Carnegie Museum of Art

Over the years, the gallery vastly increased in size, with a new building on Forbes Avenue built in 1907. In 1963, the name was officially changed to Museum of Art, Carnegie Institute. The size of the gallery has tripled over time, and it was officially renamed in 1986 to "Carnegie Museum of Art" to indicate it clearly as one of the four Carnegie Museums.

Andrew Carnegie first thought of setting up a museum in 1886 that would preserve a "record of the progress and development of pictorial art in America." Dedicated on November 5, 1895, the art gallery was initially housed in the Carnegie Library of Pittsburgh's Main Branch in Oakland. Carnegie initially envisioned a museum collection consisting of the "Old Masters of tomorrow". The museum received a major expansion in 1907 with the addition of the Hall of Architecture, Hall of Sculpture, and Bruce Galleries, with funds again provided by Carnegie. Under the directorship of Leon A. Arkus, the Sarah Mellon Scaife Gallery (125,000 square feet) was built as an addition to the existing Carnegie Institute. Designed by architect Edward Larrabee Barnes, it first opened in 1974 and more than doubled the museum's exhibition space, also adding a children's studio, theater, café, offices, and bookstore. The New York Times art critic John Russell described the gallery as an "unflawed paradise." The gallery has been renovated several times since its original creation, most recently in 2004. Today the museum also stages the Carnegie International every few years. Numerous significant works from the Internationals have been acquired for museum's permanent collection including Winslow Homer's The Wreck (1896) and James A. McNeill Whistler's Arrangement in Black: Portrait of Señor Pablo de Sarasate (1884). The latest iteration of the Carnegie International opened in May of 2026.

Ailsa Mellon Bruce Galleries (1907) – The Ailsa Mellon Bruce Galleries were originally constructed to display reproduction bronze casts from Pompeii and Herculaneum. The gallery was renovated in 2009, and currently exhibits more than 500 objects representing American and European decorative arts from the Rococo and Neoclassical periods of the 18th century to contemporary design and craft. Hall of Architecture (1907) – The Hall of Architecture houses almost 140 full-size plaster casts of elements of buildings found in the ancient and classical civilizations of Egypt, Greece and Rome, and from Romanesque, Gothic and Renaissance Europe. It is the largest collection of plaster casts of architectural masterpieces in America and one of the three largest in the world, along with those of the Victoria and Albert Museum in London and the Musée national des Monuments Français in Paris. Hall of Sculpture (1907) – The Hall of Sculpture was modeled after the Parthenon's inner sanctuary and was originally created to house the museum's 69 plaster casts of Egyptian, Near Eastern, Greek, and Roman sculpture. Today it exhibits works from the permanent collections, with its balcony displaying decorative arts objects from the eighteenth to the twentieth century. Heinz Architectural Center (1993) – dedicated to the collection, study, and exhibition of architectural drawings and models. Scaife Galleries (1974) – The Scaife Galleries display the permanent collection of the museum, and contains paintings, sculptures, works on paper, film, and video pieces. Forum Gallery – Located on the first floor of the museum just inside the Forbes Avenue entrance, this single room is dedicated to temporary exhibitions of contemporary art. It opened November 3, 1990, with support from the National Endowment of the Arts – The first exhibition, Forum 1, was a solo show of Jeff Wall. Subsequent exhibitions were numbered sequentially (for example, Forum 40 featured Felix de la Concha). Unlike larger museum exhibitions, which can take up to three years to plan and execute, Forum shows come together relatively quickly, and are open to any curatorial staff's vision. In the words of Vicky Clark, a longtime curator at the museum, "The idea was to make sure that we had an exhibition of contemporary art set up at all times."

Saturday art classes in the galleries of the Carnegie Museum of Art have been conducted for over 75 years. Alumni of the program include Andy Warhol, photographer Duane Michals, and contemporary artist Philip Pearlstein. The museum has classes specific to various age groups.

In 2023 the Manhattan District Attorney seized a drawing by Egon Schiele entitled Portrait of a Man within the framework of a criminal investigation concerning the Nazi-era looting of the collection of Fritz Grunbäum, who was murdered in the Holocaust.

John W. Beaty (1896–1921) Homer Saint-Gaudens (1922–1950) Gordon Bailey Washburn (1950–1962) Gustave Von Groschwitz (1963–1968) Leon Arkus (1968–1980) John R. Lane (1980–1987) Phillip M. Johnston (1988–1996) Richard Armstrong (1996–2008) Lynn Zelevansky (2009–2017) Eric Crosby (2018–present)