Charito Solis
Charito Solís (born Rosario Violeta Hernández Solís; October 6, 1935 – January 9, 1998) was a Filipino actress whose career spanned over four decades. She was a top-billed actress for over two and a half decades, becoming the leading dramatic actress of the 1960s and the 1970s. Her accolades includes an Asian Film Festival Award, seven FAMAS Awards, three Gawad Urian, a Luna Award, and three Metro Manila Film Festival Awards.
Charito Solis

Judgefloro · Public domain
- Name
- Charito Solís
- Birth Name
- Rosario Violeta Solís Hernández
- Born
- 6 October 1935
- Birthplace
- Tondo, Manila, Philippine Islands
- Died
- 9 January 1998
- Place of death
- Calamba, Laguna, Philippines
- Occupation
- Actress
- Education
- University of the East
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Charito Solís (born Rosario Violeta Hernández Solís; October 6, 1935 – January 9, 1998) was a Filipino actress whose career spanned over four decades. She was a top-billed actress for over two and a half decades, becoming the leading dramatic actress of the 1960s and the 1970s. Her accolades includes an Asian Film Festival Award, seven FAMAS Awards, three Gawad Urian, a Luna Award, and three Metro Manila Film Festival Awards.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
Charito Solis was born in Tondo in 1935 and died in 1998. Charito Solis was educated at University of the East.
Composed from admitted, traceable facts · 27 September 2026
VALÉORINE
Reference Check
Propose documentary evidence for Charito Solis. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q3543757 · wikipedia · Charito Solis
In this article
Key facts
Key facts
• Name — Charito Solís • Birth Name — Rosario Violeta Solís Hernández • Born — 6 October 1935 • Birthplace — Tondo, Manila, Philippine Islands • Died — 9 January 1998 • Place of death — Calamba, Laguna, Philippines • Resting Place — Manila Memorial Park, Parañaque, Metro Manila • Occupation — Actress • Years Active — 1955–1998 Charito Solís (born Rosario Violeta Hernández Solís; October 6, 1935 – January 9, 1998) was a Filipino actress whose career spanned over four decades. She was a top-billed actress for over two and a half decades, becoming the leading dramatic actress of the 1960s and the 1970s. Her accolades includes an Asian Film Festival Award, seven FAMAS Awards, three Gawad Urian, a Luna Award, and three Metro Manila Film Festival Awards.
Early life and background
Early life and background
Rosario Violeta Solís Hernández was born in Manila. At age 19, she was introduced by her uncle, the film director F. H. Constantino to Doña Narcisa de León, the head of LVN Pictures, who cast her to star in her initial film Niña Bonita, an adaptation of Frank Capra's It Happened One Night. The film was a success, and marked the beginning of Solís' 43-year career in film, lasting until her death. Solís died on January 9, 1998, in Calamba from cardiac arrest. She was buried at Manila Memorial Park in Parañaque.
1955–1961: Breakthrough under LVN Pictures
1955–1961: Breakthrough under LVN Pictures
Solis first appeared in the romantic comedy Niña Bonita (1955), an adaptation of Frank Capra's It Happened One Night, opposite Jaime de la Rosa. Shot on location at the campus of University of the Philippines, she next starred opposite Leroy Salvador in the romantic musical Charito, I Love You (1956). The following year, Solis starred in Krisalis which became a box-office success. The same year, she received her first FAMAS Award for Best Actress nomination for her role in the romantic drama Ulilang Bituin opposite Mario Montenegro. In 1958, Solis next appeared in the family drama Malvarosa. The film competed at the Asian Film Festival, earning her international acclaim after receiving a nomination for Best Actress. She appeared in two more motion pictures later that year, Villa Milagrosa and Rose Tattoo ng Buhay Ko. The next two years were banners ones for Solis, winning the FAMAS Award for Best Actress for her roles in Kundiman ng Lahi and Emily. During this period, she also began appearing in several international productions. Solis starred as the wife of Gautama Buddha in the Japanese historical epic, Buddha (1961). The following year, she starred in another Japanese film The Princess and I opposite Kojiro Hongo.
1962–1966: Freelancer and television venture
1962–1966: Freelancer and television venture
Following the closure of LVN Pictures, Solis became a freelancer and starred in numerous films for other major film outfits. In 1962, she next starred opposite Pancho Magalona in the period drama El Filibusterismo, based on the 1891 novel of the same name, by José Rizal. The following year, Solis starred in two major productions. She was handpicked to star as the titular role in the romantic drama Angustia. Later that year, she played three leading identical characters, each as wife, hostess, and nympho, in the drama Tatlong Mukha ni Pandora. For her performance, she received two FAMAS Award for Best Actress nominations for her roles in each of the films, winning one for Angustia. Solis next starred opposite three leading men, Vic Vargas, Edgar Salcedo, and Ramil Rodriguez in the romantic drama Mga Pag-ibig ni Christine. She also appeared in three more productions later that year, Ang Tao ay Makasalanan, Kapag Langit ang Umusig and Claudia. Also in 1966, Solis ventured television through the self-titled drama anthology The Charito Solis Show under ABS-CBN.
1967–1971: Nepomuceno productions and international acclaim
1967–1971: Nepomuceno productions and international acclaim
Solis reportedly signed a million-peso five year contract with Nepomuceno Productions. She starred opposite Ric Rodrigo in the romantic drama Dahil sa Isang Bulaklak in 1967 under Nepomuceno Productions. The film was a commercial success and was shown at the Manila Grand Opera House for several months, marking the revival of the production company. The film was reportedly produced for ₱500,000 and has earned Solis critical acclaim, with Los Angeles Times calling her the "number one star of the Philippine cinema". The film was also selected as the country’s official entry at the 40th Academy Awards, but fell short of being nominated. Despite this, Solis and Luis Nepomuceno were invited at the ceremony, becoming the first Filipino artists to attend the award ceremony. The following year, Solis starred opposite American actors James Shigeta, Alex Nicol, and John Ashley in the war film Manila, Open City. She next starred as an Igorot maiden in Igorota. The film gave Solis her fourth FAMAS Award for Best Actress win. In 1969, she starred in the melodrama Ang Pulubi, which was competed at the Manila Film Festival, earning her another best actress win. The following year, Solis played the innocent turned bandit leader in the action drama The Hunted.
1972–1986: Continued success
1972–1986: Continued success
Solis returned to television through the weekly drama anthology Obra Maestra. She worked closely with the director of the series, Nick Lizaso and went through each of the sequence of the script. She next starred in the drama film Araw-araw, Gabi-gabi, which was competed at the first ever Metro Manila Film Festival, where she won Best Actress. Solis appeared in two drama productions the following year. She starred opposite Christopher de Leon in the romantic drama Mrs. Teresa Abad Ako Po si Bing, and in the drama Hindi Kami Damong Ligaw. Solis next starred in the romantic drama Walang Katapusang Tag-araw, alongside Eddie Garcia and Mat Ranillo III. Under the direction of Ishmael Bernal, the film was competed at the third Metro Manila Film Festival. In 1979, Lino Brocka cast Solis as Paula in the staging of Larawan, which was based on Nick Joaquin’s A Portrait of the Artist as Filipino. Held at the Dulaang Raha Sulayman, Fort Santiago, she was joined by Lolita Rodriguez and Philip Salvador. Brocka cast both Solis and Rodriguez later that year in the family drama Ina, Kapatid, Anak. For her performance, Solis won the Gawad Urian for Best Actress. For the first time since she began her acting career, Solis was cast in a secondary role in the psychological horror Kisapmata. For her performance, she won Best Supporting Actress at the Gawad Urian and Metro Manila Film Festival, her second trophies in each of the award-giving bodies.
1987–1998: Okay Ka, Fairy Ko! and final projects
1987–1998: Okay Ka, Fairy Ko! and final projects
Solis played Ina Magenta, the queen of the world of enkantasya, in the fantasy sitcom series Okay Ka, Fairy Ko!, which also stars Vic Sotto. In 1988, Solis appeared in six film productions. She starred with Mat Ranillo III, who plays the titular role, in the religious biographical film Lorenzo Ruiz... The Saint... A Filipino! In the early 1990s, Solis reprised her role as Ina Magenta in the film sequels Okay Ka, Fairy Ko!: The Movie (1991) and Okay Ka, Fairy Ko! Part 2 (1992).
Death
Death
• Illustration — Solis's grave at Manila Memorial Park – Sucat. In January 9, 1998, Solis died of cardiac arrest. She was 62.
Television
Television
• Year — Title — Role — Remarks • 1987–1989 — Coney Reyes on Camera — Episode: "May Langit Din ang Inaapi" • 1987 — Trianggulo — Film on television • 1987–1989 — Okay Ka, Fairy Ko! — Ina Magenta • 1989–1995 • 1995–1997 • 1990–1996 — Lovingly Yours, Helen • 1991 — Maalaala Mo Kaya — Episode: "Trahedya"; first MMK appearance • 1992–1997 — The Maricel Drama Special — Various • 1996–1999 — Tierra Sangre • 1996 — Calvento Files — Various — Episode 31: "You Are Never Safe" • Episode 40: "Madam Auring: Misfortunes of a Fortune Teller" • 1997 — Maalaala Mo Kaya — Episode: "Bituin" • 1997 — Maalaala Mo Kaya — Episode: "Visa" • 1997–1998 — Mula sa Puso — Last teleserye appearance • 1998 — GMA Telecine Specials — Episode: "Iguhit Mo sa Alaala"; last television film appearance
Accolades
Accolades
• Illustration — Portraits and accolades of Solis displayed at the Mowelfund museum. Awards and nominations received by Charito Solis • Organizations — Year — Recipient(s) — Category — Result — Ref. References • Asian Film Festival Awards — 1958 — Malvarosa — Best Actress • 1967 — Dahil sa Isang Bulaklak • Eastwood City Walk of Fame — 2006 — Charito Solis — Inductee • FAMAS Awards — 1957 — Ulilang Bituin — Best Actress • 1958 — Krisalis • 1960 — Kundiman ng Lahi • 1961 — Emily • 1963 — El Filibusterismo • 1964 — Angustia • Tatlong Mukha ni Pandora • 1965 — Lagablab sa Maribojoc • 1967 — Claudia • 1968 — Dahil sa Isang Bulaklak • 1969 — Igorota • Charito Solis — Ciriaco Santiago Memorial Award • 1970 — Ang Pulubi — Best Actress • 1976 — Araw-araw, Gabi-gabi • 1978 — Ina, Kapatid, Anak • 1982 — Kisapmata — Best Supporting Actress • 1984 — Don't Cry for Me, Papa — Best Actress • 1985 — Charito Solis — Hall of Fame for Best Actress • 1986 — Moises Padilla Story: The Missing Chapter — Best Supporting Actress • Gawad Urian — 1980 — Ina, Kapatid, Anak — Best Actress • 1982 — Playgirl • Kisapmata — Best Supporting Actress • 1984 — Karnal • 1986 — Hinugot sa Langit • Luna Awards — 1984 — Karnal — Best Supporting Actress • Manila Film Festival — 1969 — Ang Pulubi — Best Actress • Metro Manila Film Festival — 1975 — Araw-araw, Gabi-gabi — Best Actress • 1981 — Kisapmata — Best Supporting Actress • 1997 — Charito Solis — Cinema's Living Treasures • Star Awards for Movies — 1997 — Charito Solis — Ulirang Artista Award
Film
• Year — Title — Role • 1958 — Villa Milagrosa — Virginia • Malvarosa — Rosa • 1959 — Kundiman ng Lahi — Isang • 1960 — Kung Ako'y Mahal Mo — Lydia Amante • 1962 — El filibusterismo — Juli • 1974 — Mga Tigre ng Sierracruz — Ramona • 1975 — Araw-Araw, Gabi-Gabi • 1976 — Hindi Kami Damong Ligaw • Babae... Sa Likod ng Salamin — Laura / Lorna • 1977 — Walang Katapusang Tag-Araw — Matilde Montalban • 1979 — Init — Osa • Ina, Kapatid, Anak — Emilia • Modelong Tanso — Ramona Ferreira • 1982 — Cross My Heart — Cecille • 1984 — Hindi Mo Ako Kayang Tapakan — Doña Consuelo Romero • Teenage Marriage — Mrs. Enage • 1984 — Shake, Rattle & Roll — Lorna Delfin (Episode: "Pridyider") • 1985 — God, Save Me! — Ondeng • 1987 — The Sisters • Susuko Ba Ako Inay? • Takbo...! Bilis...! Takboooo • Anak Badjao • Huwag Mong Buhayin ang Bangkay — Aurora • 1988 — Rosa Mistica — Nyora Diday • Hiwaga sa Balete Drive — Helga • Mirror, Mirror on the Wall — Fe • Lorenzo Ruiz... The Saint... A Filipino! • Bala Ko ang Hahatol • 1991 — Ang Utol Kong Hoodlum — Madame Lily • Ipagpatawad Mo — Carmen • 1992 — Miss Na Miss Kita (Utol Kong Hoodlum II) — Madame Lily • Alyas Pogi 2 — Sianang • 1993 — Dahil Mahal Kita (The Dolzura Cortez Story) — Mother • 1994 — Hindi Pa Tapos ang Labada, Darling — Victorio's mother • Kadenang Bulaklak — Miss Conchita Carbonell • Megamol — Atty. Sabel Enriquez • 1995 — The Flor Contemplacion Story — Lydia Montilla • 1996 — Enteng and the Shaolin Kid — Tia Rosa • Itataya Ko ang Buhay Ko — Edmond's mother • 1997 — Ipaglaban Mo: The Movie II — Mrs. Agoncillo (Episode 1) • 1999 — Bayad Puri — Mrs. Verzosa
Public image and reception
Solis has been described by numerous publications as the Philippines' "Empress of Drama". She was voted fourth in S Magazine 's "15 Best Actresses of All Time" list while Yes! magazine and the Directors’ Guild of the Philippines Inc. included her on their list of "15 Best Filipino Actresses of All Time". Solis also achieved international acclaim for her film work. She was the first Filipino actress to topbill an internationally produced Japanese film with the historical epic Buddha (1961) opposite Kojiro Hongo.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Macapendeg, Mac. Naaalala mo pa ba ang yumaong batikang aktres na si Charito Solis?. GMA News Online. 14 January 2014.
- 2.Macapendeng, Mac. Naaalala mo pa ba ang yumaong batikang aktres na si Charito Solis?. GMA News Online. January 14, 2014.
- 3.Dolor, Danny. 'The most exciting of all women'. The Philippine Star. March 25, 2012.
- 4.Sotto, Agustin. Political and Social Issues in Philippine Film: Two Perspectives. Department of Political and Social Change, Division of Politics and International Relations, Research School of Pacific and Asian Studies, Australian National University. 14. 1995. 978-0-7315-2125-8.
- 5.Nibungco, Jim T. Remembering the great Charito Solis. The Philippine Star. March 17, 2002.
- 6.Philippine Daily Inquirer. Maturan dies. 14. April 9, 2003.
- 7.Manila Standard. An inspiring. From page 9. 38. June 27, 1993.
- 8.Charito Solis as wife of Buddha. The Philippine Star. September 25, 2016.
- 9.Nihon Eiga Kaigai Fukyū Kyōkai. UniJapan Film Quarterly. 22. 1962.
- 10.The Princess and I: Charito Solis stars in Japanese movie. The Philippine Star. September 25, 2011.
- 11.Dolor, Danny. Pancho, Charito star in Jikiri. The Philippine Star. November 6, 2011.
- 12.Philippines, Friends of Jung Society. Jung Festival '95: A Glimpse Into the Collective Unconscious. Published and exclusively distributed by the Office of Research and Publications, School of Arts and Sciences, Ateneo de Manila University. 56. 1996. 978-971-550-250-4.
- 13.Bureau of National and Foreign Information, Department of Public Information. The Manila Review. 61. 1974.
- 14.Graduate School, University of Santo Tomas. Ad Veritatem. 562. 2004.
- 15.Liwayway Pub. Liwayway. 32. 1973.
- 16.Francisco, Butch. TV shows today's generation failed to see. The Philippine Star. September 3, 2005.
- 17.Graphic. 26. 1968.
- 18.Dolor, Danny. Charito, Ric star in landmark Filipino film. The Philippine Star. October 30, 2011.
- 19.Deocampo, Nick. Film: American Influences on Philippine Cinema. Anvil Publishing, Inc. 2017-11-09. 978-971-27-2896-9.
- 20.Villoria, Patricia. Behind Philippine Cinema History Is A Family That Draws with Light. Vogue Philippines. August 5, 2024.
- 21.Ritzer, Ivo. Genre Hybridisation: Global Cinematic Flow. Schüren Verlag. 119. January 28, 2016. 978-3-7410-0041-6.
- 22.Dolor, Danny. Charito with Sampaguita stars and in Igorota. The Philippine Star. October 6, 2013.
- 23.Tolentino, Roland B. Sakit ng kalingkingan: 100 dagli sa edad ng krisis. University of the Philippines Press. 12. 2005. 978-971-542-462-2.
- 24.Charito Solis turns 'action star'. The Philippine Star. August 26, 2012.
- 25.Francisco, Butch. Aris needs a helping hand. The Philippine Star. October 23, 2010.
- 26.Tomada, Nathalie. Regal matriarch Mother Lily dies at 84. The Philippine Star. August 5, 2024.
- 27.Lo, Ricky. A misty-eyed look at Manila Filmfest. The Philippine Star. June 24, 2013.
- 28.Gil, Baby A. Songs for the Superstar. The Philippine Star. April 20, 2025.
- 29.'70s jukebox queen found dead. The Philippine Star. December 11, 2008.
- 30.Hitosis, Jet. Lino Brocka questions MMFF 1977 winners; walks out in protest. Philippine Entertainment Portal. December 24, 2020.
- 31.Dolor, Danny. Larawan: Theater event of 1979. The Philippine Star. December 5, 2020.
- 32.Tiongson, Nicanor G. The Urian Anthology, 1970-1979: Selected Essays on Tradition and Innovation in the Filipino Cinema of the 1970s by the Manunuri Ng Pelikulang Pilipino : with about 550 Photos and Illustrations and a Filmography of Philippine Movies, 1970-1979. M.L. Morato. 409. 1983. 978-971-10-3000-1.
- 33.Zafra, Jessica. Things that crawl in the night. The Philippine Star. January 9, 2009.
- 34.Mario Hernando. Charito Solis. Alagad ng Sining, Diyosa Ng Kagandahan (Kawil III). Rex Bookstore. 9789712333651.
- 35.Garcia, J. "A Movie Quizbook", pp. 146-47
- 36.Francisco, Butch. Remembering departed stars. The Philippine Star. November 1, 2003.
- 37.Baldovino, Gypsy. Blast from the Past: Charito Solis, the Empress of Drama. Manila Bulletin. July 14, 2009.
- 38.Francisco, Butch. Movies made in heaven. The Philippine Star. November 1, 2007.
- 39.Lo, Ricky. The 15 Best Actresses of All Time. The Philippine Star. November 23, 2006.
- 40.The 15 Best Filipino Actresses of All Time. The Philippine Star. September 4, 2004.
- 41.Philippine Daily Inquirer. A not-so-trivial pursuit. 119. September 4, 2005.
- 42.Dolor, Danny. Classic Charito. The Philippine Star. March 30, 2014.
- 43.Garcia, J. A Movie Quizbook, p. 149
- 44.Cruz, Marinel. Walk of Fame stars unveiled. Philippine Daily Inquirer. 23. February 1, 2006.
- 45.Magundayao, Nicolo. FAMAS Awards Facts. Filipino Academy of Movie Arts and Sciences.
- 46.Nibungco, Jim T. Charito with Sampaguita stars and in Igorota. The Philippine Star. March 17, 2002.
- 47.Free Press. Philippines Free Press. 34. 1969.
- 48.Hernando, Mario. Kawil Iii' 2002 Ed. Rex Bookstore, Inc. 243–244. 2002. 978-971-23-3365-1.
- 49.Lo, Ricky. A misty-eyed look at Manila Filmfest. The Philippine Star. June 24, 2013.
- 50.Arceo-Dumlao, Tina. Himig at Titik: A Tribute to OPM Songwriters. Inquirer Books. 143. July 28, 2021. 978-971-8935-41-5.
- 51.Manila Standard. A star-studded awards night. 33. December 26, 1997.
Bibliography printed in the source article · 2
- Garcia, Jessie B. A Movie Album Quizbook. Erehwon Books & Magazine. 146–147, 149. December 2004. 971-93297-0-X.
- Mercado, Monina (1977). Doña Sisang and Filipino Movies. Philippines: Vera-Reyes, Inc.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
Elsewhere in Film memorabilia
38,018 published records in this field, each with its sources named.
- Chantelle HoughtonPerson
- Chapman ToPerson
- Charan RajPerson
- Charise Castro SmithPerson
- Charity SheaPerson
- Charity WakefieldPerson
- Charlene ChoiPerson
- Charlene FernetzPerson
Best supported in this field
For owners
Own a work by Charito Solis?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.