Constantin Tănase

He was born into a working-class family living in a peasant house in Vaslui, Romania. An adequate but unexceptional student (although he did apparently learn good German), his first exposure to the stage was by attending plays at "Pârjoala" garden, where he saw popular theater, including actors such as Zaharia Burienescu and I.D. Ionescu. This inspired him to start an amateur theater group among his friends; they worked up scenes from the plays Meșterul Manole, Căpitanul Valter Mărăcineanu, and Constantin Brâncoveanu; their closest thing to a stage was a barn. • Illustration — Constantin Tănase playing Napoleon His first professional experience as an actor was in the Yiddish-language theater troupe of Mordechai Segălescu: they were short an actor for a performance in Vaslui and drafted the youthful Tănase. In 1896 he completed gymnasium. Despite his wish to become an actor, at his parents behest he enrolled in the Military School at Iași, but his rebellious behavior there quickly got him booted out. He headed to Brăila, where he briefly attended the Nicolae Bălcescu High School, but after a few weeks he dropped out due to lack of funds. In Brăila he met the schoolteacher and writer Ion Adam, who suggested that the 18-year-old Tănase take over his teaching post in Cursești, Rahova, since Adam was headed to take some courses in Belgium. He didn't do badly at the job, but hit it off badly with the headmaster and some of the other teachers. With Adam's support, he got another teaching job at Hârșoveni, Poienești, where poet Alexandru Vlahuță also taught. Tănase promptly developed his own style of teaching, bringing music and gymnastics to a central role, which drew new students to the school. He also involved his students' parents through field trips which he used to teach history and geography. He soon became a generally beloved local figure, but apparently the local notary and certain lawyers disapproved of him and his methods and managed to have him fired. Out of work, he headed for Bucharest on October 14, 1899, where he volunteered to join a military regiment, the 1st Engineer Regiment (Regimentul 1 Geniu). After his military service, he worked in theater, and in 1917, he married Virginia Niculescu. In Bucharest in 1919, he founded the theater troupe "Cărăbuș" (meaning cockchafer). Over the course of 20 years, he would establish a tradition of humorous cabaret/revue theater that still continues in Romania today, most notably at the "Constantin Tănase" Revue Theatre, the former home of "Cărăbuș" at 33-35 Calea Victoriei in the heart of Bucharest. At "Cărăbuș", Tănase launched the careers of numerous performers, notably Maria Tănase and Horia Șerbănescu. "Cărăbuș" frequently toured Romania and on at least one occasion toured Turkey. Tănase himself also performed in Paris. According to at least one source, he also founded 3 schools for children and a church.

• Illustration — Grave of Constantin Tănase at Bellu Cemetery According to the official account, he died of complications from a tonsillitis on August 29, 1945, in Bucharest. However, it is rumored that he was killed by the invading Red Army, as reported in the following account. Tănase was still performing in Bucharest a year after the arrival of the Russians, and was killed for satirizing the Red Army soldiers' habit of "requisitioning" all personal property in sight, in particular of taking people's watches, demanding them by saying, "Davai ceas" (davai – Russian for "Give me", and ceas – Romanian for "watch"). Tănase made up a verse: • Rău era cu "der, die, das" • Da-i mai rău cu "davai ceas" • De la Nistru pân' la Don • Davai ceas, davai palton • Davai ceas, davai moșie • Harașo tovărășie • It was bad with "der, die, das" • But it's worse with "davai ceas" • From the Dniester to the Don • Davai watch, davai overcoat • Davai watch, davai land • Harașo comradeship Another variant of these verses in loose translation: • It was bad with "der, die, das" • But it's worse with "davai ceas" • From the Dniester to the Don • Davai watch, coat and long-johns, • You can forego your ownership, • Harașo comradeship After several performances he was arrested, threatened with death, and told not to do the sketch again. However, Tănase was not a man to be intimidated. At the next performance, he came on stage in a giant overcoat, with his arms festooned in watches. The audience applauded wildly as he simply stood there. Then he opened the overcoat, revealing a pendulum clock. Pointing to it, he said "El tic, eu tac, el tic, eu tac" (punning on tic-tac, the Romanian equivalent of "tick-tock", but also meaning "It ticks, I am silent, it ticks, I am silent"). Two days later he was dead. He is buried in Bellu Cemetery, in Bucharest. Streets in Sector 2 of Bucharest and in Oradea are named after him.

Tănase's theater was often political and avant garde. Simona Pop quotes some lines from a song or his as typical: • În țara asta, țara pâinii • Să aibă pâine până și câinii • Guvernul nostru ne obligă • S-avem o zi de mămăligă • Lor ce le pasă cum e trăiul • Scumpiră trenul și tramvaiul • Scumpiră tot, la cataramă • Până și pâinea și tutunul • Și când înjuri pe șleau de mamă • Ei, cică, eu fac pe nebunul. • In this land, the land of bread • Even the dogs should eat bread • Our government obliges us • To have a day of mămăligă • What do they care how good the living is? • Expensive trains and trams • Expensive everything, to the limit • Even bread and tobacco • And when I openly curse their mother • They claim I'm playing the fool. • Teoria mea-i uşoară • Toată viața e o scară • Care, pe rând, ca și la moară • Toți o urcă și-o coboară". • My theory is easy • All life is a staircase • Which, by turn, just like at a mill • Everyone climbs and descends.

The 1975 film Actorul şi sălbaticii ("The Actor and the Savages") starred Toma Caragiu (who died soon afterwards in the 1977 Bucharest earthquake) as "Caratase" – a mixture of Caragiu and Tănase and a transparent allusion to Tănase. However, even with Romania's increased independence from the Soviet Union, it was politically impossible to show the Red Army as responsible for his death; in the screenplay, only the conflict with the Iron Guard is illustrated, repeatedly irritating them with antifascist satire. His death is caused by a heart attack.

"Ideals are like stars: you can't actually reach them, but you can orient yourself by them."

• Peripițiile călătoriei lui Rigadin de la Paris la București (1924, silent, The Adventures of Rigadin During His Travel from Paris to Bucharest • Visul lui Tănase (1932, Tănase's Dream) • Răbdare Tănase! (1943, Have patience, Tănase!)