Charlotte von Mahlsdorf
Charlotte von Mahlsdorf (18 March 1928 – 30 April 2002) was a well-known transgender woman in East Germany and founded the Gründerzeit Museum in Berlin-Mahlsdorf. Later she became a LGBT-icon in Germany because of Rosa von Praunheim's biopic I Am My Own Woman (1992). When a local mansion was due for demolition, von Mahlsdorf was allowed to live there, and its contents became the basis for her collection of everyday household items from the Gründerzeit period (c.
Charlotte von Mahlsdorf

Katja Rehfeld · Bundesarchiv, Bild 183-S0303-015 / Katja Rehfeld / CC-BY-SA 3.0 · This image was provided to Wikimedia Commons by the German Federal Archive (Deutsches Bundesarchiv) as part of a cooperation project. The German Federal Archive guarantees an authentic representation · CC BY-SA 3.0 de
- Born
- 1928.
- Died
- 2002.
- Nationality
- Germany.
- Occupation
- writer, autobiographer, activist, LGBTQ rights activist, art collector and musician.
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Charlotte von Mahlsdorf (18 March 1928 – 30 April 2002) was a well-known transgender woman in East Germany and founded the Gründerzeit Museum in Berlin-Mahlsdorf. Later she became a LGBT-icon in Germany because of Rosa von Praunheim's biopic I Am My Own Woman (1992). When a local mansion was due for demolition, von Mahlsdorf was allowed to live there, and its contents became the basis for her collection of everyday household items from the Gründerzeit period (c.
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Charlotte von Mahlsdorf (1928–2002) was a German activist, art collector and autobiographer, among other activities. Born Lothar Berfelde in Berlin, the activist died in Berlin. Languages used include German.
Composed from admitted, traceable facts · 26 September 2026
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wikidata · Q68486 · wikipedia · Charlotte von Mahlsdorf
In this article
Early years
Early years
The museum became a popular meeting-point for East Berlin’s gay community, to the disapproval of the East German regime (Stasi).
Von Mahlsdorf was born to parents Max Berfelde and Gretchen Gaupp in Berlin-Mahlsdorf, Germany. At a very young age she began to play with gender roles and expressed more interest in the clothing and articles for girls. She helped a second-hand goods dealer clear out the apartments of deported Jews and sometimes kept items.
Career
Career
Von Mahlsdorf's collection evolved into the Gründerzeit Museum. She had become engaged in the preservation of the von Mahlsdorf estate, which was threatened with demolition, and was awarded the manor house rent-free. In 1960, Von Mahlsdorf opened the museum of everyday articles from the Gründerzeit (the time of the founding of the German Empire) in the only partially-reconstructed Mahlsdorf manor house. The museum became well known in cinematic, artistic and gay circles. From 1970 on, the East Berlin homosexual scene often had meetings and celebrations in the museum. In 1974 the East German authorities announced that they wanted to bring the museum and its exhibits under state control. In protest, von Mahlsdorf began giving away the exhibits to visitors. Thanks to the committed involvement of the actress Annekathrin Bürger and the attorney Friedrich Karl Kaul—and possibly also thanks to her enlistment as an inoffizieller Mitarbeiter (an unofficial collaborator) for Stasi, the secret East German police—the authorities' attempt was stopped in 1976 and she was able to keep the museum. In 1991, neo-Nazis attacked one of her celebrations in the museum. Several participants were hurt. At this time, von Mahlsdorf announced she was considering leaving Germany. In 1992, she received the Order of Merit of the Federal Republic of Germany (Bundesverdienstkreuz). Her decision to leave Germany meant that she guided her last visitor through the museum in 1995, and in 1997 she moved to Porla Brunn, an old spa near Hasselfors, Sweden, where she opened (with moderate success) a new museum dedicated to the turn of the 19th century. The city of Berlin bought the Gründerzeit Museum, and by 1997 it had been opened again by the "Förderverein Gutshaus Mahlsdorf e. V.". Her life could be described as that of an outsider who survived, no matter the ruling ideology, during the Nazi period, Communist-controlled East Germany, or, once the wall fell, modern Germany, as described in the article "The Sexual and Political Chameleon of Berlin: The Ambiguities of Charlotte von Mahlsdorf's Life in I Am My Own Wife.” Von Mahlsdorf died from heart failure during a visit to Berlin on 30 April 2002.
Theatre plays
Theatre plays
American playwright Doug Wright wrote the character play I Am My Own Wife based on von Mahlsdorf's life, based on interviews, personal correspondence, and biographical research. Since its initial run on- and off-Broadway in 2003, the play has garnered many major American theatre awards, including the Pulitzer Prize for Drama, Tony Award, the Drama Desk Award, Drama League Award, the Lucille Lortel Award, and the Lambda Literary Award for Drama. German author Peter Süß, co-author and publisher of von Mahlsdorf's book, has made another play called Ich bin meine eigene Frau. The play had its premiere in spring 2006 at the Schauspiel Leipzig. Larry Moss and Josef Ludwig Pfitzer made an adaptation of the Doug Wright play called Ich mach ja doch, was ich will (I still do what I want), that was shown at Teamtheater in May 2012 in Munich, Germany.

For documentary purposes the German Federal Archive often retained the original image captions, which may be erroneous, biased, obsolete or politically extreme. ADN-ZB / Rehfeld / 3.3.77 /
Katja Rehfeld · Bundesarchiv, Bild 183-S0303-016 / Katja Rehfeld / CC-BY-SA 3.0 · This image was provided to Wikimedia Commons by the German Federal Archive (Deutsches Bundesarchiv) as part of a cooperation project. The German Federal Archive guarantees an authentic representation

access to the residential street 'Charlotte-von-Mahlsdorf-Ring' in Berlin-Mahlsdorf
Bildarbeiter
Documentary film
Documentary film
In 1992, German filmmaker Rosa von Praunheim made a film about von Mahlsdorf called I Am My Own Woman (Original title: Ich bin meine eigene Frau) with von Mahlsdorf appearing in the film.
Film
Film
Coming Out dir. Heiner Carow, 1989. Cameo role as barmaid. Charlotte in Schweden by filmmaker Rosa von Praunheim. In 2002, von Praunheim made a film about Charlotte's new life in Porla Brunn, Sweden. Charlotte by John Edward Heys, 2009. Screened at the 56th Internationale Kurzfilmtage Oberhausen, 2010.
Legacy
People still honour her memory, be it for her work as the founder of the Gründerzeit Museum, or for her public role as a transgender woman and her foregrounding of the persecution of homosexuals in both the Third Reich and East Germany. The appeal for a memorial to von Mahlsdorf, organized by the "Förderverein Gutshaus Mahlsdorf e. V." and the "Interessengemeinschaft Historische Friedhöfe Berlin" (Alliance of Historical Cemeteries in Berlin) was therefore a success. The intention of the organizers was to erect a memorial with the inscription "Ich bin meine eigene Frau (I am my own woman) – Charlotte von Mahlsdorf – 18. März 1928 – 30. April 2002" on the first anniversary of Charlotte's death. Although Charlotte von Mahlsdorf had been known almost exclusively by her "stage name" in recent years, her relatives pushed through the inscription "Lothar Berfelde, 1928 – 2002, genannt Charlotte von Mahlsdorf. Dem Museumsgründer zur Erinnerung" (Lothar Berfelde, 1928 – 2002, known as Charlotte von Mahlsdorf. In memory of the [male] founder of the museum).
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Ich bin meine eigene Frau. cinema.de.
- 2.Remembering Charlotte von Mahlsdorf: East German Trans Woman and Renowned Curator. The Bristorian.
- 3.Eger, Henrik. Behind The Mask. The Jewish Daily Forward. 12 July 2010.
- 4.Flakin, Nathaniel. Hidden in the "Far East", the museum built by Berlin's most famous trans woman. The Berliner. 2022-05-25.
- 5.Schulze, Micha. Berlins Chef-Tunte bekommt einen Orden. Die Tageszeitung: taz. 1992-08-18. 0931-9085.
- 6.Giersdorf, Jens Richard. WHY DOES CHARLOTTE VON MAHLSDORF CURTSY?: Representations of National Queerness in a Transvestite Hero. Journal of Lesbian and Gay Studies. 12. 2. 176. 2006-04-01.
- 7.Eger, Henrik. The Sexual and Political Chameleon of Berlin: The Ambiguities of Charlotte von Mahlsdorf's Life in "I Am My Own Wife". Drama Around the Globe. 5 August 2018.
- 8.Pacheco, Patrick. Not-so-sweet Charlotte. Los Angeles Times. 2003-06-22.
- 9.Baer, Brian James. Translation, Transition, Transgender. TSQ: Transgender Studies Quarterly. 3. 3–4. 506–523. 2016. 10.1215/23289252-3545191.
- 10.Coming Out | DEFA Film Library.
- 11.Jones, Kenneth. German Transvestite Is Singular Sensation of I Am My Own Wife, Bowing on Bway Nov. 11. Playbill. 2003-11-11.
- 12.Doug Wright. The Pulitzer Prizes.
- 13.I Am My Own Wife Tony Awards Wins and Nominations. BroadwayWorld.
- 14.Awards History - The Drama League. Drama League.
- 15.Lucille Lortel Awards Bestowed at Minetta Lane Theatre - TheaterMania.com. TheaterMania. 2004-05-04.
- 16.17th Annual Lambda Literary Awards. Lambda Literary. 2005-07-09.
Bibliography printed in the source article · 4
- Mahlsdorf, Charlotte von. Ich bin meine eigene Frau. Edition Diá. 1992. 3-86034-109-X.
- Mahlsdorf, Charlotte von. I Am My Own Woman: The Outlaw Life of Charlotte Von Mahlsdorf, Berlin's Most Distinguished Transvestite. Cleis Press. 1995. 1573440108.
- Mahlsdorf, Charlotte von. I Am My Own Wife: The True Story of Charlotte von Mahlsdorf. Cleis Press. 2004. 1573442003.
- Mahlsdorf, Charlotte von. Ab durch die Mitte. Deutscher Taschenbuch-Verlag (DTV). 1997. 3-423-20041-3.
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