Christian Rohlfs
Christian Rohlfs (November 22, 1849 - January 8, 1938) was a German painter and printmaker, one of the important representatives of German expressionism.
Also recorded as chr. rohlfs · ch. rohlfs · Rohlfs
Christian Rohlfs

Christian Rohlfs · repro from artbook · Public domain
- Name
- Christian Rohlfs
- Born
- 22 November 1849
- Birthplace
- Groß Niendorf, Holstein, Germany
- Died
- 8 January 1938
- Place of death
- Hagen, Prussia, Germany
- Nationality
- German Reich
- Occupation
- painter · draftsperson · sculptor · graphic artist · visual artist
- Movements
- Expressionism
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Christian Rohlfs (November 22, 1849 - January 8, 1938) was a German painter and printmaker, one of the important representatives of German expressionism.
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Documentary evidence
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Authority files
wikidata · Q62992 · wikipedia · Christian Rohlfs
In this article
Key facts
Key facts
• Name — Christian Rohlfs • Birth Name — Christian Rohlfs • Born — 22 November 1849 • Birthplace — Groß Niendorf, Holstein, Germany • Died — 8 January 1938 • Place of death — Hagen, Prussia, Germany
Early life and education
Early life and education
• Illustration — Abstraction (the Blue Mountain) (1912) He was born in Groß Niendorf, Kreis Segeberg in Prussia. He took up painting as a teenager while convalescing from an infection that was eventually to lead to the amputation of a leg in 1874. He began his formal artistic education in Berlin, before transferring, in 1870, to the Weimar Academy.
Professional career
Professional career
In 1901 Rohlfs left Weimar for Hagen, where through the architect Henri van der Velde got to know the art collector Karl Ernst Osthaus who offered him a studio in an estate which would become the Museum Folkwang. Rohlfs was the first artist to begin to work there. Meetings with Edvard Munch and Emil Nolde and the experience of seeing the works of Vincent van Gogh inspired him to move towards the expressionist style, in which he would work for the rest of his career. In 1908, at the age of 60, he made his first prints after seeing an exhibition of works by the expressionist group Die Brücke. He went on to make 185 in total, almost all woodcuts or linocuts. He lived in Munich and the Tyrol in 1910–12, before returning to Hagen.. The outbreak of World War I worried Rohlfs such, that for some time he felt unable to paint. In rare instances he experimented with heavily hand-coloring his prints, onto the verge of painting and sometimes well after they were made, as in his 1919 recoloring of the prior year's Der Gefangene. In May 1922 he attended the International Congress of Progressive Artists and signed the "Founding Proclamation of the Union of Progressive International Artists". In 1937 the Nazis expelled him from the Prussian Academy of Arts, condemned his work as degenerate, and removed his works from public collections. Seventeen of his paintings were exhibited in the Degenerate Art Exhibition in 1937. He died in Hagen, Westfalia, on 8 January 1938.
Recognition
Recognition
• In 1929 the town of Hagen opened a Christian Rohlfs Museum. • Honorary citizen of Hagen • Honorary Doctorate by University of Kiel • Honorary Doctorate by University of Aachen
Works
Works
• Illustration — Hilly landscape in late autumn, 1900 • Illustration — Collegiate Church of St. Patroclus in Soest, 1912, Germanisches Nationalmuseum • Illustration — Landscape vision, 1912, Germanisches Nationalmuseum • Illustration — The temptation of Christ, 1914, Germanisches Nationalmuseum • Illustration — Sternbrücke in Weimar., (ca. 1917)

De blauwe berg - Christian Rohlfs - Museum voor Schone Kunsten Gent
Christian Rohlfs

De blauwe berg of In het Sauerland - Christian Rohlfs - Museum voor Schone Kunsten Gent
Christian Rohlfs
Life and career
Dated record
Life and career
Explore 1849–1938
The full dated record · 3 entries
1849
Christian Rohlfs born at Groß Niendorf.
1919
Poverty, Christian Rohlfs, 1919 (Museum of Fine Arts Ghent (MSK)).
1938
Christian Rohlfs died at Hagen.
Style and technique
Throughout his career he working through a variety of academic, naturalist, impressionist, and Post-Impressionist styles. He has often been viewed as one of the first Expressionists.
Reception
After his death, the German Nazi authorities prohibited the sale of his paintings. Commemorative exhibitions were organized by the Kunstmuseum Basel and the Berner Kunsthalle.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Royal Academy of Arts/ Prestel Verlag. German Art in the 20th Century: Painting and Sculpture 1905 1985. 497–8. 1985.
- 2.Barron, Stephanie. "Entartete Kunst": das Schicksal der Avantgarde im Nazi-Deutschland : [eine Ausstellung des] Los Angeles County Museum of Art [übernommen vom] Deutschen Historischen Museum. Hirmer Publishers. 331–332. 1992. 3-7774-5880-5.
- 3.Museum of Modern Art, New York. Christian Rohlfs (German, 1849–1938).
- 4.Cole, William. "Christian Rohlfs: Der Gefangene," Art in Print, Vol. 4 No. 1 (May–June 2014).
- 5.van Doesburg, Theo. De Stijl, "A Short Review of the Proceedings [of the Congress of International Progressive Artists], Followed by the Statements Made by the Artists' Groups" (1922). modernistarchitecture.wordpress.com. Ross Lawrence Wolfe.
- 6.Christian Rohlfs. www.germanexpressionismleicester.org. 2014-09-30.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Wikidata, structured authority record Q62992: Christian RohlfsWikimedia Foundation
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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