Christophe Looten
Christophe Looten (born 5 April 1958) is a French composer.
Christophe Looten
Wagner-r · CC BY-SA 3.0
- Name
- Christophe Looten
- Born
- 5 April 1958
- Birthplace
- Bergues
- Occupation
- Composer
- Nationality
- France
- Fields
- opera · symphony
- Movements
- classical music
- Education
- Conservatoire de Paris · École du Louvre
- Known for
- Addio
- Honours
- Chevalier des Arts et des Lettres · Officer of Arts and Letters
- Languages
- French
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Documentary basis
Authority files
wikidata · Q1086362 · wikipedia · Christophe Looten
In this article
Biography
Biography
Christophe Looten studied at Conservatoire de Paris and École du Louvre. The recorded working language is French. Subjects and genres recorded for the work are opera and symphony. Works named in the authority record are Addio. Distinctions recorded are Chevalier des Arts et des Lettres and Officer of Arts and Letters.
Key facts
Key facts
• Name — Christophe Looten • Born — 5 April 1958 • Birthplace — Bergues • Occupation — Composer
Biography
Biography
Looten has been composing since the age of seven, when he began to study music with the local organist. A student of the École du Louvre, he graduated from the Conservatoire de Paris. Having won numerous prizes, he began a career as teacher, and was appointed professor of musical analysis and history at the Regional Conservatoire of Limoges, as well as conducting a course in aesthetics at the city's University. Made Pensionnaire de l'État in 1987, he spent two years in residence at the Casa de Velázquez in Madrid. After his stay in Spain, he was awarded the Bourse Lavoisier, a grant that enabled him to go to the United States, where he obtained several fellowships. As composer in residence at Wellesley University in 1991, he won both the Prix Alea and the Prize for Composition of Besançon for his Third String Quartet. Returning to France, he decided to devote himself entirely to composing, and went on to receive various prizes (SACEM, Jolivet, etc.). He was several times invited as composer in residence at the Round Top Festival Institute, where he composed several works: Kammerkonzert, Book of Angels and his Piano Quartet. In 1998, he received a Fulbright Scholarship, which enabled him to return to the United States, before being appointed composer in residence in the region Nord-Pas-de-Calais for two and a half years. During this residence, numerous works were written and performed, among them Apparition de la Cité d'or, composed as the required piano piece for the Gold Medal competition. His first symphony was presented by Radio France in 2000, while his second opera, Médée de Thessalonique – on a libretto by Frédéric Lenormand – (State commission, production by la Clef des Chants in co-production with Ars Nova) was premiered at the Théâtre d'Arras in a production by Vincent Goethals, with the Ensemble Ars Nova under the direction of Philippe Nahon, the title role sung by Nicole Kuster. In 2000, Looten was appointed Chevalier des Arts et des Lettres, while his music was performed in many countries. The International Beethoven Festival commissioned his Litanies for soloists, choir, organ and orchestra, the Gottes Namen Litanei, which were premiered in September 2000 in Bonn Cathedral. This success led to the commission by the International Beethoven Festival of the Bonner Messe, for four soloists, mass choir, organ and orchestra. This work, composed of three parts ("Gloria", "Litanei" and "Sanctus") was destined to be premiered alongside a performance of Beethoven's Missa Solemnis. The concert took place on 23 September 2003, with Beethoven's "Gloria" and "Sanctus" being replaced by those of Looten and the mass completed by "Litanies" sung in German, according to an old tradition. Subsequent important events have been the premiere of Sind Blitze, sind Donner in Lille, and the enormous success of the premiere at the Amsterdam Muziekgebouw of his second cello octet, Addio.
The Bi-pentaphonic mode
The Bi-pentaphonic mode
In 1981, Looten developed a scale of sounds never before consciously used or noted: the bi-pentaphonic mode. It results from the superposition (with two common notes) of two hexaphones of identical and unretrogradable intervallic structure. The use of this scale (transposable to the 12 degrees) is a source of great richness as much on the expressive level as for the structure of the work. Constituted of ten sounds (the missing two are absolutely excluded in so far as a modulation has not reintroduced them), it gives the composer writing atonal music all the structural, rhetoric and symbolic possibilities that the tonal language offers. Looten has used this scale since 1981, the date from which he recommenced the numeration of his catalogue.
Decorations
Decorations
• Officer of the Order of Arts and Letters (2015)
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Christophe Looten, revision 1340949531 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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Cited by Wikipedia
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Studied at
1- École du LouvreOrganisation
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 21 August 2026.
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