Bernardo Porta
Bernardo Porta (1758 in Rome – 11 June 1829 in Paris) was an Italian composer who was active in France.
Bernardo Porta
- Born
- 1767 · Rome.
- Died
- 1829 · Paris.
- Occupation
- composer
- Fields
- opera
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Bernardo Porta (1758 in Rome – 11 June 1829 in Paris) was an Italian composer who was active in France.
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wikidata · Q2898952 · wikipedia · Bernardo Porta
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Biography
Biography
After composition lessons with Magrini, Bernardo Porta became maestro di cappella and director of the orchestra at Tivoli. After returning to Rome, he went into service at the court of Constantin Alexandre, prince of Salm-Salm. During this period of Porta's life, he wrote his first opera La Principessa d'Amalfi (1780) for the Teatro Argentina, but it had little success. In 1788 Porta moved to France, where he composed Le diable à quatre ou La double métamorphose (1790) on a libretto by Michel-Jean Sedaine for the Théâtre Italien. During the French Revolution, he wrote Agricol Viala, ou Le héros de treize ans (1794), a one-act opéra comique, which glorified a martyr of the revolution, Joseph Agricol Viala. Porta's 3-act opera Les Horaces with a libretto by Nicolas-François Guillard (based on a play by Corneille) was premiered by the Paris Opéra at the Théâtre de la République et des Arts on 18 October 1800. Guillard's libretto had already been set by Antonio Salieri as Les Horaces (premiered by the Opéra in 1786), but this work had been a failure and was dropped after three performances. However, Porta's opera did not do much better and was presented on only nine occasions. Porta's was the third work with this name to be performed at the Opéra. The first was a 5-act ballet, premiered in 1777 with music by Josef Starzer and choreography by Jean-Georges Noverre. Porta's opera would be totally forgotten today, except for an attempted assassination of Napoleon, which occurred at the theatre during one of its performances. His opera paid homage to the painting Oath of the Horatii by his friend Jacques Louis David. His last opera to be performed was Le connétable de Clisson, which premiered at the Opéra on 9 or 10 February 1804. Critics described it as mediocre. It received eighteen performances over two years. Porta also composed masses, motets, oratorios and some instrumental music: 6 duo's for two cello's, 2 trio's, 3 quartets for flute, violin, alto and bass, and quintets. Most of this instrumental music was intended for beginners. He died on 11 June 1829 due to cholera.
Operas
Operas
• 1780: La Princesse d'Amalfi • 1788: Le Diable à quatre ou la Double Métamorphose • 1791: Pagamin • 1793: La Blanche Haquenée • 1793: Alexis et Rosette, ou les Houlans • 1794: La Réunion du 10 août, ou l'Inauguration de la République • 1794: Agricol Viala, ou le Héros de 13 ans • 1797: Le Pauvre Aveugle, ou la Chanson savoyarde • 1797: L'Oracle • 1798: Le Prisonnier français, ou le Bienfait récompensé • 1800: Deux morts qui se voient • 1800: Les Deux Statues • 1800: Les Horaces • 1802: Le Vieux de la montagne • 1804: Le Connétable de Clisson
Vocal works
Vocal works
• 1788: Cantate à Mr le Baron de Bagge... pour le jour de sa fête (Moline) • masses • motets • 2 oratorios
Instrumental Music
Instrumental Music
• 6 duo's for two cello's • 2 trio's • 3 quartets for flute, violin, alto and bass • 3 duos pour commençants for two flutes • quintets
Life and career
Dated record
Life and career
The full dated record · 2 entries
1767
Bernardo Porta born at Rome.
1829
Bernardo Porta died at Paris.
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Rome.
Birth place
Paris.
Death place
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Marc Honegger, Dictionnaire de la musique : Tome 2, Les Hommes et leurs œuvres. L-Z, Paris, Bordas, 1979, 1232 p. ( ), p. 872
- 2.Letailleur & Charlton 2001.
- 3.Wild & Charlton 2005, p. 221.
- 4.Wild & Charlton 2005, p. 128.
- 5.Lajarte 1878, p. 18; Pitou 1985, p. 279.
- 6.Pitou 1985, p. 121.
- 7.Van Boer 2012, p. 448.
Bibliography printed in the source article · 5
- Letailleur, Paulette, revised by David Charlton (2001). "Porta, Bernardo" in The New Grove Dictionary of Music and Musicians, 2nd edition, edited by Stanley Sadie. London: Macmillan. (hardcover). (eBook).
- Lajarte, Théodore de (1878). Bibliothèque musicale du Théâtre de l'Opéra, volume 2 [1793–1876]. Paris: Librairie des Bibliophiles. View at Google Books.
- Pitou, Spire (1985). The Paris Opera: An Encyclopedia of Operas, Ballets, Composers, and Performers. Rococo and Romantic, 1715–1815. Westport, Connecticut: Greenwood Press. .
- Van Boer, Bertil (2012). Historical Dictionary of Music of the Classical Period. Lanham/Toronto/Plymouth, UK: The Scarecrow Press. .
- Wild, Nicole; Charlton, David (2005). Théâtre de l'Opéra-Comique Paris: répertoire 1762-1972. Sprimont, Belgium: Editions Mardaga. .
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 27 August 2026.
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