Arthur Hiller

Hiller collaborated on films with screenwriters Paddy Chayefsky and Neil Simon. Among his notable films were The Hospital (1971), Silver Streak (1976), The In-Laws (1979), Making Love (1982), and Outrageous Fortune (1987). Hiller served as the 19th President of the Directors Guild of America from 1989 to 1993 and President of the Academy of Motion Picture Arts and Sciences from 1993 to 1997. He was the recipient of the Jean Hersholt Humanitarian Award in 2002. An annual film festival in Hiller's honor was held from 2006 until 2009 at his alma mater, Victoria School of Performing and Visual Arts.

Arthur Hiller studied at University of Toronto and Victoria School of Performing and Visual Arts. The recorded working language is English. Employment is recorded with Canadian Broadcasting Corporation. Distinctions recorded are Officer of the Order of Canada, Jean Hersholt Humanitarian Award and Canada's Walk of Fame.

• Name — Arthur Hiller • Born — November 22, 1923 • Birthplace — Edmonton, Alberta, Canada • Died — 17 August 2016 • Place of death — Los Angeles, California, U.S. • Resting Place — Mount Sinai Memorial Park Cemetery Los Angeles, California, U.S. • Education — Victoria School of the Arts • Alma Mater — University College, Toronto (B.A., 1947) • Occupation — Director • Children — 2 • Years Active — 1955–2006 • Notable Works — Love Story • Style — * Comedy-drama • Slapstick comedy • Tragedy • Drama • Satire

Hiller was born in November 1923 in Edmonton, Alberta, the son of Rose (née Garfin) and Harry Hiller. His family was Jewish, and had emigrated from Congress Poland (then part of the Russian Empire) in 1912. He had two sisters, one 13 years older and one 11 years older. His father operated a second-hand musical instruments store in Edmonton. Hiller recalled that when he occasionally traveled home while he was in college, the black people he met with "treated me like a king. Why? Because they loved my father. They told me that unlike other shopkeepers, he treated them like normal folks when they went to his store. He didn't look down on them". Although his parents were not theater professionals, they enjoyed putting on a Jewish play once or twice a year for the Jewish community of 450 people, mainly to keep in touch with their heritage. Hiller recalls they started up the Yiddish theatre when he was seven or eight years old; he helped set carpenters build and decorate the sets. When he was eleven, he got a role acting as an old man, wearing a long beard and the payot. He says that "the love of theater and music and literature my parents instilled in me" contributed to his later career in TV and film.

After graduating from high school, Hiller briefly attended the University of Alberta, before joining the Royal Canadian Air Force in 1941 during World War II. He served with 427 Lion Squadron as a navigator on four-engine Handley Page Halifax heavy bombers flying from Yorkshire on operations over Nazi-controlled territory in Europe. After he returned from serving in the military, Hiller enrolled in and later graduated from University College, Toronto with a Bachelor of Arts in 1947. After Israel was declared a state in 1948, he and his wife unsuccessfully tried to join the Israeli army. Hiller returned to college and earned a Master of Arts in psychology in 1950. One of his early jobs, after graduating, was with Canadian radio directing various public affairs programs.

Hiller began his career as a television director with the Canadian Broadcasting Corporation. NBC, one of the main networks in the United States, seeing his work in Canada, offered him positions directing television dramas. Over the next few years, his work for the small screen included episodes of Thriller, Alfred Hitchcock Presents, The Rifleman, Gunsmoke, Naked City, Perry Mason, and Playhouse 90.

Hiller directed his first film, The Careless Years (1957), the story of a young couple eloping developed by Bryna Productions. This was followed by This Rugged Land (1962), originally made for television but then released as a film, and then Miracle of the White Stallions (1963), a Walt Disney Productions film. He directed a satirical anti-war comedy by screenwriter Paddy Chayefsky, The Americanization of Emily (1964), starring James Garner and Julie Andrews. It was the first of two film collaborations with Chayefsky. The film, nominated for two Academy Awards, established Hiller as a notable Hollywood director and, according to critics, "earned him a reputation for flair with sophisticated comedy." The New York Times critic Bosley Crowther wrote that Hiller's "brisk direction" of Chayefsky's script included some "remarkably good writing with some slashing irreverence." In 1964 Hiller also directed the first episode of the television series The Addams Family. This was followed by the comedy Promise Her Anything (1965), with Warren Beatty and Leslie Caron and Penelope (1966), starring Natalie Wood. In a move away from comedy, he directed the desert warfare drama, Tobruk (1967), starring Rock Hudson and George Peppard, about a North African Campaign during World War II. The film was nominated for one Academy Award and showed Hiller capable of handling action films as well as comedy. Around the same time, he returned to comedy with The Tiger Makes Out (also 1967), starring Eli Wallach and Anne Jackson, and featured Dustin Hoffman's film debut. Popi (1969), recounts the tale of a Puerto Rican widower, starring Alan Arkin, struggling to raise his two young sons in the New York City neighborhood known as Spanish Harlem. Arkin was nominated for a Golden Globe Award for Best Actor.

Hiller directed Love Story (1970), his best known work and most successful at the box-office. The film stars Ryan O'Neal and Ali MacGraw in a romantic tragedy, and it was nominated for 7 Academy Awards including Best Director. The American Film Institute ranks it No. 9 in their list of the greatest love stories. Critic Roger Ebert disagreed with some critics who felt the story was too contrived: "Why shouldn't we get a little misty during a story about young lovers separated by death? Hiller earns our emotional response because of the way he's directed the movie...The movie is mostly about life, however, not death. And because Hiller makes the lovers into individuals, of course we're moved by the film's conclusion. Why not?" The following year Hiller again collaborated with screenwriter Paddy Chayevsky in directing The Hospital (1971), a satire starring George C. Scott which has been described as being his best film. It is a black comedy about disillusionment and chaos within a hospital setting. Chayevsky received the Academy Award for Best Original Screenplay. In directing the film, Hiller tried to create a sense of action and movement by keeping the camera mobile and using handheld cameras as much as possible. His goal was to have the camera reflect the chaos and confusion taking place in the hospital. "I've always liked that sort of realistic feel," he states. "I wanted the feeling that the audience was peeking around the corner." Hiller directed two comedy films in collaboration with playwright Neil Simon. The first film was The Out-of-Towners (1970), starring Jack Lemmon and Sandy Dennis, who were both nominated for Golden Globe awards for their roles. Their next collaboration was Plaza Suite (1971), starring Walter Matthau, which was nominated for the Golden Globe Award for Best Motion Picture. Both films were driven by intense comedy dialogue and were considered "crisply directed" by reviewers. Hiller returned to directing serious drama with The Man in the Glass Booth (1975), starring Maximilian Schell, in a screen adaptation of a stage play written by Robert Shaw. Schell played the role of a man trying to deal with questions of self-identity and guilt as a survivor of the Holocaust during World War II. For his highly emotional role, Schell was nominated for the Academy Award for Best Actor and the Golden Globe Award. Returning to comedy, Hiller directed Silver Streak (1976), starring Gene Wilder, Jill Clayburgh and Richard Pryor. The film was well received by critics and is rated No. 95 on the AFI's best comedy films. He directed another comedy, The In-Laws (1979), with Peter Falk and Alan Arkin, which was also a critical and commercial success.

Hiller directed the film Making Love, which was released in February 1982, a story of a married man coming to terms with his homosexuality. Author! Author! (also 1982), starred Al Pacino. The following year Hiller directed Romantic Comedy (1983), starring Dudley Moore and Mary Steenburgen. His next comedy, The Lonely Guy (1984), starred Steve Martin as a greeting card writer and was followed by Teachers (1984), a comedy-drama film starring Nick Nolte. Outrageous Fortune (1987) stars Shelley Long and Bette Midler. The film was successful at the box office, with Midler being nominated or winning various awards. The film was followed by See No Evil, Hear No Evil (1989), another comedy again starring Gene Wilder and Richard Pryor. Pryor plays a blind man and Wilder a deaf man who work together to thwart a trio of murderous thieves.

The 1990s saw Hiller directing a number of films, most of which received negative or mixed reviews: Taking Care of Business (1990); The Babe (1992), a biographical film about Babe Ruth, portrayed by John Goodman; Married to It (1993) and Carpool (1996). In 1997, Hiller helmed the infamous flop An Alan Smithee Film: Burn Hollywood Burn, which mirrored its title when Hiller requested his name be removed from the picture – thus truly making it an Alan Smithee film. Nine years later, when he was in his 80s, Hiller directed National Lampoon's Pucked (2006), his last film, which stars rock star Jon Bon Jovi.

In 1948, he married Gwen Pechet, who was also Jewish; they had two children and two grandchildren. His wife died on June 24, 2016. They were married for 68 years.

Hiller died almost two months later in Los Angeles on August 17, 2016, at the age of 92 from natural causes.

Hiller was portrayed by actor Jake Regal in the 2022 miniseries The Offer.

Arthur Hiller is recorded as having received Officer of the Order of Canada, Jean Hersholt Humanitarian Award and Canada's Walk of Fame.

• Illustration — Hiller in the 1970s Hiller served as president of the Directors Guild of America (DGA) from 1989 to 1993 DGA presented Hiller with the Robert B. Aldrich Award in 1999 and the DGA Honorary Life Member Award in 1993. In 1970 he received a DGA Award nomination for Outstanding Directorial Achievement in Feature Film for Love Story. He was also a member of the National Film Preservation Board of the Library of Congress from 1989 to 2005 and President of the Academy of Motion Picture Arts and Sciences from 1993 to 1997. He also served on the board of the National Student Film Institute. He received the Jean Hersholt Humanitarian Award at the 2002 Academy Awards ceremony in recognition of his humanitarian, charitable and philanthropic efforts. In 2002, he was honoured with a star on Canada's Walk of Fame in Toronto. In 2006, he was made an Officer of the Order of Canada. Writer and producer William Froug said that "Hiller is that rare and hugely successful gentleman who has remained humble all his life." He received an honorary degree of Doctor of Fine Arts from the University of Victoria in June 1995. He received an honorary degree of Doctor of Laws (LL.D) from the University of Toronto in November 1995.

• Institution — Year — Category — Nominated work — Result • Academy Awards — 1971 — Best Director — Love Story • 2002 — Jean Hersholt Humanitarian Award • Avoriaz International Fantastic Film Festival — 1980 — Grand Prize — Nightwing • Berlin International Film Festival — 1972 — Golden Bear — The Hospital • Silver Bear Jury Prize • OCIC Award • Directors Guild of America Awards — 1971 — Outstanding Directing – Feature Film — Love Story • 1993 — Honorary Life Member Award • 1999 — Robert B. Aldrich Award • Directors Guild of Canada Awards — 2004 — Lifetime Achievement Award • Golden Globe Awards — 1971 — Best Director — Love Story • Golden Raspberry Awards — 1999 — Worst Director — An Alan Smithee Film: Burn Hollywood Burn • Palm Springs International Film Festival — 2002 — Director's Achievement Award • Primetime Emmy Awards — 1962 — Outstanding Directing for a Drama Series — Naked City