Bandō Tamasaburō V

Bandō Tamasaburō V was recorded at birth as 楡原 伸一. He also worked under the names 守田 伸一, 守田 親市 and 坂東 喜の字. The authorities additionally record the headings Bando Tamasaburo V, Bandou Tamasaburou V, Shin'ichi Morita, Morita Shin'ichi and Tamasaburo Bando. His recorded language was Japanese.

He was the child of Morita Kanya XIV.

Bandō Tamasaburō V received Kikuchi Kan Prize, Medal with Purple Ribbon, Kyoto Prize in Arts and Philosophy, Chevalier des Arts et des Lettres, Praemium Imperiale and Golden Arrow Award.

4 scholarly publications naming this subject were located in the registry of record.

Tamasaburō in Elizabeth, Asian Theatre Journal, 1998. Alluring Ambiguity: Gender and Cultural Politics in Modern Japanese Performance, New Theatre Quarterly, 2014. Bandō Tamasaburō V, String Publishing eBooks, 2012. Dojoji—A Lovers’ Duet; The Sentimental Plasterer; Nezumi, the Japanese Robin Hood (review), Asian Theatre Journal, 2011.

This article draws on 3 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 3 means 3 genuinely separate publishers of record. 16 further registers were consulted and returned nothing for this heading.

the recorded working language is Japanese.

The field of work recorded is acting and kabuki.

Membership is recorded of Japan Art Academy.

Distinctions recorded are Kikuchi Kan Prize, Medal with Purple Ribbon, Kyoto Prize in Arts and Philosophy and Chevalier des Arts et des Lettres.