar — 06.00 — op.130 — from the cycle Fantaisies romantiques et baroques/Marais • 2003 — Sphère — instrumental/orchestral — large orchestra — 06.30 — op.129 • 2003 — La Tour des murmures — acousmatic — 16 channel acousmonium/loudspeakers — 70.00 — op.128 • 2003 — Silex — instrumental/ensemble — flute, clarinet, violin, viola and violoncello — 13.00 — op.127 • 2003 — Le Tango de l'oubli — acousmatic — stereophonic acousmonium/loudspeakers — 04.02 — op.126 • 2003 — Sotto voce — acousmatic — stereophonic acousmonium/loudspeakers — 15.22 — op.125 — text by Thomas Brando • 2002 — Géométrie mystique — acousmatic — stereophonic acousmonium/loudspeakers — 04.28 — op.124 — text by Thomas Brando, from the cycle Les Acousmalides • 2002 — Mille soleils — instrumental/orchestral — symphonic band — 18.00 — op.123 • 2002 — La Terre est ronde — acousmatic — stereophonic acousmonium/loudspeakers — 11'05 — op.122 — Compact Disc: Motus Acousma M303006; dedicated to Jonathan Prager • 2002 — L’Ivre d’avril — acousmatic — stereophonic acousmonium/loudspeakers — 04.10 — op.121 — text by Thomas Brando, from the cycle Les Acousmalides • 2002 — L’Heure exacte — mixed/ensemble — clarinet, saxophone, trombone, piano and stereophonic acousmonium/loudspeakers — 13.00 — op.120 • 2002 — Confession — instrumental/ensemble — soprano, flute, percussion and violoncello — 06.00 — op.119 — text by Thomas Brando, from the cycle Le Plaisir des chants difficiles • 2002 — Dédale — instrumental/ensemble — soprano, flute, percussion and violoncello — 07.10 — op.118 — text by Thomas Brando, from the cycle Le Plaisir des chants difficiles • 2002 — Préhistoire — instrumental/ensemble — soprano, flute, percussion and violoncello — 05.10 — op.117 — text by Thomas Brando, from the cycle Le Plaisir des chants difficiles • 2001 — Piano dans le ciel — acousmatic — stereophonic acousmonium/loudspeakers — 37.00 — op.116 • 2001 — Panique au bord de l’eau — acousmatic — stereophonic acousmonium/loudspeakers — 06.05 — op.115 — text by Thomas Brando, from the cycle Les Acousmalides • 2001 — La Malédiction des flammes — acousmatic — stereophonic acousmonium/loudspeakers — 06.11 — op.114 — text by Thomas Brando; from the cycle Les Acousmalides; Compact Disc: Licences LCScd01 • 2001 — Berechit — acousmatic — stereophonic acousmonium/loudspeakers — 06.00 — op.113 • 2001 — Spirale — acousmatic — stereophonic acousmonium/loudspeakers — 18.48 — op.112 • 2001 — Nautilus — acousmatic — stereophonic acousmonium/loudspeakers — 07.44 — op.111 • 2000 — Chanson de la plus haute tour — acousmatic — stereophonic double acousmonium/loudspeakers — 72.00 — op.110 — text by Thomas Brando; voice of Pierre Henry; dedicated to Pierre Henry • 2000 — Organa — acousmatic — stereophonic acousmonium/loudspeakers — 09.00 — op.109 • 2000 — Caravaggio — acousmatic — stereophonic acousmonium/loudspeakers — 10.00 — op.108 — text by Thomas Brando, from the cycle Les Acousmalides, Licences • 2000 — La Nuit du Dibdak — acousmatic — stereophonic acousmonium/loudspeakers — 06.12 — op.107 — co-composed with Roberto Kenofsky; text by Marc Jaffeux; Compact Disc: Studio Forum • 2000 — L’Aile de l’abeille — acousmatic — stereophonic acousmonium/loudspeakers — 07.00 — op.106 — text by Marc Jaffeux • 1999 — Les Joueurs de sons — acousmatic — stereophonic+hexaphonic acousmonium/loudspeakers — 72.40 — op.105 — co-composed with Agnes Poisson • 1999 — Organe — mixed/solo — organ and stereophonic acousmonium/loudspeakers — 12.00 — op.104 • 1998 — Orange-Cité — instrumental/ensemble — flute, clarinet, percussion, piano, violin, viola, violoncello and contrabass — 08.30 — op.103 • 1998 — Cinq miniatures pour Barbe Bleue — instrumental/ensemble — soprano, bass, flute, clarinet, piano, violin, viola and violoncello — 12.00 — op.102 — text by Thomas Brando • 1998 — Terra incognita — acousmatic — stereophonic double acousmonium/loudspeakers — 25.42 — op.101 — Compact Disc: Motus Acousma M199005; dedicated to Pierre Schaeffer • 1998 — Lachrymae — instrumental/ensemble — 6 viols — 25.00 — op.100 • 1997 — Beethov’étonne — acousmatic — stereophonic acousmonium/loudspeakers — 04.20 — op.099 • 1997 — Lux tenebrae — acousmatic — stereophonic acousmonium/loudspeakers — 22.14 — op.098 — Compact Disc: Motus Acousma M199005 • 1997 — Ebene Sieben — acousmatic — stereophonic acousmonium/loudspeakers — 25.40 — op.097 — Compact Disc: Motus Acousma M199005; dedicated to Karlheinz Stockhausen • 1997 — Le Petit oiseau va sortir — acousmatic — stereophonic acousmonium/loudspeakers — 14.00 — op.096 • 1997 — Le Mystère des tornades — mixed/ensemble — oboe, harp, viola, violoncello and stereophonic acousmonium/loudspeakers — 25.30 — op.095 • 1997 — Fanfare — acousmatic — octophonic acousmonium/loudspeakers — 06.41 — op.094 • 1996 — Variations sur un thème de François Bayle — instrumental/ensemble — piccolo — 03.00 — op.093 • 1996 — Trois transcriptions d’après Rameau — instrumental/ensemble — flute, oboe, clarinet, harp, piano, violin, viola and violoncello — 14.00 — op.092 • 1996 — Une abeille et une perle — acousmatic — stereophonic acousmonium/loudspeakers — 13.22 — op.091 • 1996 — Excusez-moi, je meurs — instrumental/ensemble — piano, percussion and violoncello — 06.30 — op.090 — from the cycle Fantaisies romantiques et baroques/Délicieux danger • 1996 — Nuage de Pierre — acousmatic — stereophonic acousmonium/loudspeakers — 05.05 — op.089 — from the cycle Fantaisies romantiques et baroques/Délicieux danger • 1996 — Bazar punaise — acousmatic — stereophonic acousmonium/loudspeakers — 41.26 — op.088 — text by Thomas Brando • 1996 — Elixir — acousmatic — stereophonic acousmonium/loudspeakers — 12.34 — op.087 — Compact Disc: Motus Acousma M303006 • 1995 — Hélice — acousmatic — stereophonic acousmonium/loudspeakers — 11.58 — op.086 — Compact Disc: Motus Acousma M303006 • 1995 — Exil — acousmatic — stereophonic acousmonium/loudspeakers — 12.39 — op.085 — Compact Disc: Motus Acousma M303006 • 1995 — Litanie pour les vierges — instrumental/choral — 2 treble choirs and 12 strings — 17.00 — op.084 — text by Thomas Brando • 1995 — Allégorie — acousmatic — stereophonic acousmonium/loudspeakers — 69.30 — op.083 • 1995 — Avalanche — instrumental/solo — piano — 51.00 — op.082 — dedicated to François-Michel Rignol • 1995 — Golgotha — acousmatic — stereophonic acousmonium/loudspeakers — 26.50 — op.081 — texts by Thomas Brando and Marc Jaffeux • 1994 — Offrande ou l’être achevé — acousmatic — stereophonic acousmonium/loudspeakers — 17.00 — op.080 — text by Thomas Brando • 1993 — Où est maintenant la forêt? — acousmatic — stereophonic acousmonium/loudspeakers — 26.28 — op.079 — Compact Disc: Motus Acousma M197001 • 1993 — Chrysalide — acousmatic — stereophonic acousmonium/loudspeakers — 29.05 — op.078 — Compact Disc: GRM Ina e5007 • 1993 — Flèches — acousmatic — stereophonic acousmonium/loudspeakers — 26.00 — op.077 — text by Thomas Brando • 1992 — Ataraxie — instrumental/ensemble — 2 recorder quartets and a recorder ensemble — 12.00 — op.076 — Compact Disc: MA 2005 • 1992 — En effeuillant la marguerite — instrumental/solo — oboe — 15.00 — op.075 — text by Marc Jaffeux • 1992 — Archéoptéryx — instrumental/ensemble — flute, oboe, clarinet, saxophone, trombone, accordion and piano four hands — 13.00 — op.074 • 1992 — Cannibale — instrumental/ensemble — guitar and sampler with trigger — 07.00 — op.073 • 1992 — Souvenir de craie — instrumental/ensemble — flute, oboe, clarinet, saxophone, trombone, accordion and piano four hands — 04.00 — op.072 — from the cycle Fantaisies romantiques et baroques/Délicieux danger • 1992 — Collection de timbres — mixed/solo — organ and stereophonic acousmonium/loudspeakers — 25.00 — op.071 — text by Thomas Brando • 1992 — Salamandre — instrumental/ensemble — flute, oboe, clarinet, harp, violin and violoncello — 07.30 — op.070 — from the cycle Fantaisies romantiques et baroques/Marais • 1991 — Crapaud brillant — instrumental/solo — harpsichord — 08.00 — op.069 — from the cycle Fantaisies romantiques et baroques/Marais • 1991 — Légende — acousmatic — stereophonic acousmonium/loudspeakers — 25.45 — op.068 • 1991 — Charge maximale — acousmatic — stereophonic acousmonium/loudspeakers — 31.50 — op.067 — text by Thomas Brando • 1991 — Interruption — instrumental/ensemble — flute, synthesizer, violin, viola, violoncello, actor — 10.00 — op.066 — text by Thomas Brando • 1991 — Tom et la Licorne — mixed/ensemble — solo voices, vocal quartet, instrumental ensemble, stereophonic acousmonium/loudspeakers — 90.00 — op.065 — text by Thomas Brando • 1991 — Torrents du miroir — instrumental/ensemble — soprano, mezzo-soprano, counter-tenor, bass, flute, saxophone, horn, trumpet, trombone, violin and contrabass — 15.00 — op.064 — text by Thomas Brando; Compact Disc: ENM D03 • 1990 — Duel — instrumental/ensemble — 2 trumpets — 04.00 — op.063 • 1990 — Le Labyrinthe de l'amour /2 — mixed/ensemble — jazz ensemble and stereophonic acousmonium/loudspeakers — 21.00 — op.062 • 1990 — Alpage — instrumental/solo — electronic percussion — 09.00 — op.061 — text by Thomas Brando • 1990 — Chanson pensive — instrumental/ensemble — flute, bass flute, clarinet, basset horn, bass clarinet, viola and sampler — 20.00 — op.060 • 1990 — Hérisson cathédrale — instrumental/ensemble — flute, clarinet, violin, violoncello, piano, celesta and harpsichord — 19.00 — op.059 • 1989 — Cet été sur la plage (acousmatic version) — acousmatic — stereophonic acousmonium/loudspeakers — 12.00 — op.058-b — text by Thomas Brando, from the cycle Les Acousmalides • 1989 — Cet été sur la plage — mixed/solo — oboe and stereophonic acousmonium/loudspeakers — 12.00 — op.058-a — text by Thomas Brando • 1989 — Tu sa' ch'i' so — instrumental/ensemble — soprano, clarinet, violin, viola and violoncello — 19.00 — op.057 — text by Michelangelo • 1989 — Jeu délicieux — instrumental/ensemble — tenor and viola — 11.00 — op.056 — text by Denis Dufour • 1989 — Tulipe — mixed/solo — horn and stereophonic acousmonium/loudspeakers — 07.20 — op.055 • 1989 — Notre besoin de consolation est impossible à rassasier — acousmatic — stereophonic acousmonium/loudspeakers — 67.22 — op.054 — text by Stig Dagerman; voice of Thomas Brando; Compact Disc: GRM Ina c1010 • 1988 — Noël toxique — acousmatic — stereophonic acousmonium/loudspeakers — 03.10 — op.053 — text by Thomas Brando • 1988 — Moirures éteintes de la galaxie (Cosmophonie) — instrumental/ensemble — clarinet, horn, percussion, violin, violoncello and 2 synthesizers — 20.00 — op.052 — from the cycle Fantaisies romantiques et baroques/Plis de perversion • 1988 — Grenouille écarlate — instrumental/solo — guitar — 08.00 — op.051 — from the cycle Fantaisies romantiques et baroques/Marais • 1988 — Douze mélodies acousmatiques — acousmatic — stereophonic acousmonium/loudspeakers — 25.41 — op.050 — Compact Disc: Motus Acousma M197002, dedicated to Michel Chion • 1988 — Etude pour synthétiseur — instrumental/solo — synthesizer — 03.30 — op.049 • 1988 — Drapé de peaux de bêtes sur le corps des héros (L'Homme au masque de craie) — instrumental/orchestral — mezzo-soprano and orchestra — 20.00 — op.048 — text by Thomas Brando, from the cycle Fantaisies romantiques et baroques/Plis de perversion • 1987 — Nuit d'hiver — instrumental/ensemble — oboe, clarinet, horn, trombone, glockenspiel, harp and 2 violoncellos — 14.00 — op.047-b • 1987 — Nuit d'hiver — instrumental/ensemble — oboe, clarinet, horn, trombone, glockenspiel, harp, 2 violoncellos and narrator — 14.00 — op.047-a — text by Dominique Dubreuil • 1987 — Messe à l'usage des vieillards — acousmatic — quadriphonic acousmonium/loudspeakers — 32.50 — op.046 — text by Thomas Brando; Compact Disc: Accord UnaCorda 202222 • 1987 — Musique à coudre — acousmatic — stereophonic acousmonium/loudspeakers — 41.30 — op.045 — co-composed with Brigitte Gardet • 1986 — Messe à l'usage des enfants — acousmatic — quadriphonic acousmonium/loudspeakers — 30.35 — op.044 — text by Thomas Brando • 1986 — Tandem oblique — instrumental/ensemble — flute and piano — 14.00 — op.043 — Compact Disc: Motus Aujourd’hui M298004 • 1986 — Psaume d'Adam — acousmatic — stereophonic acousmonium/loudspeakers — 10.45 — op.042 — text by Thomas Brando, from the cycle Les Acousmalides • 1986 — Deux cartes postales — acousmatic — stereophonic acousmonium/loudspeakers — 08.35 — op.041 • 1986 — Exactement le contraire — multimedia — ballet and stereophonic acousmonium/loudspeakers — 69.00 — op.040 • 1985 — Le Pistolet d'or — instrumental/ensemble — 2 violins, 2 violas and 2 violoncellos — 23.00 — op.039 • 1985 — Fantaisie soluble — instrumental/ensemble — clarinet, horn, percussion, violin, violoncello and 2 synthesizers — 14.00 — op.038 • 1985 — Froncement des yeux de ton beau visage (1e lettre à Pinocchio) — instrumental/ensemble — violin, violoncello and synthesizer — 15.00 — op.037 — from the cycle Fantaisies romantiques et baroques/Plis de perversion • 1985 — La Cour des immortels du désir — multimedia — ballet and stereophonic acousmonium/loudspeakers — 71.05 — op.036 • 1984 — Le Labyrinthe de l'amour /1 — acousmatic — stereophonic acousmonium/loudspeakers — 03.35 — op.035 — Compact Disc: Licences • 1984 — Paysage — mixed/solo — violoncello and stereophonic acousmonium/loudspeakers — 03.30 — op.034 • 1984 — Ourlé du lac à la première goutte de pluie (Pli de perversion /2) — instrumental/ensemble — violin, synthesizer and real time transformation device — 14.00 — op.033 — from the cycle Fantaisies romantiques et baroques/Plis de perversion; Compact Disc: GRM Ina c1034 • 1984 — Quatuor “Non parmi les anges” — instrumental/ensemble — soprano, violin, viola and violoncello — 05.10 — op.032 — text by Thomas Brando, from the cycle Le Plaisir des chants difficiles • 1984 — Dix portraits — acousmatic — stereophonic acousmonium/loudspeakers — 38.20 — op.031-b — Compact Disc: Motus Acousma M197002 • 1984 — Dix portraits — mixed/ensemble — 3 synthesizers and stereophonic acousmonium/loudspeakers — 40.00 — op.031-a • 1983 — Colloque — acousmatic — stereophonic acousmonium/loudspeakers — 15.07 — op.030 • 1983 — Six mélodies — instrumental/ensemble — soprano and piano — 11.00 — op.029 — text by Jean-Christophe Thomas • 1983 — Vendredi, jour de liberté — multimedia — drama and stereophonic acousmonium/loudspeakers — 25.15 — op.028 • 1983 — Suite bleue — acousmatic — stereophonic acousmonium/loudspeakers — 19.20 — op.027 — Compact Disc: Accord UnaCorda 202222 • 1983 — Le Lis vert — acousmatic — stereophonic acousmonium/loudspeakers — 37.00 — op.026 — Compact Disc: Motus Acousma M306011 • 1982 — Entre dames — acousmatic — stereophonic acousmonium/loudspeakers — 19.30 — op.025 • 1982 — Lèvres serviles — instrumental/choral — female choir — 20.00 — op.024 • 1982 — Rêve lisse — instrumental/ensemble — violin and 2 synthesizers — 12.00 — op.023 — Compact Disc: GRM Ina 9115/9116 • 1981 — Suite en trois mouvements — acousmatic — stereophonic acousmonium/loudspeakers — 21.13 — op.022 — Compact Disc: Motus Acousma M303006 • 1981 — Dune — instrumental/ensemble — 2 flutes — 08.30 — op.021 • 1980 — La Galerie — mixed/ensemble — 3 sounding bodies, 3 synthesizers and stereophonic acousmonium/loudspeakers — 46.30 — op.020 • 1980 — L'Apocalypse d'Angers — mixed/solo — narrator and stereophonic acousmonium/loudspeakers — 50.30 — op.019-b — text selected by Benjamin Duvshani from the Apocalypse of John • 1980 — L'Apocalypse d'Angers — acousmatic — stereophonic acousmonium/loudspeakers — 50.30 — op.019-a — text selected by Benjamin Duvshani from the Apocalypse of John; voice of Benjamin Duvshani • 1980 — J.a.ch.H.16 — mixed/ensemble — 3 synthesizers — 18.45 — op.018 • 1979 — La Douceur a des cils — instrumental/ensemble — soprano, alto, tenor, bass — 18.30 — op.017 — text by Michel Vincent • 1979 — Un petit qui t'aime — mixed/ensemble — 3 percussionists and stereophonic acousmonium/loudspeakers — 15.30 — op.016 • 1979 — Rond de jambe — acousmatic — stereophonic acousmonium/loudspeakers — 08.05 — op.015 • 1979 — Le Cercle dans tous ses états — multimedia — ballet and stereophonic acousmonium/loudspeakers — 55.30 — op.014 • 1979 — Cueillir à l'arbre un petit garçon — instrumental/ensemble — saxophone, synthesizer and real time transformation device — 14.00 — op.013 • 1979 — Je voulais parler des oiseaux — mixed/ensemble — soprano, guitar and stereophonic acousmonium/loudspeakers — 40.00 — op.012 — text by Jean-Christophe Thomas and Denis Dufour • 1978 — Velours des dunes infoulées (Pli de perversion /1) — instrumental/ensemble — string instrument and synthesizer — 11.00 — op.011 — from the cycle Fantaisies romantiques et baroques/Plis de perversion • 1978 — Souvenir de Pierre — instrumental/ensemble — any 3 or more instruments — 05.00 — op.010 — from the cycle Fantaisies romantiques et baroques/Délicieux danger • 1978 — Trio — instrumental/ensemble — violin, mandolin, synthesizer and real time transformation device — 14.00 — op.009 • 1978 — Bocalises, grande suite — acousmatic — stereophonic acousmonium/loudspeakers — 36.43 — op.008 — Compact Disc: Motus Acousma M306011 • 1977 — Bocalises, petite suite — acousmatic — stereophonic acousmonium/loudspeakers — 19.02 — op.007 — Compact Discs: Accord UnaCorda 202222; Eferp 97-2; GRM Ina c1000 • 1977 — Concerto — instrumental/orchestral — violin and orchestra — 18.00 — op.006 • 1977 — Boucles — instrumental/solo — 10 string guitar — 05.00 — op.005 • 1977 — Objet-danse — multimedia — ballet and stereophonic acousmonium/loudspeakers — 93.00 — op.004 • 1977 — Le Crin s'ébruite — instrumental/ensemble — viola and percussion — 16.00 — op.003 • 1977 — En sursaut — instrumental/ensemble — soprano and viola — 10.00 — op.002 — text by Denis Dufour • 1976 — Etude de composition /1 — acousmatic — stereophonic acousmonium/loudspeakers — 04.46 — op.001

Denis Dufour is recorded with the occupation artistic director. Recorded with the occupation sound artist. Classed in the genre opera. Recorded as composer, artistic director and sound artist.