Anton Kannemeyer

The recorded working language is English. Employment is recorded with University of the Witwatersrand and University of Cape Town. Work by Anton Kannemeyer is recorded in the collections of Museum of Modern Art and San Francisco Museum of Modern Art.

• Birth Name — Anton Kannemeyer • Born — 30 October 1967 • Birthplace — Cape Town, South Africa • Nationality — South African • Cartoonist — y • Alias — Joe Dog

Anton Kannemeyer was born in Cape Town. He studied graphic design and illustration at the University of Stellenbosch, and did a Master of Arts degree in illustration after graduating. Together with Conrad Botes, he co-founded the magazine Bitterkomix in 1992 and has become revered for its subversive stance and dark humor. He has been criticized for making use of "offensive, racist imagery". Kannemeyer himself said that he gets "lots of hate mail from white Afrikaners". His works challenge the rigid image of Afrikaners promoted under Apartheid, and depict Afrikaners having nasty sex and mangling their Afrikaans. “X is for Xenophobia”, part of his "Alphabet of Democracy", depicts Ernesto Nhamwavane, a Mozambican immigrant who was burnt alive in Johannesburg in 2008. Some of Kannemeyer's works deal with the issues of race relations and colonialism, by appropriating the style of Hergé’s comics, namely from Tintin in the Congo. In "Pappa in Afrika", Tintin becomes a white African, depicted either as a white liberal or as a racist white imperialist in Africa. In this stereotyped satire, the whites are superior, literate and civilised, and the blacks are savage and dumb. In "Peekaboo", a large acrylic work, the white African is jumping up in alarm as a black man figure pokes his head out of the jungle shouting an innocuous 'peekaboo!' A cartoon called "The Liberals" has been interpreted as an attack on white fear, bigotry and political correctness: a group of anonymous black people (who look like golliwogs) are about to rape a white lady, who calls her attackers "historically disadvantaged men".