Ceil Chapman

Ceil Chapman was given the Coty American Fashion Critic's Award in 1945, for her creative contribution to the American fashion picture. She also was the recipient of the John Wanamaker Award, Foley's "Golden Year" Award, and the Strawbridge and Clothier seal of confidence, for creative contribution in the area of American fashion. Around 1949 Ceil Chapman made an informal deal to lend clothes to NBC TV shows in exchange for program credit. Chapman was approached by a young staff costume designer, Joan Feldman, at NBC who was frustrated at the lack of resources for modern clothing for stars of dramatic shows like Betty Furness. That designer, now known by her married name, Joan Kron, believes it was the first clothing deal for credit on television. In 1955, Chapman won the Mademoiselle Merit Award, after a poll asking college girls to cite the country's most popular designer for the young. She won by a landslide. In 1956, she won the "Best of Informals" award from the Swiss Fabrics group. Chapman worked at 530 Seventh Avenue in New York's Garment District during the 1950s. A photo portrait of the designer at work in her studio appeared in a 1956 advertisement for Western Union. Chapman also lent her name to promotions for products including Cadillac automobiles and Maidenform girdles. Ceil Chapman was reportedly Marilyn Monroe's favorite fashion designer. She provided the trousseau for Elizabeth Taylor's 1950 wedding to Conrad "Nicky" Hilton. Other celebrity clients included Deborah Kerr, Greer Garson, Grace Kelly and Aretha Franklin. Chapman worked on Marie McDonald's wardrobe for the 1963 film Promises! Promises! In 1952, Betty Furness appeared at a function wearing a Ceil Chapman dress. Ms. Chapman was also there, wearing an identical dress. She reportedly "sashayed back to the powder room, checked the jacket part of the dress, removed the big organza bow at the neckline, and returned to her sirloin looking absolutely different." By November 1968, Ceil Chapman Inc. was located at 200 Park Avenue. At that time, the company registered with the Securities and Exchange Commission to offer shares of common stock, proposing "to engage principally in the styling, designing, manufacture, distribution and sale of women's wearing apparel, accessories and novelties under the name 'Ceil Chapman,' and to license others to use the Ceil Chapman name." Some 1960s dresses bear the label "CEIL CHAPMAN / for Miss Winston". A perfume or cologne, Ceil Bleue, may also date from the 1960s. The Staten Island Historical Society's collections include a labeled Ceil Chapman evening gown with a bodice of multicolored pastel lace and a long, full skirt of powder-pink tulle. Several of Chapman's designs, including a 1948 wedding dress, a late 1940s dress, and three 1950s cocktail dresses, are in the collection of the Costume Institute of the Metropolitan Museum of Art. These designs show Chapman's interest in the draping and layering of fabric to highlight the female form. Ceil Chapman's designs have been compared with those of Anne Fogarty, Nettie Rosenstein, and Norman Norell. Chapman was among those who succeeded in adapting Christian Dior's "New Look" for relatively affordable cocktail wear targeted toward the American ready-to-wear market. Her labels featured the words "ORIGINAL / Chapman / DESIGN", "a Chapman original", or simply, "Ceil Chapman".