Cesare Rinaldi

He also wrote verse praising composers, such as Alessandro Striggio. During his entire life Rinaldi intertwined his work as a poet with the frequentation of painters and intellectuals: he was friend of the Carraccis and Guido Reni and close to Lavinia Fontana, Pietro Faccini, Giovanni Valesio and other contemporary artists.

• Name — Cesare Rinaldi • Born — 12 December 1559 • Birthplace — Bologna, Papal States • Died — 6 February 1636 • Place of death — Bologna, Papal States • Resting Place — San Domenico, Bologna • Occupation — * Poet • Writer • Parents — Sebastiano Rinaldi and Faustina Rinaldi (née Cattani)

Cesare Rinaldi was born in Bologna on 12 December 1559. Ten years older than Marino, Rinaldi was a forerunner of the new concettist and Marinist poets, and perhaps can be best described as a poet poised between a Mannerist style and a new interest in the concetto and the image. He played an important role in transforming the late lyric style of Torquato Tasso into the highly sensuous and conspicuously ingenious poetry for which Marino is famous. His earliest volume of poems was published in 1588. His verse is characterized by extended metaphors which went well beyond the orthodox Petrarchist canon. His Lettere, published in two different editions in 1617 and 1620, were widely read. Although he did not become a member of the new Accademia dei Gelati, founded in Bologna in 1588 by Melchiorre Zoppio, and did not participate in the polemics and controversies that broke out more than two decades later over Marino's poetry, he had ties of friendship with younger Bolognese poets like Girolamo Preti, Claudio Achillini and Ridolfo Campeggi as well as with Marino. He took an interest in music (Monteverdi, for example) and in art, and acquired works for his “museo”—a large collection that was more on the order of a “Wunderkammer” than a collection primarily devoted to painting and sculpture. Rinaldi was a member of the Accademia degli Incogniti of Venice and of the Accademia degli Spensierati of Florence. His house in Bologna became a meeting point for writers and artists. He was a friend both to Ludovico and to Agostino Carracci and he often frequented the Accademia degli Incamminati. He wrote a sonnet for Agostino Carracci's funeral. As Carlo Cesare Malvasia relates, Rinaldi acquired the famous Bacchus and Ariadne from Ludovico Carracci, and his letters indicate that he acted as intermediary in acquiring pictures for various people, including Marino. In his later years, Rinaldi became a friend and patron of Guido Reni, who gave him his famous Mary Magdalen (now lost), and he wrote several poems in praise of Guido's art.

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• Donna se voi m'odiate - set by Alfonso Ferrabosco • Per non mi dir ch'io moia - set by Michelangelo Rossi