catoptric cistula

Following is an explanation of the construction of a catoptric cistula to represent several distinct scenes of objects, when looked in through several holes. Provide a polygonous cistula, or chest, in the shape of a multilateral prism ABCDEF, as shown in the figure, and divide its cavity by diagonal planes EB, FC, DA, intersecting each other in the center G, into as many triangular cells as the chest has sides; for example, a hexagonal chest will have six cells. Line the diagonal planes with plane mirrors. In the lateral planes, make round holes, through which the eye may observe cells of the chest. The holes are to be covered with plain glass, ground on the inner side, but not polished, to prevent the objects in the cells from appearing too distinctly. In each cell are placed the different objects, whose images are to be exhibited; then covering up the top of the chest with a thin transparent membrane, to permit light, the apparatus is complete. By the laws of reflection, the images of the objects, placed within the angles of the mirrors, are multiplied, and some appear more distant than others, so that the objects of one cell will appear to take up more space than is contained in the entire chest. Looking through each hole will produce a new scene, each seemingly too large to be contained in the chest. According to the different angles the mirrors make with each other, the representations will be different; if the mirrors are at an angle greater than a right one, the images will be immense. (see anamorphosis)

Following is an explanation of the construction of a catoptric cistula to represent the objects within it prodigiously multiplied, and diffused through a vast space. Make a polygonous chest, as before, but without dividing the inner cavity into any apartments or cells; see the second figure for an example. Line the lateral planes CBHI, BHLA, ALMF, etc., with plane mirrors, and at the apertures, scrape off the tin and quicksilver of the mirrors, so that the eye can see through. Place any objects in the bottom MI, e.g. a bird in a cage, etc. Here, the eye looking through the aperture h i, will see each object placed at the bottom, vastly multiplied, and the images separated by equal distances from one another.

The torture chamber in the Phantom of the Opera is a six-sided catoptric chamber: The TARDIS of the television series Doctor Who is perhaps a modern expression, though fictional, of the effect sought to be created in the mind of the viewer of a catoptric chamber. Jorge Luis Borges's Library of Babel is a universe which really is organized as an infinite matrix of repeating units, as it appears to be from the inside of a catoptric chamber.