Auguste Le Guennant
Auguste Joseph-Marie François Le Guennant (10 January 1881 – 17 May 1972) was a French organist, church musician and composer. He was, after positions as organist and head of the chapel in Paris and Nantes, the director and teacher at the Gregorian Institute of Paris, as a specialist of Gregorian chant.
Auguste Le Guennant
- Name
- Auguste Le Guennant
- Born
- 10 January 1881
- Birthplace
- Auray, France
- Died
- 17 May 1972
- Place of death
- 14th arrondissement of Paris
- Education
- Schola Cantorum de Paris
- Occupation
- * Organist
- Full name
- Auguste Joseph Marie François Le Guennant.
- Nationality
- France.
- Movements
- classical music.
- Languages
- French.
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Key facts
Key facts
• Name — Auguste Le Guennant • Born — 10 January 1881 • Birthplace — Auray, France • Died — 17 May 1972 • Place of death — 14th arrondissement of Paris • Education — Schola Cantorum de Paris • Occupation — * Organist • Church musician • Composer • Music educator • School director
Biography
Biography
Born in 1881 in Auray (Morbihan), Auguste Le Guennant was the son of Auguste Marie Le Guennant and his wife Valentine Joséphine Françoise le Duff. Le Guennant studied at the Schola Cantorum de Paris – the organ with Alexandre Guilmant and composition with Vincent d'Indy. He held for some time the position of organist at the grand organ of Notre-Dame de Clignancourt, and left Paris in 1905 to become head of the chapel at Notre-Dame-de-Bon-Port in Les Sables-d'Olonne, and from 1908 at the Basilica of Saint-Nicolas in Nantes. He founded the mixed group A Capella in this city, in collaboration with A. Mahot. The Mutual Edition of the Schola Cantorum published his Adagietto for organ, and an O Salutaris for four mixed voices. Biton published an accompanying book on Gregorian chant. In 1925, Le Guennant arrived at the Gregorian Institute of Paris as director and teacher of Gregorian chant, succeeding Dom Joseph Gajard of the Solesmes Abbey. After World War II, he organized many Gregorian sessions, not only in France but also in Fátima, and even Rio de Janeiro. Still teaching at the Gregorian Institute in Paris, Le Guennant considerably boosted the teaching of Gregorian chant by creating centres of study in several countries. When Maurice Duruflé thought about basing his Requiem on Gregorian chant, he asked Le Guennant for advice, and gratefully acknowledged his understanding. In 1960, Duruflé dedicated a composition to Le Guennant, his Quatre Motets sur des thèmes grégoriens which were also based on chant. In 1953, Le Guennant was awarded the honorary doctorate of the Pontifical Institute of Sacred Music in Rome.
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Auray.
Birth place
14th arrondissement of Paris.
Death place
Writings
• 1947: Notes pour servir à la direction d’une Schola Grégorienne. • 1948: Précis de rythmique grégorienne. • 1988: Vade Mecum Paroissial de l'Accompagnateur Grégorien (posthumous)
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The biographical narrative on this page is based on the Wikipedia article Auguste Le Guennant, revision 1339378385 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Joubert, 1912, p=1
Bibliography printed in the source article · 5
- cite web
- cite book
- Institut catholique de Paris. Le Livre du centenaire. Editions Beauchesne. 1975.
- cite book
- Pierre, Marie-Emmanuel. Cantabo Domino : cours de chant grégorien. Saint-Armel-Diff. 2005. 2952568103.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 21 August 2026.
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