Brian Bram

Brian Bram was a cartoonist and comics artist (born 1955).

Contents

Catalogued works

1 work under this name is catalogued by The Art Institute of Chicago.

Scarf, dated 1975, silk (crepe fiber warp), plain weave; screen printed, held by The Art Institute of Chicago, inventory 1981.108.

In public collections

Work associated with this heading is recorded in 1 named public collection.

The Art Institute of Chicago: 1 recorded object, read from the institution's own published catalogue.

Literature

11 scholarly publications naming this subject were located in the registry of record.

Technologies of Monstrosity: Bram Stoker’s Dracula, Dracula, 1999. LOOKING FOR BRAM FISCHER, The Bram Fischer Waltz. Bram Stoker (1912), The Forgotten Writings of Bram Stoker. Bram Stoker, Irishman (1913), The Forgotten Writings of Bram Stoker. Suddenly Sexual Women in Bram Stoker’s Dracula, Dracula, 1999. A phase 1, first-in-child, multicenter study to evaluate the safety and efficacy of the oncolytic herpes virus talimogene laherparepvec in pediatric patients with advanced solid tumors., Front Pediatr. Conflict of Interest Disclosures., Global Spine J. Sequence-Based Viscosity Prediction for Rapid Antibody Engineering., Biomolecules. LY3522348, A New Ketohexokinase Inhibitor: A First-in-Human Study in Healthy Adults., Diabetes Ther. Targeting and tracking mRNA lipid nanoparticles at the particle, transcript and protein level., Nat Biomed Eng. An international consensus on the design of clinical trials for advanced combination treatment (ACT) in inflammatory bowel disease., EClinicalMedicine.

Scholarly footprint

Bibliographic registers publish measured figures for this heading: 6 biomedical publications indexed (PubMed (National Library of Medicine)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

Evidence base

This article draws on 3 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 3 means 3 genuinely separate publishers of record. 23 further registers were consulted and returned nothing for this heading.

Chronology

  1. 1955Brian Bram born.
  2. 1975Scarf (The Art Institute of Chicago).

Connections

Each connection was recorded deliberately, with the basis for it kept on the internal record.

Studied at

Sources

Each source is named with the standing the house places on it, so the evidence can be weighed rather than taken on trust.

  1. 1.

    Bram Stoker (1912), The Forgotten Writings of Bram Stoker

    scholarly publication · Scholarly

    Consult the source
  2. 2.

    Bram Stoker, Irishman (1913), The Forgotten Writings of Bram Stoker

    scholarly publication · Scholarly

    Consult the source
  3. 3.

    LOOKING FOR BRAM FISCHER, The Bram Fischer Waltz

    scholarly publication · Scholarly

    Consult the source
  4. 4.

    PubMed, United States National Library of Medicine, records for “Brian Bram”

    Institutional database · Scholarly

    Consult the source
  5. 5.

    Suddenly Sexual Women in Bram Stoker’s Dracula, Dracula, 1999

    scholarly publication · Scholarly

    Consult the source
  6. 6.

    Technologies of Monstrosity: Bram Stoker’s Dracula, Dracula, 1999

    scholarly publication · Scholarly

    Consult the source
  7. 7.

    The Art Institute of Chicago, collection records associated with Brian Bram.

    museum collection · Unverified · The Art Institute of Chicago

    Consult the source
  8. 8.

    “Brian Bram”, English Wikipedia, consulted as further reading

    reference work · Reputable secondary · Wikipedia

    Consult the source
  9. 9.

    Wikidata, structured authority record Q4963189: Brian Bram

    reference work · Reputable secondary · Wikidata

    Consult the source

Elsewhere in Comics and comic art

9,920 published records in this field, each with its sources named.

Read the complete comics and comic art index

For owners

Own a work by Brian Bram?

A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.