Chantilly Codex
The Chantilly Codex (Chantilly, Musée Condé MS 564) is a manuscript of medieval music containing pieces from the style known as the Ars subtilior. It is held in the museum at the Château de Chantilly in Chantilly, Oise. • Illustration — The chanson Belle, Bonne, Sage by Baude Cordier, written in the shape of a heart, with a red note coloration string of notes forming another heart Most of the compositions in the Chantilly Codex date from c. There are 112 pieces total, mostly by French composers, and all of them polyphonic.
Chantilly Codex
Baude Cordier · Chantilly Manuscript · CC BY-SA 3.0
- Date
- 1400
- Material
- vellum
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wikidata · Q2521364 · wikipedia · Chantilly Codex
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The full dated record · 2 entries
1400
Chantilly Codex created.
1400
Chantilly Codex is recorded from 1400.
Editions
The codex contains examples of many of the most popular courtly dance styles of its time, such as ballades, rondeaus, virelais, and isorhythmic motets. Some of the motets are rhythmically extremely complex, and are written in intricately exact musical notation. Two pieces by Baude Cordier were added at a slightly later date at the front of the manuscript, and use unusual shapes to reflect their musical contents. The piece "Belle, Bonne, Sage, Plaisant" (image right) was written to a special lady for the New Year, and reflects the shape of the notation with the text (Lovely, good, wise, and pleasant). The graphic layout of the notation is a play on words on the "Cor" ("heart") in "Cordier". The Chantilly Codex is known to contain music from the composers Johannes Symonis, Jehan Suzay, P. des Molins, Goscalch, Solage, Baude Cordier, Grimace, Guido, Guillaume de Machaut, Jehan Vaillant, F. Andrieu, Magister Franciscus, Johannes Cuvelier, Rodericus, Trebor, and Jacob Senleches.
The majority of the 112 pieces are found in Willi Apel, ed., French Secular Compositions of the Fourteenth Century (American Institute of Musicology, 1970)
Selected recordings
The following recordings include selections from the 112 pieces: • Ensemble Organum (Marcel Pérès, dir.). Codex Chantilly: Airs de cour du XIVe siècle. Arles: Harmonia Mundi, 1987. CD recording HMC 901252. • Ensemble P. A. N. Ars Magis Subtiliter: Secular Music of the Chantilly Codex'. San Francisco: New Albion, 1989. CD recording NA 021. • Medieval Ensemble of London (Peter Davies and Timothy Davies, dir. Ce diabolic chant: Ballades, Rondeaus & Virelais of the Late Fourteenth Century). Florilegium Series. London: Éditions de L'Oiseau-Lyre, 1983. LP recording DSDL 704; Reissued 2007 on L'Oiseau-Lyre CD 475 9119. • New London Consort (Philip Pickett, dir.). Ars subtilior. Glasgow, Scotland: Linn Records, 1998. CD recording CKD 039. • De Caelis Codex Chantilly dir. Laurence Brisset. Aeon 2010. • Figures of Harmony, Songs of Codex Chantilly, c. 1390, 2015. 4-CD box set.
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Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Chantilly Codex, revision 1329374842 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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