Betty Comden

Comden and Green headed to California and soon found work at MGM. They wrote the screenplays for Good News and The Barkleys of Broadway (which reunited Fred Astaire and Ginger Rogers), and then adapted On the Town for Frank Sinatra and Gene Kelly, scrapping most of Bernstein's music at the request of Arthur Freed, who did not care for the Bernstein score. The duo reunited with Gene Kelly for their most successful project, the classic Singin' in the Rain, about Hollywood in the final days of the silent film era. Comden and Green provided the story and screenplay; the songs were hits from the late 1920s and early 1930s by Arthur Freed and Nacio Herb Brown. They followed this with another hit, The Band Wagon, in which the characters of Lester and Lily, a husband-and-wife musical-writing team, were patterned after themselves. As with Singin' in the Rain, the real-life team did not write the songs. They were Oscar-nominated twice, for their screenplays for The Band Wagon and It's Always Fair Weather. Both films also received Screen Writers Guild Awards; On the Town did too. Comden and Green's stage work of the 1950s included Two on the Aisle, starring Bert Lahr and Dolores Gray, with music by Jule Styne; Wonderful Town, a musical adaptation of the play My Sister Eileen, with music by Bernstein; and Bells Are Ringing, which reunited them with Judy Holliday and Jule Styne. The score, including the standards "Just in Time", "Long Before I Knew You", and "The Party's Over", proved to be one of their richest. The duo contributed additional lyrics to the 1954 musical Peter Pan, translated and streamlined Die Fledermaus for the Metropolitan Opera, and collaborated with Styne on songs for the play-with-music Say, Darling. In 1958, they appeared on Broadway in A Party with Betty Comden and Adolph Green, a revue that included some of their early sketches. It was a critical and commercial success, and they brought an updated version back to Broadway in 1977. The pair wrote the screenplay for Auntie Mame in 1958. The New York Times movie review from that year lays it out as follows: Comden and Green's Broadway work in the 1960s included four collaborations with Jule Styne. They wrote the lyrics for Do Re Mi, and the book and lyrics for Subways Are For Sleeping, Fade Out – Fade In, and Hallelujah, Baby! Their Hallelujah, Baby! score won a Tony Award. Comden and Green wrote the libretto for the 1970 musical Applause, an adaptation of the film All About Eve, and wrote the book and lyrics for 1978's On the Twentieth Century, with music by Cy Coleman. Comden also played Letitia Primrose in that musical when original star Imogene Coca left the show. Comden and Green's final musical hit was 1991's The Will Rogers Follies, providing lyrics to Cy Coleman's music. The duo's biggest failure was 1982's A Doll's Life, an attempt to figure out what Nora did after she abandoned her husband in Henrik Ibsen's A Doll's House, which ran for only five performances, although they received Tony Award nominations for its book and score. In 1980, Comden was inducted into the Songwriters Hall of Fame. And, in 1981, she was inducted into the American Theatre Hall of Fame. In the early 1980s, Comden acted in Wendy Wasserstein's play Isn't It Romantic, portraying the lead character's mother. In 1984, filmmaker Sidney Lumet directed a film about Greta Garbo, Garbo Talks, starring Anne Bancroft and Ron Silver. The producers of the film were sure that the real Garbo either could not be located or would refuse flatly to appear in a cameo. They asked a known associate of Garbo to ask the great actress if she would appear in the film, but received no response. So, Comden was asked to appear in the film for the brief, pivotal "over-the-shoulder" scenes. Comden and Green received Kennedy Center Honors in 1991. In 1994, Comden and Green were guest callers, "Linda" and "Walter", on the long-running sit-com Frasier in the episode entitled "Burying a Grudge."

• Year — Award — Category — Work — Result • 1950 — WGA Award — Best Written American Musical — The Barkleys of Broadway • On the Town • 1953 — Singin' in the Rain • New York Drama Critics' Circle Award — Best Musical — Wonderful Town • 1954 — Academy Awards — Best Writing, Story and Screenplay — The Band Wagon • WGA Award — Best Written American Musical • 1956 — Academy Awards — Best Writing, Story and Screenplay — It's Always Fair Weather • WGA Award — Best Written American Musical • 1961 — Bells Are Ringing • Grammy Award — Best Soundtrack Album • 1968 — Tony Award — Best Composer and Lyricist — Hallelujah, Baby! • 1978 — Best Book of a Musical — On the Twentieth Century • Best Original Score • 1983 — Best Book of a Musical — A Doll's Life • Best Original Score • 1986 — Best Book of a Musical — Singin' in the Rain • 1991 — Best Original Score — The Will Rogers Follies • New York Drama Critics' Circle Award — Best Musical • 1993 — Golden Plate Award of the American Academy of Achievement — The Arts • 1995 — National Board of Review Award — Distinction in Screenwriting • 2001 — WGA Award — Laurel Award for Screen Writing Achievement