Charles Brackett

Charles Brackett studied at Williams College and Harvard Law School. The recorded working language is English. Work by Charles Brackett is recorded in the collections of Harvard Film Archive. Distinctions recorded are Writers Guild of America Award, Writers Guild of America Award for Best Original Screenplay, Academy Award for Best Writing, Original Screenplay and Academy Award for Best Writing, Adapted Screenplay.

• Name — Charles Brackett • Born — 26 November 1892 • Birthplace — Saratoga Springs, New York, U.S. • Died — 9 March 1969 • Place of death — Beverly Hills, California, U.S. • Education — Williams College • Children — 2 • Occupation — Screenwriter, producer • Years Active — 1925–1962

Brackett was born in Saratoga Springs, New York, the son of Mary Emma Corliss and New York State Senator, lawyer, and banker Edgar Truman Brackett. The family's roots traced back to the arrival of Richard Brackett in the Massachusetts Bay Colony in 1629. His mother's uncle, George Henry Corliss, built the Centennial Engine that powered the 1876 Centennial Exposition in Philadelphia. A 1915 graduate of Williams College, he earned his law degree from Harvard University. He joined the Allied Expeditionary Force during World War I, and was awarded the French Medal of Honor. He was a frequent contributor to the Saturday Evening Post, Collier's, and Vanity Fair, and a drama critic for The New Yorker. He wrote five novels: The Counsel of the Ungodly (1920), Week-End (1925), That Last Infirmity (1926), American Colony (1929),[1] and Entirely Surrounded (1934). Brackett was a president of the Screen Writers Guild (1938–1939) and for the Academy of Motion Picture Arts and Sciences (1949–1955). He either wrote and/or produced over forty films, including To Each His Own, Ninotchka, The Major and the Minor, The Mating Season (1951), Niagara, The King and I, Ten North Frederick, The Remarkable Mr. Pennypacker and Blue Denim. Beginning in August 1936, Brackett worked with Billy Wilder, writing the film classics The Lost Weekend and Sunset Boulevard, both of which won Academy Awards for their respective screenplays. Brackett described their collaboration process as follows: "The thing to do was suggest an idea, have it torn apart and despised. In a few days it would be apt to turn up, slightly changed, as Wilder's idea. Once I got adjusted to that way of working, our lives were simpler."[2] His partnership with Wilder ended in 1950 and Brackett went to work at 20th Century-Fox as a screenwriter and producer. His script for Titanic (1953) won him another Academy Award. He received an Honorary Oscar for Lifetime Achievement in 1958. Brackett died on March 9, 1969.[3] His diaries covering his screenwriting and social life from 1932 to 1949 were edited by Anthony Slide into Slide's book It's the Pictures That Got Small: Charles Brackett on Billy Wilder and Hollywood's Golden Age.

Brackett married Elizabeth Barrows Fletcher in 1919. They had two daughters, Alexandra Corliss Brackett and Elizabeth Fletcher Brackett. His wife died in 1948, and in 1953, Brackett married Lillian Fletcher, her sister. They had no children.[4] Brackett was a Republican who voted for Alf Landon in 1936 and supported Barry Goldwater in the 1964 United States presidential election.[5]

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• Tomorrow's Love (1925) – based on a story Interlocutory • Risky Business (1926) – based on a story Pearls Before Cecily • Pointed Heels (1929) – based on a story • Secrets of a Secretary (1931) – based on a story[6] • College Scandal (1935) – writer • Without Regret (1935) – writer • The Last Outpost (1935) – writer • Rose of the Rancho (1936) – writer • Woman Trap (1936) – writer • Piccadilly Jim (1936) – writer • Live, Love and Learn (1937) – writer • Bluebeard's Eighth Wife (1938)* – writer • What a Life (1939)* – writer • Ninotchka (1939)* – writer • Arise, My Love (1940)* – writer • Hold Back the Dawn (1941)* – writer • Ball of Fire (1941)* – writer • The Major and the Minor (1942)* – writer • Five Graves to Cairo (1943)* – writer, producer • The Uninvited (1944) – producer • The Lost Weekend (1945)* – producer, writer • To Each His Own (1946) – writer, producer • The Bishop's Wife (1947) – uncredited writer • A Foreign Affair (1948)* – writer, producer • The Emperor Waltz (1948)* – writer, producer • Miss Tatlock's Millions (1948) – writer, producer • Sunset Boulevard (1950)* – writer, producer • Edge of Doom (1950) – writer (uncredited) • The Mating Season (1951) – writer, producer • The Model and the Marriage Broker (1951) – writer, producer • Niagara (1953) – writer, producer • Titanic (1953) – writer, producer • Woman's World (1954) – producer • Garden of Evil (1954) – producer • The Virgin Queen (1955) – producer • The Girl in the Red Velvet Swing (1955) – writer, producer • Teenage Rebel (1956) – writer, producer • The King and I (1956) – producer • D-Day the Sixth of June (1956) – producer • The Wayward Bus (1957) – producer • The Gift of Love (1958) – producer • Ten North Frederick (1958) – producer • The Remarkable Mr. Pennypacker (1959) – producer • Blue Denim (1959) – producer • Journey to the Center of the Earth (1959) – writer, producer • High Time (1960) – producer • State Fair (1962) – producer ("*" indicates collaboration with Wilder)

Indexed under Global Cancer Incidence and Screening, Opioid Use Disorder Treatment, Colorectal Cancer Screening and Detection, Prostate Cancer Diagnosis and Treatment, Patient-Provider Communication in Healthcare. Associated with Dartmouth College, Dartmouth Institute for Health Policy and Clinical Practice, Dartmouth–Hitchcock Medical Center, Yale University. Recorded as screenwriter, writer, film director and producer.