Bernard Lorjou
Bernard Lorjou (9 September 1908 – 26 January 1986) was a French painter of Expressionism and a founding member of the anti-abstract art Group "L'homme Témoin".
Also recorded as Bernard Joseph Pierre Lorjou
Bernard Lorjou
- Name
- Bernard Lorjou
- Born
- 9 September 1908
- Birthplace
- Blois, France
- Place of death
- Saint-Denis-sur-Loire, France
- Known for
- painting, drawing, printmaking, sculpture
- Movement
- Expressionism, Homme Temoin
- Awards
- Prix de la Critique, 1948 First Prize at the Venice Biennial, 1952
- Full name
- Bernard Joseph Pierre Lorjou.
- Died
- 1986. · Saint-Denis-sur-Loire.
- Nationality
- France.
- Movements
- Expressionism.
- Languages
- French.
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Documentary summary
Bernard Lorjou (9 September 1908 – 26 January 1986) was a French painter of Expressionism and a founding member of the anti-abstract art Group "L'homme Témoin".
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Documentary evidence
Documentary basis
Authority files
wikidata · Q1778859 · wikipedia · Bernard Lorjou
In this article
Biography
Biography
The recorded working language is French. The field of work recorded is painting and engraving process. Work by Bernard Lorjou is recorded in the collections of Musée d'art moderne de Paris, National Museum in Warsaw, Museum of Fine Arts, Houston, Ferens Art Gallery and Musée National d'Art Moderne.
Key facts
Key facts
• Name — Bernard Lorjou • Born — 9 September 1908 • Birthplace — Blois, France • Place of death — Saint-Denis-sur-Loire, France • Known for — painting, drawing, printmaking, sculpture • Movement — Expressionism, Homme Temoin • Notable Works — The Wildcat Hunt (1948) The Atomic Age (1949) The Massacres of Rambouillet (1957) • Awards — Prix de la Critique, 1948 First Prize at the Venice Biennial, 1952
Early life
Early life
Lorjou was born in Blois, in the Loir-et-Cher department of France, in 1908, the youngest of 3 children. Born to an impoverished family just before World War I, Lorjou was to receive the bulk of his education, as he put it, "in the streets." At the age of 13, with his desire to learn to paint, he left his home for Paris. There, Lorjou lived through early years of hardship and often found himself sleeping in metros and the Gare d'Orsay while working without pay as an errand boy for a printing house. He eventually found a position as a designer at the silk house Ducharne where he met his future wife Yvonne Mottet, also an artist and painter. Lorjou found success as a silk designer. Over the next 30 years, his designs not only adorned the bodies of many of the world's most prominent women but also provided him an income that allowed him to paint on a full-time basis.
Painting
Painting
During travels through Spain in 1931, he was struck by the expressive strong styles of the artists El Greco, Velasquez, and most of all Goya. Inspired by Goya, Lorjou began painting socio-political events. In 1942, at the Salon des Indépendants, Lorjou exhibited his work for the first time. He held his first solo exhibition in 1945 at the Galerie du Bac. In 1946, he appeared in an exhibition with Georges Rouault, Chaïm Soutine, and James Ensor. In 1948, he shared the Critic’s Award with Bernard Buffet. In the same year, with art critic Jean Bouret, Lorjou formed the art group "l’Homme Temoin" with art critic Jean Bouret by declaring that "man is an eater of red meat, fried potatoes, fruit and cheese". The group banded together in an effort to defend figurative painting against the abstract movement and would eventually attract other painters such as Bernard Buffet, Jean Couty, André Minaux, Robert Charazac, and Simone Dat. Over the next 30 years, Lorjou’s reputation as a painter became more established, though his style went through a series of transformations. Lorjou was supported by prominent art figures like Georges Wildenstein and Domenica Walter, the widow of Paul Guillaume. In 1969, he created a series of paintings about the murder of Sharon Tate by members of the Manson Family. His exhibition of these paintings toured through France, Belgium, and Japan. On 26 January 1986, at the age of 77, Lorjou died from an acute asthma attack at his home in Saint-Denis-sur-Loire. Lorjou’s body of work includes thousands of paintings, a collection wood engravings, ceramic and bronze sculptures, lithographs, illustrated books, socially oriented posters, stained glass windows, and murals.
Theme exhibitions (selection)
Theme exhibitions (selection)
• * 1945 The Miracle of Lourdes * 1949 The Atomic Age * 1952 The Plague in Beauce * 1953 Morning of the Coronation * 1956 The Billy goat and the Harlequin * 1957 The Massacres of Rambouillet * 1958 The Novel of the Fox * 1959 The Insane's Ball * 1963 Floating Exhibition on Seine River * 1964 Blacks and Whites * 1965 Centaurs and Motorcycles — * 1967 Famine in India * 1970 The Assassination of Sharon Tate * 1971 The Sacred Sex * 1971 The Death of Mishima * 1972 Burned Wood Sculptures * 1974 The Canard Enchainé Affair * 1975 The Circus of Violence * 1976 Bullfights, small formats * 1980 The Dog Eaters * 1985 AIDS
Commissioned works
Commissioned works
• * 1966 Ceiling of the African room at the Museum of Hunting and Nature, Paris * 1967 Series of sacred art murals titled "The Parables" in a Blois chapel commissioned by the Bishop of Blois * 1967 Civic Trophy commissioned by the Center for Civic Information * 1978 European Civic Trophy commissioned by the Center for Civic Information * 1984 Stained Glass Window for a chapel in Blois commissioned by the Bishop of Blois
Identity
Identity
Bernard Lorjou is recorded as painter, lithographer, printmaker and artist.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1908
Bernard Lorjou born at Blois.
1986
Bernard Lorjou died at Saint-Denis-sur-Loire.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Blois.
Birth place
Saint-Denis-sur-Loire.
Death place
Primary material
Documents and archives
reference work
- Wikidata, structured authority record Q1778859: Bernard Lorjou
Reputable secondary · Wikimedia Foundation
- “Bernard Lorjou”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority file
- VIAF cluster 39409003 for Bernard Lorjou, aggregating national library name authorities.
General reference · OCLC
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Lorjou, Bernard. Chronology. Bernard Lorjou Estate.
- 2.Cornell, Kenneth. "The Buffet Enigma." Yale French Studies, no. 19/20, 1957, pp. 94–97. JSTOR, https://doi.org/10.2307/2930427. Accessed 4 Aug. 2023.
- 3.Osborne, Harold, editor. The Oxford Companion to Twentieth-Century Art. Oxford University Press. 1988.
- 4.www.the-artists.org/
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority file
Secondary witnessreference work
Wikidata, structured authority record Q1778859: Bernard LorjouWikimedia Foundation
Secondary witnessreference work
Secondary witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Bernard Lorjou was recorded at birth as Bernard Joseph Pierre Lorjou. The authorities additionally record the heading Bernard Joseph Pierre Lorjou. His recorded language was French. He married Yvonne Mottet.
Identity and origins
Recognition and collections
Work by Bernard Lorjou is
Musée d'art moderne de Paris, National Museum in Warsaw, Museum of Fine Arts, Houston and Ferens Art Gallery
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Prints
4,138 published records in this field, each with its sources named.
- Bernard CheeseEngraver
- Bernard ChildsEngraver
- Bernard de BailliuEngraver
- Bernard Lens IIEngraver
- Bernard NaudinEngraver
- Bernard RederEngraver
- Bernard SalomonEngraver
- Bernard SchultzeEngraver
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