Cella Thoma
Bonicella (Cella) Thoma née Berteneder (14 April 1858 – 23 November 1901) was a painter and wife of the painter Hans Thoma. • Illustration — Victor Müller, Flower girl (1871), with Cella Berteneder as model
Also recorded as Bonicella Thoma
Cella Thoma

Hans Thoma · GalleriX · Public domain
- Full name
- Bonicella Berteneder.
- Born
- 1858. · Munich.
- Died
- 1901. · Constance.
- Nationality
- Kingdom of Bavaria and German Reich.
- Occupation
- painter and artist.
- Fields
- still life.
- Languages
- German.
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Documentary summary
Bonicella (Cella) Thoma née Berteneder (14 April 1858 – 23 November 1901) was a painter and wife of the painter Hans Thoma. • Illustration — Victor Müller, Flower girl (1871), with Cella Berteneder as model
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Documentary evidence
Documentary basis
Authority files
wikidata · Q1052976 · wikipedia · Cella Thoma
In this article
Life
Life
The recorded working language is German. Subjects and genres recorded for the work are still life. Places of work recorded in the authority are Frankfurt. Residence is recorded at Frankfurt and Karlsruhe. Work by Cella Thoma is recorded in the collections of Städel Museum and Staatliche Kunsthalle Karlsruhe.
Cella Thoma was born in Landshut or Munich. She came from a family of farmers and craftsmen and had been a model for the painter Victor Müller in his Munich studio since 1869. There she met Hans Thoma; she soon became his model and, a year later, a painting pupil. On 19 June 1877, she married Hans in Säckingen and moved into a flat with him and his mother and sister Agathe in Frankfurt/Main. As the marriage remained childless and Thoma cared for her niece Ella, they adopted her in 1878. Together, the four of them moved to Kronberg im Taunus in 1899, where Hans became a member of the Malerkolonie there. When he received a call to Karlsruhe in 1901, the flat was given up. Thoma only lived in Karlsruhe for a short time, as she succumbed to the consequences of appendicitis while travelling in Constance in the same year. • Illustration — Hans Thoma, In a Hammock (1876), depicting Thoma with niece/adopted daughter Ella Thoma continued to devote herself to art after her marriage and was known as a flower and still life painter. On 23 November 1901, she died in Constance at the age of 43.
Works (selection)
Works (selection)
• 1875: Alpine roses, oil on paper • 1878: Still life with fruit and two glasses, oil on canvas, 30 × 37 cm • 1880: Fruit Still Life • Still Life with Vegetables and Fruit, oil on paper on wood, 48 × 76 cm • Flowering Branches in a Handled Basket • Rose Still Life • Anemones • Illustration — Alpenrosen, 1875 • Illustration — Stillleben mit Früchten und zwei Gläsern, 1878 • Illustration — Früchtestillleben, 1880 • Illustration — Üppiges Stillleben mit Gemüse • Illustration — Stillleben mit Erdbeeren • Illustration — Stillleben mit Gemüse und Früchten
Identity and origins
Identity and origins
Cella Thoma was recorded at birth as Bonicella Berteneder. The authorities additionally record the heading Bonicella Thoma. Her recorded language was German. She married Hans Thoma. Other recorded relations include Ella Thoma.
Identity
Identity
Cella Thoma is recorded as painter and artist.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1858
Cella Thoma born at Munich.
1901
Cella Thoma died at Constance.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Frankfurt and Karlsruhe.
Residences
Munich.
Birth place
Constance.
Death place
Primary material
Documents and archives
reference work
- “Cella Thoma”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q1052976: Cella Thoma
General reference · Wikidata
Literature
• Thoma, Cella. In: Ulrich Thieme, Felix Becker, Fred. C. Willis, Hans VollmerHans Vollmer (Hrsg.): Allgemeines Lexikon der Bildenden Künstler von der Antike bis zur Gegenwart. Begründet von Ulrich Thieme und Felix Becker. 37 Bände. (1907–1950, Band 1 bis 15 online einsehbar). Wilhelm Engelmann, E. A. Seemann, Leipzig. * • Christa von Helmolt: Hans Thoma. Spiegelbilder, Stuttgart 1988, ISBN 3-608-76261-2. • August Wiederspahn, Helmut Bode (ed.): Die Kronberger Malerkolonie. A contribution to the Frankfurt art history of the 19th century. Kramer, Frankfurt am Main 1982, ISBN 3-7829-0183-5.
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Paintings
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- Celia DropkinArtist
- Celia PaulArtist
- Celia Winter-IrvingArtist
- Celso BrandãoArtist
- Celso ZubireArtist
- Čeněk DobiášArtist
- Cenni di FrancescoArtist
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