Christos Tsiolkas

16 works under this name are catalogued by Wikidata Query Service and Open Library. Their recorded dates run from 1996 to 2008.

The Slap. Loaded. Dead Europe. Barracuda. Migrant, Defiant, Working Class. Damascus. Seven and a Half. Kata metōpo. La bofetada. Merciless Gods. La gifle. The devil's playground, dated 2002. Jump cuts, dated 1996. Tolerance, prejudice and fear, dated 2008. Unter Strom. The Jesus Man, dated 1999.

7 scholarly publications naming this subject were located in the registry of record.

Christos Tsiolkas, Christos Tsiolkas, 2011. Review of *Christos Tsiolkas: The Utopian Vision*, by Jessica Gildersleeve, Australian Literary Studies, 2017. Christos Tsiolkas, the ‘blasphemous’ artist and Barracuda, 2016. Christos Tsiolkas and the Pornographic Logic of Commodity Capitalism, Australian Literary Studies, 2010. Christos Tsiolkas, ‘Career’, and Anti-Capitalist Critique, Literary Careers in the Modern Era, 2015. The Slap (ABC-1, 2011) : dispositif narratif et relativisme éthique, TV Series, 2024. Christos Tsiolkas’ The Slap: Multiculturalism in Australia Now, Lingual, 2020.

2 digitised items associated with this heading are catalogued by Internet Archive.

Jesus Man - Christos Tsiolkas — Internet Archive. Loaded : Ari is Nineteen, Unemployed and a Poofter Who Doesn't Want to be Gay. He is Always Looking for Something - Anything - to Take Him Away from His Aimless Existence in a Melbourne Suburb. (1998) — Internet Archive.

Bibliographic registers publish measured figures for this heading: 12 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 4 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 4 means 4 genuinely separate publishers of record. 14 further registers were consulted and returned nothing for this heading.