Arthur Loveless

After brief partnerships with Clayton Wilson and Daniel R. Huntington, Loveless began independent practice around 1915. He designed a large number of residences in Seattle from the late 1900s to 1940s, including a 1909 mansion for impresario Alexander Pantages, an award-winning English country house-style residence in 1925–1926, and a studio and apartment complex in 1930–1933. He partnered with his associate Lester Fey in 1935, and was joined by Daniel E. Lamont in 1940. The partnership dissolved in 1942 and Loveless then retired. He was known for his revival architecture residences, especially making use of the Tudor Revival style.

• Name — Arthur Loveless • Birth Name — Arthur Lamont Loveless • Born — 22 September 1873 • Birthplace — Big Rapids, Michigan, U.S. • Died — 5 January 1971 • Place of death — Seattle, Washington, U.S. • Education — Columbia University • Occupation — Architect • Years Active — 1906–c. 1942

Arthur Lamont Loveless was born around Big Rapids, Michigan on September 22, 1873. Along with his sister Georgia, he was one of two children of Loren T. Loveless (a barber and traveling salesman) and Carrie E. Thomas. He graduated from Big Rapids High School in 1891 and moved to Manistee, Michigan, where he found employment as a bookkeeper for the Manistee Manufacturing Company. Around 1895, he began work at the Manistee National Bank, and worked variously as a bank messenger, bill collector, and clerk over the following years.

Loveless grew dissatisfied with banking. Around 1893, he took a correspondence course in architecture with the University of Chicago, and around 1902 he moved to New York City to study architecture at Columbia University. He was forced to drop out of the school around 1906 due to financial difficulties, but was able to secure a position at his professor William Adams Delano's New York-based firm, Delano & Aldrich. In 1907, he left New York and moved to Seattle. In 1909, Loveless he partnered with Clayton D. Wilson, previously known for designing the 400 Yesler Building. The Wilson & Loveless firm designed a number of residences and smaller commercial projects in Seattle, most notably a three-story mansion for impresario Alexander Pantages in 1909. Loveless partnered with city architect Daniel R. Huntington in 1912. Although Loveless began to pursue independent work again in 1915, the two architects continued sharing an office for a year or two afterwards. He designed a number of small projects for developer Lawrence Colman, including a Tudor Revival residence in 1922–1923. During the 1920s, Loveless designed a number of buildings which won American Institute of Architects (AIA) honor awards, including his own residence (1923–1924) and office (1925–1926). Another AIA award winner, his 1925–1926 Darrah Corbet house, is modeled after English country houses. Typical of his work, the house faces away from the street towards a scenic view, with the main entrance at its rear. A hallway separates the living room and dining room, the latter of which connects the two wings of the house. He was the president of the AIA's Washington chapter from 1916 to 1917, and was elected an AIA Fellow in 1941. Loveless completed various commercial and tenant improvement, such as alterations to the ground floor of the Colman Building. In 1930, Lester Fey became his associate, and the two designed the Playhouse Theatre. From 1930 to 1933, Loveless designed the Loveless Building, moving his original studio to accommodate for a courtyard with a much larger building incorporating shops and offices on the ground floor alongside second-story apartments. In 1935 or 1936, Fey became a partner to the firm. They were joined by Daniel E. Lamont in 1940, forming the firm Loveless, Fey & Lamont. This partnership dissolved in 1942 with the United States' entry into World War II, with the firm continuing under the name Lamont & Fey. Loveless retired soon after the partnership's dissolution, residing in his Loveless Building.

Loveless never married. He was an avid traveler, visiting Mexico, Hawaii, Japan, Burma, China, and Spain during the 1930s and 1940s. He became an amateur photographer and a collector of Asian art and artifacts, especially of textiles and Chinese snuff bottles. After his death in Seattle on January 5, 1971, many of his collection was donated to the Seattle Art Museum.

Works by Arthur Loveless • Name — Location — Date — Ref. References • Alexander Pantages House — 1117 36th Avenue E, Seattle — 1909 • Kennedy House — 1620 47th Avenue E, Seattle — 1909 • W. T. Campbell Building — 4557-4559 California Avenue SW, Seattle — 1911 • Polson Park and Museum House — 1611 Riverside Avenue, Hoquiam — 1923 • Porter House — 2624 Mount Adams Place S, Seattle — 1923 • Colman House — 9343 Fauntleroy Way SW, Seattle — 1923–1924 • Leber House — 1634 22nd Avenue N, Seattle — 1924 • Alpha Theta Delta House — 4541 19th Avenue NE — 1924 • Corbet House — 300 Maiden Lane E, Seattle — 1925 • Bowles House — 2520 Shoreland Drive S, Seattle — 1925 • House — 7126 55th Avenue S, Seattle — c. 1925 • House — 7140 55th Avenue S, Seattle — c. 1925 • House — 2340 Delmar Dr E, Seattle — 1928 • Bergues House — 3048 E Laurelhurst Drive, Seattle — 1925 • Grimshaw House — 3038 E Laurelhurst Drive, Seattle — 1925 • Thorgrimson House — 7140 55th Avenue E, Seattle — 1925 • House — 3020 Magnolia Boulevard W, Seattle — 1926 • Smith House — Willard Avenue & W Comstock Street, Seattle — 1926 • Haight House — 822 39th Avenue E, Seattle — 1927 • Pierce House — 5747 NE Ambleside Road, Seattle — 1927–1928 • Lear House — 3054 E Laurelhurst Drive, Seattle — 1928 • Zeta Tau Alpha Sorority House — 4731 18th Avenue, Seattle — 1929 • Loveless Building (formerly the Studio Building) — 711 Broadway E, Seattle — 1930 • Field House — 6007 NE Windermere Road, Seattle — 1930 • Colman Building (alteration) — 811 First Avenue, Seattle — 1930 • North Broadway Shopping Center — 711 Broadway E, Seattle — 1931 • Playhouse Theatre — 4045 University Way NE, Seattle — 1931 • Delta Gamma Sorority House — 2012 NE 45th Street — 1937 • Agen House — Seattle — 1941