Carla Bley

The recorded working language is English. The field of work recorded is jazz, composed musical work and piano performance. Subjects and genres recorded for the work are jazz. Distinctions recorded are Guggenheim Fellowship, NEA Jazz Masters and honorary doctor of the University of Toulouse-II.

Bley was born in Oakland, California, in 1936, to Swedish parents. Her father, Emil Borg, a piano teacher and church choirmaster, encouraged her to sing and to learn to play the piano; her mother, Arline Anderson, died of a heart attack when Bley was eight years old. After giving up church to immerse herself in roller skating at the age of fourteen, she moved to New York City at seventeen and became a cigarette girl at Birdland, where she met jazz pianist Paul Bley, who encouraged her to start composing. She toured with him under the name Karen Borg before changing her name in 1957 to Carla Borg. She married Bley and took his name the same year, later divorcing. She kept the surname professionally thereafter.

A number of musicians began to record Bley's compositions: George Russell recorded "Bent Eagle" for his album Stratusphunk in 1960; Jimmy Giuffre recorded "Ictus" on his album Thesis; and Paul Bley's Barrage consisted entirely of her compositions. Throughout her career, Bley thought of herself as a writer first, describing herself as 99 percent composer and one percent pianist. In 1964, she was involved in organizing the Jazz Composers Guild, which brought together the most innovative musicians in New York at the time. She then had a personal and professional relationship with Michael Mantler, with whom she had a daughter, Karen Mantler, who also became a musician. Bley and Mantler were married from 1965 to 1991. With Mantler, she co-led the Jazz Composers' Orchestra and started the JCOA record label which issued a number of historic recordings by Clifford Thornton, Don Cherry, and Roswell Rudd, as well as her own magnum opus Escalator Over The Hill and Mantler's The Jazz Composer's Orchestra LPs. Bley and Mantler were pioneers in the development of independent artist-owned record labels, and also started WATT Records and the now defunct New Music Distribution Service, which specialized in small, independent labels that issued recordings of "creative improvised music". Bley arranged and composed music for bassist Charlie Haden's Liberation Music Orchestra, and wrote A Genuine Tong Funeral for vibraphonist Gary Burton. Bley collaborated with a number of other artists, including Jack Bruce, Robert Wyatt, and Nick Mason, drummer for the rock group Pink Floyd. Mason's solo debut album Nick Mason's Fictitious Sports was written entirely by Bley, and features, alongside Mason on drums, many of her regular band musicians, leading Brian Olewnick of AllMusic to consider it a Carla Bley album in all but name. Wolfgang Sandner summarized for Frankfurter Allgemeine Zeitung that she was "great as a stimulator, as a muse, catalyst, idea generator, as a sounding board and amplifier, also in refusing – virtuosity, fetishised technique, perfect craft, convention and false pathos".

Bley continued to record frequently with her own big band, which included Lew Soloff from Blood, Sweat & Tears, and with a number of smaller ensembles, notably the Lost Chords. After Bley's marriage to Mantler ended, she began a relationship with bassist Steve Swallow. In 2005, she arranged the music for and performed on Charlie Haden's latest Liberation Music Orchestra tour and recording, Not in Our Name. Her final album, Life Goes On, was released in 2020. In 2018, Bley was diagnosed with brain cancer, from which she died at home in Willow, New York, on October 17, 2023, at age 87.