Bernd Hartmann
Illustration — Ima Hartmann-Rochelle: Bernd Hartmann sculpture in Rheda-Wiedenbrück Bernd Hartmann (11 October 1905 in Wiedenbrück – 28 October 1972 in Rheda-Wiedenbrück), aliases Bernd Hartmann-Wiedenbrück and Bernd Hartmann-Lintel, was an academic sculptor and sacral artist. He belonged to the Wiedenbrücker Schule school of arts. Hartmann came from a family of artists.
Bernd Hartmann

Wollmanns · CC BY-SA 4.0
- Died
- 1972 · Rheda-Wiedenbrück.
- Occupation
- sculptor
- Languages
- German
Reference Check
Propose documentary evidence for Bernd Hartmann. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
Documentary evidence
Documentary basis
Authority files
wikidata · Q46227001 · wikipedia · Bernd Hartmann
In this article
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Wiedenbrück.
Birth place
Rheda-Wiedenbrück.
Death place
Sculptures
His father Heinrich Hartmann (1868–1937) and his brother Hubert Hartmann (1915–2006) were also sculptors. After having been trained in Wiedenbrück between 1920 and 1924, Bernd Hartmann at first worked in Kleve, Osnabrück and Düsseldorf. From 1927 to 1935, he studied in Munich, followed by professorships in Münster and Munich. During the time of National Socialism, 20 of his works were exhibited at the Great German Arts Exhibition in the Munich House of Arts. Many of his works from this period have to be considered Nazi propaganda art, e.g. the statues Minenstecher (Land Mine Searcher, 1940, sold to Adolf Hitler for a price of 5,900 reichsmark) and Schütze (Rifleman, sold to Hitler for a price of 14,000 reichsmark). After the end of World War II, Bernd Hartmann moved back to his native region and predominantly produced religious art. In 1956, he married the artist Ima Rochelle. Hartmann died in 1972. In Rheda-Wiedenbrück, the street where he lived is named after him. Furthermore, a sculpture of the artist made by his wife is exhibited in a public park.
• Illustration — War memorial in Greffen • Illustration — Crucifixion scene in protestant Church, Wiedenbrück • Illustration — Water bearer in Gütersloh (2012; sculpture stolen in 2013) • Illustration — Bernd Hartmann Street in Rheda-Wiedenbrueck • War memorial in Greffen (1938). • Pflasterer (Great German Arts Exhibition 1939). • Minenstecher (Great German Arts Exhibition 1940). • Schütze (Great German Arts Exhibition 1941). • Spähtrupp (Great German Arts Exhibition 1942). • Aufstürmender Grenadier (Great German Arts Exhibition 1943). • Deutsche Jugend (Great German Arts Exhibition 1944). • Altar Cross Saint Cecilia Church in Westönnen (1953). • Wooden crib figurine in der Saint Salvator Church in Cologne (1958/70). • Memorial in Verne (1964). • Wayside cross in Mengede (1969). • In collaboration with Ima Hartmann-Rochelle: Baptismal font in the Basilica of the Annunciation in Nazareth.

Evangelische Kreuzkirche in Wiedenbrück, Innenraum mit Kreuzigungsgruppe von Bernd Hartmann
Joachim K. Löckener
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Bernd Hartmann, revision 1342501901 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Helmut Ebert: Lexikon der Bildenden und Gestaltenden Künstlerinnen und Künstler in Westfalen-Lippe. Münster: Aschendorff 2001. p. 219.
- 2.GDK-Research. Great German Arts Exhibition: Bernd Hartmann.
- 3.Heimatfreunde schlagen Erbe aus. Neue Westfälische, 11 March 2015.
- 4.Wilhelm Ide: Wertvolle Hinterlassenschaft. Neue Westfälische, 4 April 2013.
- 5.Martin Pollklas: Die „Wiedenbrücker Schule“. Eine Stadt entdeckt ihre künstlerische Tradition. Rheda-Wiedenbrück 2008. pp. 39f.
- 6.Eckhard Möller: Das Kriegerdenkmal in Greffen – ein Zeugnis der Zeitgeschichte. Historical Society Greffen.
- 7.Bernd Hartmann: Pflasterer. GDK-Research.
- 8.Bernd Hartmann: Minenstecher. GDK-Research.
- 9.Bernd Hartmann: Schütze. GDK-Research.
- 10.Bernd Hartmann: Spähtrupp. GDK-Research.
- 11.Bernd Hartmann: Aufstürmender Grenadier. GDK-Research.
- 12.Bernd Hartmann: Deutsche Jugend. GDK-Research.
- 13.Dieter Holtheuer: Die Geschichte eines Altarkreuzes. Westönnen-Online.
- 14.Kölner Kirchenkrippen im Blick. Domforum Köln 2011/12. p. 27.
- 15.Der Ruhm zerrann, die Kreuze blieben - als ein Mahnmal für alle Zeiten! Historic newspaper article (1964), Conservation Society Verne.
- 16.Karlheinz Bohnmann: Wegkreuz am Burgring wird 40 Jahre. Conservation Society Mengede.
- 17.Waldemar Wucher: Eine Ausstellung in Corvey. Quatember 1973, pp. 41–44.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Sculpture
6,174 published records in this field, each with its sources named.
- Bernardo RossellinoArtist
- Bernardo SchiaffinoArtist
- Bernardo ZenaleArtist
- Bernd AltensteinArtist
- Bernd LohausArtist
- Bernhard AfingerArtist
- Bernhard HoetgerArtist
- Bernhard LuginbühlArtist
Best supported in this field
For owners
Own a work by Bernd Hartmann?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.