Celso Lagar Arroyo
Celso Lagar Arroyo was a Spanish painter. In the late nineteenth century, he was one of the first generation Spanish expressionist painters from the School of Paris, where he lived most of his life. He was influenced greatly by Cubism or Fauvism.
Also recorded as Cels Lagar · Celso Lagararroyo · Celso Lagar · Celso Lagar-Arroyo
Celso Lagar Arroyo
- Name
- Celso Lagar
- Birth Name
- Celso Lagar Arroyo
- Born
- 4 February 1891
- Birthplace
- Ciudad Rodrigo, Spain
- Died
- 6 September 1966
- Place of death
- Sevilla, Spain
- Field
- Painting, Sculpture
- Movement
- First Generation School of Paris
- Spouse
- Hortense Begué
- Nationality
- Spain.
- Movements
- School of Paris.
- Languages
- Spanish.
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Documentary summary
Celso Lagar Arroyo was a Spanish painter. In the late nineteenth century, he was one of the first generation Spanish expressionist painters from the School of Paris, where he lived most of his life. He was influenced greatly by Cubism or Fauvism.
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wikidata · Q8343373 · wikipedia · Celso Lagar
In this article
Biography
Biography
The recorded working language is Spanish. Places of work recorded in the authority are Paris. Work by Celso Lagar Arroyo is recorded in the collections of Museo Nacional Centro de Arte Reina Sofía, Museu Nacional d'Art de Catalunya, Sabadell Art Museum, National Museum of Fine Arts, Argentina and Ciudad Rodrigo.
Key facts
Key facts
• Name — Celso Lagar • Birth Name — Celso Lagar Arroyo • Born — 4 February 1891 • Birthplace — Ciudad Rodrigo, Spain • Died — 6 September 1966 • Place of death — Sevilla, Spain • Field — Painting, Sculpture • Movement — First Generation School of Paris • Spouse — Hortense Begué
Biography
Biography
Celso Lagar Arroyo was born in a small cathedral city Ciudad Rodrigo. In his early days, he went to Madrid to be part of the workshop of one of the best sculptors of the moment, Miguel Blay. During 1910 and 1911 he visited Barcelona. He later studied sculpture in Paris in 1911 on the advice of Blay. There he met Joseph Bernard, his friend Amedeo Modigliani and his future wife, the French sculptor, Hortense Begué. From then, he gradually abandoned sculpture in favor of painting. Lagar remained in Barcelona during the First World War, where he achieved a certain level of recognition. It allowed him to return to Paris, and 1919 he settled permanently in France. His works were exhibited in some of the notable Parisian galleries. After the period of avant-garde influences (Cubism, Fauvism, Vibrationism, Orphism, Divisionism, Ultraist), Lagar chose his own path, influenced by Goya and Picasso. His works from this time received critical and public recognition. With the Second World War, both Lagar and his wife Hortense became refugees in the French Pyrenees, with difficult living conditions and severe financial hardship. Hortense was admitted to the Broca hospital and in 1955 she died. Lagar fell into a deep depression after her death and was admitted to the Sainte Anne asylum: his artistic creativity succumbed. During this time, by court order, two auctions of the works which had been remaining in his workshop were held to pay for his care. In October 1964 he returned to Seville, Spain, living with his sister until his death on September 6, 1966.
Works
Works
His paintings are found in numerous museums throughout Europe, such as: La Rochelle, Goya Museum in Castres, Honfleur in France, Petit-Palais in Geneva, Museo Nacional Centro de Arte Reina Sofía, the Lis House in Salamanca, Carmen Thyssen Museum in Málaga and even in the notable collections such as Crane Kalman in London or Zborowski in Paris. Some of his renowned works include: • La vida en el campo (Life in the Country) • El Retrato de Xavier Montsalvatge (The Portrait of Xavier Montsalvatge) • Ensayo de luz por el planismo o Retrato de nena (Essay of Light through Planism and Portrait of a Girl) • Desnudo (Naked) • Arlequins (Harlequins) • Jeune acrobate (Young acrobat) • Clowns et haltérophiles (Clowns and weightlifters) • Les bohémiens (Gypsies)
Works and production
Works and production
The following works and productions are recorded by name or by count.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Ciudad Rodrigo.
Birth place
Seville.
Death place
Collections and holdings
Where the work is held
Collections and holdings
Institutional holdings are recorded as follows.
Documents and archives
Primary material
Documents and archives
reference work
- “Celso Lagar”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q8343373: Celso Lagar Arroyo
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Isabel García García, Orígenes de las vanguardias artísticas en Madrid (1909-1922), Universidad Complutense de Madrid, mars 1998.
- 2.García García, Isabel (Marzo 1998). Facultad de Geografía e Historia (Universidad Complutense de Madrid), ed. «Tesis Orígenes de las vanguardias artísticas en Madrid (1909-1922). Vol.II».
- 3.Gouvernement de Catalogne, Le ministère de la culture acquiert aux enchères une œuvre du peintre d'avant-garde Celso Lagar peinte à Gérone et destinée au musée de Gérone, mai 2014
- 4.Max Jacob, Celso Lagar, peintre, Hortense Begué, sculpteur, Éditions Galerie Zborowski, 1928.
- 5.Rosa del Thebas. youtube.com.
- 6.“La Rosa del Thébas” de Celso Lagar, ya luce en Ciudad Rodrigo. centrodeestudiosmirobrigenses.es.
- 7.Narciso Alba, Junta de Castilla y León, ed. Celso Lagar, aquel maldito de Montparnasse. Valladolid: Consejería de Cultura y Turismo, 1992, p. 269. .
- 8.Genio y dramatismo en Celso Lagar, ABC éd., 29 octobre 1966.
- 9.Celso Lagar - Biographie. www.artnet.fr.
- 10.Marcel Parturier. Le droit moral. Amateur d'art. 25 juin 1962.
- 11.« Portrait of the Painter Celso Lagar », notice sur imj.org.il.
- 12.Fondation Banco Sabadell, Celso Lagar dans les collections
- 13.Musée national d'art de Catalogne, Celso Lagar dans les collections
- 14.Musée des beaux-arts de Bilbao, Celso Lagar dans les collections
- 15.« El Museu d'Art de Girona incorpora una obra de Celso Lagar », El Gerió, 28 mai 2018
- 16.Fundación Maria José Jove, Celso Lagar dans les collections
- 17.Isabel Menéndez, Celso Lagar, Colecciones arte
- 18.Isabel García García, El cubismo y sus entornos en las colecciones de Telefónica
- 19.Musée national centre d'art Reina Sofía, Celso Lagar dans les collections
- 20.Musée Carmen-Thyssen, "Composition au nu" dans les collections
- 21.Musée Carmen-Thyssen, "Port de Honfleur" dans les collections
- 22.Musée Carmen-Thyssen, Celso Lagar dans les collections
- 23.Musée d'art moderne et contemporain de Santander et Cantabrie, Celso Lagar dans les collections
- 24.Nuria García Gutiérrez, Paris y los grabadores españoles - Colección UC, Université de Cantabrie, 2002
- 25.Musée d'art contemporain espagnol de Santo Domingo de la Calzada, présentation de la collection
- 26.Musée des beaux-arts de La Rochelle, Celso Lagar dans les collections
- 27.Musée des Augustins de Toulouse, Celso Lagar dans les collections
- 28.Musée des beaux-arts de San Francisco, "Acrobate sur un cheval" dans les collections
- 29.Musée des beaux-arts de San Francisco, "Artiste de cirque dans les collections
- 30.A. D., « À tavers galeries et musées : Celso Lagar », L'Amour de l'art, n°8, octobre 1938.
- 31.Au syndicat d'initiative L'exposition du peintre espagnol Celso Lagar. Le Journal de Rouen. 25 mai 1939. 25 décembre 2019.
- 32.Fondation Manuel Ramos Andrade, Exposition Celso Lagar, 1997
- 33.Fundación Telefónica, Celso Lagar
- 34.Carlos Garcia, « Celso Lagar, un pobre genio de la pintura que "resucita" en Ciudad Rodrigo », La Vanguarda, 25 novembre 2016
- 35.A. B., « Chroniques - Celso Lagar et Hortense Begué », L'Amour de l'art, n°5, mai 1928, .
- 36.Michel Florisoone, « Salon des surindépendants », L'Art et les Artistes, tome XXIX, 1934, .
- 37.Robert Évreux, Léonard Bordes, éditions des Amateurs rouennais d'art, 1989, .
- 38.Comité Montparnasse, Exposition de peintres et sculpteurs de l'École de Paris, catalogue vendu au profit des œuvres des 14e et 6e arrondissements, juin 1951.
- 39.Miguel Cabañas Bravo, La politica artística del franquismo - El hito de la Bienal hispano-americana de arte, Consejo superior de investigaciones científicas, Madrid, 1996.
- 40.Fundación Caja Vital Kubxa, Pintores españoles del siglo XX en Paris, présentation du catalogue, 2000
- 41.Fondation Barrié de la Maza, Paris Paris Paris - 20 artistas españoles de la Escuela de Paris, présentation du catalogue, 2001
- 42.Hôtel Estela Barcelona, Exposición de grandes artistas españoles de la Escuela de Paris, présentation de l'exposition, Sitges, 2009
- 43.« Celso Lagar y Zacarías González se revelan al público menos especializado », El Economista, 28 novembre 2009
- 44.Gérald Schurr, Le guidargus de la peinture, Les Éditions de l'Amateur, 1993, p. 592-593.
- 45.ARCHIVO CELSO LAGAR. www.celsolagar.org.
Bibliography printed in the source article · 30
- « Interview de Celso Lagar », Heraldo de Madrid, 24 mars 1917 (lire en ligne).
- Gustave Kahn, Celso Lagar, peintre, Max Jiménez, sculpteur, Éditions Galerie Percier, Paris, 1924.
- Max Jacob, Celso Lagar, peintre, Hortense Begué, sculpteur, Éditions Galerie Zborowski, Paris, 1928.
- Blaise Cendrars, Celso Lagar, Éditions Galerie Druet, 1935.
- Lagar : peintures récentes. Galerie Claude. 1948.
- César González-Ruano, Mi medio siglo se confiesa a medias, Noguer, Barcelone, 1950.
- Josep Francesc Ràfols, Diccionario biográfico de artistas de Cataluña, desde la época romana hasta nuestras dias, Barcelone, 1951-1954.
- Paintings by Celso Lagar. Crane Kalman Gallery. 1961.
- Fernand Ledoux, Celso Lagar, Éditions Galerie de Paris, 1961.
- Celso Lagar. Crane Kalman Gallery. 1961.
- Celso Lagar. 1965.
- Celso Lagar. Crane Kalman Gallery. 1965.
- José Gomez-Salvado, « Genio y dramatismo en Celso Lagar », quotidien ABC, Madrid, 29 octobre 1966 (lire en ligne).
- Cien anos de pintura en España y Portugal, 1830-1930, vol.IV, Antiqvaria, Barcelone, 1990.
- Jacqueline Collex, « Hommage à Celso Lagar et à Grau Sala », revue Le Pays d'Auge, n°6, juin 1990.
- Narciso Alba, Celso Lagar y la escuela de Paris, Diputacion provincial, Salamanque, 1991.
- Celso Lagar. Junta de Castilla y León. 1992.
- Gérald Schurr, Le guidargus de la peinture, Les Éditions de l'Amateur, 1993.
- Isabel García García, Orígenes de las vanguardias artísticas en Madrid (1909-1922), Universidad Complutense de Madrid, département histoire de l'art contemporain, mars 1998 (extrait en ligne).
- Narciso Alba, « Sobre algunos personajes de Pombo y Automoribundia », dans Ramón Gómez de La Serna, études réunies par Évelyne Martin-Hernandez, Cahiers de recherches du C.L.R.M.C., Université Blaise-Pascal UFR lettres, Clermont-Ferrand, 1999 (lire en ligne).
- Emmanuel Bénézit, Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs, Gründ, 1999.
- Julián García Moreno, José Luis Jiménez Calvo et Pedro Luis Nuño de la Rosa y Amores, Pintores españoles del siglo XX en Paris, Fundación Caja Vital Kubxa, Vitoria Gasteiz, 2000.
- Jean-Pierre Delarge, Dictonnaire des arts plastiques modernes et contemporains, Gründ, 2001.
- Maruja Mallo, et , Paris Paris Paris - 20 artistas españoles de la Escuela de Paris, Fondation Pedro Barrié de la Maza, La Corogne, 2001.
- Glosario de historia del arte, Editorial Salvat, 2005.
- Isabel García García, Celso Lagar, TF Editores & Interactiva S.L.U., 2010.
- Aránzazu Ascunce Arenas, Barcelone and Madrid - Social networks of the avant-garde, Bucknell University Press, 2012.
- Sonia Adriana d'Agosto Forteza, Celso Lagar, una aportación sugerente a su catálogo, Université de Séville, département d'histoire de l'art, 2014.
- Constantin Prut, Dicționar de artă modernă și contemporană, Éditions Polirom, Bucarest, 2016.
- Amanda Herold-Marme, Des artistes espagnols à Paris - Identités et engagements face à la guerre civile, collection « L'art et l'essai », CTHS - INHA, 2024.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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