Chariton

Nothing is securely known of Chariton beyond what he states in his novel, which introduces him as "Chariton of Aphrodisias, secretary of the rhetor Athenagoras". The name "Chariton", which means "man of graces", has been considered a pseudonym chosen to suit the romantic content of his writing, but both "Chariton" and "Athenagoras" occur as names on inscriptions from Aphrodisias. The latest possible date at which Chariton could have written is attested in papyri that contain fragments of his work, which can be dated paleographically to about AD 200. A variety of dating suggestions have been generated by analyzing Chariton's words. A date as late as the sixth century AD was suggested in the 19th century, before the discovery of the papyri, based on stylistic considerations, while A. D. Papanikolaou argued for the second half of the first century BC in 1979. One study of Chariton's vocabulary favours a date in the late 1st century or early 2nd century AD. Edmund Cueva has argued that Chariton also depended on Plutarch's vita of Theseus for thematic material, or perhaps directly on one of Plutarch's sources, an obscure mythographer, Paion of Amathus. If the source is Plutarch, then a date after the first quarter of the 2nd century is indicated. There is a dismissive reference, however, to a work called Callirhoe in the Satires of Persius, who died in AD 62; if this is Chariton's novel, then a relatively early date would be indicated. Regardless, Chariton probably wrote before the other Greek novelists whose works survive, making either his work or Petronius' Satyricon the earliest extant European novel.

• Illustration — A second- or third-century AD papyrus of the Callirhoe from Karanis (P.Fay. 1) Chariton's novel exists in only one (somewhat unreliable) manuscript, from the 13th century. It was not published until the 18th century, and remained dismissed until the twentieth. It nevertheless gives insight into the development of ancient prose fiction. The story is set against a historical background of c. 400 BC. In Syracuse, Chaereas falls madly in love with the supernaturally beautiful Callirhoe. She is the daughter of Hermocrates, a hero of the Peloponnesian War and the most important political figure of Syracuse, thus setting the narrative in time and social milieu. Her beauty (kallos) overawes crowds, like an earthly counterpart of Aphrodite's, as noted by Douglas Edwards. They are married, but when her many disappointed suitors successfully conspire to trick Chaereas into thinking she is unfaithful, he kicks her so hard that she falls over as if dead. There is a funeral, and she is shut up in a tomb, but then it turns out she was only in a coma, and wakes up in time to scare the pirates who have opened the tomb to rob it; they recover quickly and take her to sell as a slave in Miletus, where her new master, Dionysius, falls in love with her and marries her, she being afraid to mention that she is already married (and pregnant by Chaereas). As a result, Dionysius believes Callirhoe's son to be his own. Despite the liberties Chariton took with historical fact, he clearly aimed to place his story in a period well before his own lifetime. Tomas Hägg has argued that this choice of setting makes the work an important forerunner of the modern historical novel. The discovery of five separate fragments of Chariton's novel at Oxyrhynchus and Karanis in Egypt attest to the popularity of Callirhoe. One fragment, carefully written on expensive parchment, suggests that some, at least, of Chariton's public were members of local elites.

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