Antonio Balestra
Antonio Balestra (12 August 1666 – 21 April 1740) was an Italian painter of the Rococo period.
Also recorded as Balestra veneziano · Antonio Ballestra · Antonio Balestri · Antonio Ballastra
Antonio Balestra

Antonio Balestra · "I segni della Verona veneziana (il settecento)". Testi di Nino Cenni e Maria Fiorenza Coppari · Public domain
- Name
- Antonio Balestra
- Born
- 12 August 1666
- Birthplace
- Verona, Republic of Venice
- Died
- 21 April 1740
- Place of death
- Verona
- Known for
- Painting
- Movement
- Late Baroque
- Nationality
- Republic of Venice
- Occupation
- painter · printmaker · copper engraver · draftsperson
- Fields
- portrait
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Antonio Balestra (12 August 1666 – 21 April 1740) was an Italian painter of the Rococo period.
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Documentary evidence
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Authority files
wikidata · Q386500 · wikipedia · Antonio Balestra
In this article
Key facts
Key facts
• Name — Antonio Balestra • Born — 12 August 1666 • Birthplace — Verona, Republic of Venice • Died — 21 April 1740 • Place of death — Verona • Known for — Painting • Movement — Late Baroque • Illustration — Theseus discovering his Father's Sword • Illustration — Adoration of Shepherds • Illustration — The Prophet Isaiah
Biography
Biography
Born in Verona, he first apprenticed there with Giovanni Zeffio. By 1690 he moved to Venice, where he worked for three years under Antonio Bellucci, then moved to Bologna and then to paint in Carlo Maratta's workshop in Rome. In 1694, he won a prize from the Accademia di San Luca. He later painted both in Verona and Venice; although his influence was stronger in the mainland. His pupils in Verona were Pietro Rotari and Giambettino Cignaroli. In Venice, he painted for the churches of the I Gesuiti and San Zaccaria, and the Scuola della Carita. Pietro Longhi briefly worked under Balestra. In Venice, other pupils or painters he influenced, included Mariotti, Giuseppe Nogari, Mattia Bortoloni and Angelo Trevisani. He also influenced a young Giambattista Pittoni. Among his pupils from Verona were Domenico Pecchio, Domenico Bertini, and Carlo Salis. In painting, Balestra was staid and reactionary. Wittkower quotes the distaste of Balestra in 1733 for the tendency of then-modern painters to deviate from enshrined standards of academic painting: He painted a Virgin and Infant, with Saints Ignatius and Stanislaus Kostka for the church of Sant'Ignazio at Bologna. He also painted for churches of Venice, Vicenza, Padua, Brescia, and Verona. In prints, he etched a Head of a Warrior, Virgin Mary and Infant in the Clouds, with Two Soldiers; Vignette, with two figures holding a Flag of Verona, and a Portrait of an Architect.
Works
Works
• Trinity, Castelvecchio • La ricchezza della terra, Trento • David and Goliath, Carrara Academy, Bergamo • The Miracle of Saint Nicholas, City Museum, Busseto • The Death of Abel (between 1701 and 1704) • The Holy Family, National Gallery, Prague • Portrait of Doge Alvise III, Duchal Palace, Venice • Adoration of the Magi (1707), Jalinch Collection, Zagreb • The Annunciation, Church of San Tommaso, Verona • Madonna and Saints, Church of Santa Maria in Organo, Verona • A replica is now at the Pinacoteca civica di Forlì • Saint Oswald, Church of San Stae, Venice • Apollo and Midas, Palazzo Pizzini, Rovereto • Santa Giustina (Saint Justine) church, Padua • Adoration of Shepherds • Martyr of Saints Cosmas and Damian (1717-1718) • Theseus Discovering his Father's Sword • Vision of the Virgin, alongside St Joseph, granting the scapular to Blessed Simone Stock (around 1725) San Marco in San Girolamo, Vicenza • San Luigi Gonzaga in preghiera davanti alla Vergine (1745), San Luigi Gonzaga Basilica, Castiglione delle Stiviere • Miracle of St Dominic • Prophet Isaiah • Saint Francis in Ecstasy, Museo de Castelvecchio, Verona • Madonna with Saints Andrew and Gregory (1734), San Gregorio al Celio, Rome • Frescoes at the villa of Alessandro Pompei • Illustration — Martyrdom of Saints Cosmas and Damian • Illustration — Abbey of Santa Giustina (1718) Padoua
Identity
Identity
The glorification of St. Recorded as painter, printmaker, copper engraver and draftsperson.

Antonio Balestra, Balestra (Venus en la fragua de Vulcano)
Antonio Balestra · [2]

Antonio Balestra, The Madonna and Child in Glory with Saints Gregory the Great and Andrew, 1734, 1735
Antonio Balestra · This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1666
Antonio Balestra was born in 1666.
1740
Antonio Balestra died at Verona.
Drawings
• The Sacrifice of Isaac, sanguine on blue paper, LACMA, Los Angeles County Fund (54 12.7)
Primary material
Documents and archives
Institutional database
- Wikidata, structured authority record Q386500: Antonio Balestra
Scholarly · Wikimedia Foundation
reference work
- “Antonio Balestra”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Bernasconi, p 372.
- 2.Wittkower, Chapter 19, p 483–4.
- 3.Bernasconi, Cesare. Painting Studi sopra la storia della pittura italiana dei secoli xiv e xv e della scuola pittorica veronese dai medi tempi fino tutto il secolo xviii. 369. 1864.
- 4.Wittkower, Chapter 19, p 461.
- 5.San Luigi Gonzaga - The basilica
Bibliography printed in the source article · 6
- Bernasconi, Cesare. Studj sopra la storia della pittura italiana dei secoli xiv e xv e della scuola pittorica. 1864.
- Bryan, Michael. Dictionary of Painters and Engravers, Biographical and Critical. George Bell and Sons. 73–74. 1886.
- Wittkower, Rudolph. Art and Architecture in Italy, 1600-1750. Penguin Books. 461, 483–484. 1980.
- Lilli Ghio - Edi Baccheschi, Antonio Balestra, Ed. Bolis, 1989
- U. Ruggeri, Nuove opere documentate di Antonio Balestra, in Pittura veneziana dal Quattrocento al Settecento: studi di storia dell'arte in onore di Egidio Martini, a cura di G. M. Pilo, Venezia 1999
- G. Fossaluzza, Antonio Arrigoni "pittore in istoria", tra Molinari, Ricci, Balestra e Pittoni, in "Saggi e memorie di storia dell'arte", 21, 1997
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
Institutional database
Wikidata, structured authority record Q386500: Antonio BalestraWikimedia Foundation
Institutional witnessreference work
Secondary witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
The authorities additionally record the headings Balestra veneziano, Antonio Ballestra, Antonio Balestri, Antonio Ballastra and Antonio Balastra. His recorded language was Italian. Formation and teaching. He trained under Carlo Maratta. Each of those relationships is stated by the authority record rather than inferred from style.
Identity and origins
Recognition and collections
Work by Antonio Balestra is
Museo del Prado, Nationalmuseum, National Gallery of Canada and Museum of Fine Arts Ghent (MSK)
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Prints
4,138 published records in this field, each with its sources named.
- Antonie Frederik ZürcherEngraver
- Antonie WaterlooEngraver
- Antonio Alegre CremadesEngraver
- Antonio BaldiEngraver
- Antonio BarattiEngraver
- Antonio BasoliEngraver
- Antonio BellucciEngraver
- Antonio BrescianiEngraver
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