Carol Beckwith

They have also collaborated on four films about African traditions. Together they have received numerous accolades, including the United Nations Award for Excellence, the Royal Geographical Society's Cherry Kearton Medal, two Anisfield-Wolf Book Awards, The Explorers Club's Lowell Thomas Award, and the WINGS WorldQuest Lifetime Achievement Award.

Carol Beckwith studied at School of the Museum of Fine Arts, Goucher College and Beaver Country Day School. The recorded working language is English. The field of work recorded is photography and visual arts. Distinctions recorded are Cherry Kearton Medal and Award and Anisfield-Wolf Book Awards.

• Name — Carol Beckwith • Born — 10 July 1945 • Birthplace — Boston, Massachusetts, US • Notable Works — Maasai, Nomads of Niger, African Ceremonies, Passages, Lamu, African Ark, Dinka • Education — School of the Museum of Fine Arts, Boston • Occupation — Photographer

Carol Beckwith was born in Boston, Massachusetts, where she went on to attend both the School of the Museum of Fine Arts, Boston and Goucher College in Maryland. After obtaining her degree in Painting and Photography, she won a traveling fellowship from the Boston Museum, which let her travel to other countries for the first time. She spent seven months in Japan, living in a Zen temple and studying calligraphic painting. She continued to travel through Southeast Asia and New Guinea, where she witnessed a "sing-sing", a gathering of 90,000 Highland warriors, in Mount Hagen, and paddled up Chambri Lakes in a canoe, an experience she called "one of the most wonderful, and in a way formative, experiences in my life." Her first trip to Africa was in 1973, when she was invited to spend Christmas with a friend in Kenya. Beckwith bought a 45-day roundtrip ticket and ended up staying eight months. There she encountered the Maasai people who invited her to witness a female circumcision ceremony. Astonished by the ritual, she then determined to spend more time with the Maasai.

Beckwith studied photography in college but had initially intended to become a painter. It was during her travels through New Guinea that she realized the advantages of photography, saying that "there was such a vast amount of exciting material that I began to photograph instead, approaching photography with the eye of a painter in terms of light, color, composition. I wanted the images to be multilayered experiences in a way that a painting is... [Photography] seemed to be a more suitable medium for the pace of travel." Beckwith's first major collaboration was with Tepilit Ole Saitoti, an anthropologist and former Maasai warrior whom she met in Boston during one of her painting exhibitions. Their collaboration produced the book Maasai (Abrams, 1980). She also collaborated with anthropologist Marion van Offelen to produce Nomads of Niger (Abrams, 1983), a monograph on the Wodaabe cattle herders. Although she did not have formal training in anthropology, through working alone as well as with other anthropologists such as Saitoti, van Offelen and Linda Donley-Reid, she "was able to absorb techniques of interviewing, to learn what questions to ask in order to explore the many aspects of traditional African life."

Beckwith first heard about Angela Fisher through Fisher's brother Simon in 1974, during a hot air balloon ride in Maasai country. They met during Fisher's exhibition of traditional African jewelry in Nairobi, where they discovered they shared a passion for documenting traditional African cultures. Within one week, they were photographing a Maasai warrior ceremony together. During more than three decades of collaboration, they produced African Ark (Abrams, 1990), African Ceremonies (Abrams, 1999), Passages (Abrams, 2000), Surma (Taller Experimental, 2002), Karo (Taller Experimental, 2002), Maasai, Himba, Hamar (Taller Experimental, 2002), Faces of Africa (Abrams, 2004), Lamu: Kenya's Enchanted Island (Abrams, 2009), and Dinka (Abrams, 2010). They are currently (2011) working on completing their pan-African study of the art of body painting for a book entitled Africa: Spirit of Paint, as well as on their third and final installation of African Ceremonies, titled African Twilight, scheduled for publication in 2013. Beckwith resides in New York City and Fisher in London.

• Interview with National Geographic.com • Interview with Diane Rehm