Daniel Vahnke

• Born — 2 April 1965 • Origin — Toronto, Ontario, Canada • Genre — Industrial, Modern classical • Instrument — Vocals, Sampler, Guitar • Occupation — Musician, composer, lyricist • Years Active — 1985–present • Label — Dossier, Fifth Colvmn, Re-Constriction, Vampire Rodents Productions • Past Member Of — Vampire Rodents Ether Bunny • Website — Official website

Daniel Vahnke studied anthropology in Toronto while working on piano pieces based on Chinese character stroke analysis. After the purchase of his first Roland S-50, Daniel became fascinated with Sample Based Composition, considering it a cleaner, safer, and more efficient method of creating music. In 1988, he created Vampire Rodents with his friend Victor Wulf, who had been writing experimental pop music, as a form of entertainment. However, the band soon developed into a creative outlet for Daniel's darkly humorous lyrics as well as some of his anti-human ideals. His last commercially available project, Papa Woody, was released in 1996 under the name Ether Bunny, although it was basically a solo effort. Serving as his personal tribute to the cartoon and jazz music, Vahnke claims to have been more satisfied with his work on Papa Woody than on any Vampire Rodents album. A collaboration with Athan Maroulis called Alchemia, later renamed Obsidian, was planned for release in 1997 but never came into fruition. The overall project was described as a SBC and LTG approach to The Blue Nile with string orchestra. Also, a completely instrumental Vampire Rodent album was completed the same year, but like the Alcemia/Obsidian project was shelved indefinitely.

To give his vocal "characters" an individual identity, he decided to work under the alias Anton Rathausen. Although he rarely watches movies or television, Daniel remains an admirer of cartoons. His favorite films are Life of Brian, RocketMan, The Incredible Mr. Limpet, Shaun of the Dead, and Incredible Shrinking Man. However, Daniel has claimed that "Most films are best enjoyed played in reverse with several CD players playing random damaged CD's as an augmented soundtrack."