Antoine Vitez
Antoine Vitez (ɑ̃twan vitɛz; 20 December 1930 – 30 April 1990) was a French actor, director, and poet. He became a central character and influence on the French theater in the post-war period, especially in the technique of teaching drama. He was also translator of Chekhov, Vladimir Mayakovsky and Mikhail Sholokhov.
Antoine Vitez

Michaud, Fernand (1929-2012). Photographe · Bibliothèque nationale de France · Public domain
- Name
- Antoine Vitez
- Born
- 20 December 1930
- Birthplace
- Paris, France
- Died
- 30 April 1990 (aged 59)
- Field
- Theatre director, stage director
- Training
- Tania Balachova
- Nationality
- France
- Occupation
- theatre director · poet · translator · scenographer · actor · television actor · photographer · director
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Antoine Vitez (ɑ̃twan vitɛz; 20 December 1930 – 30 April 1990) was a French actor, director, and poet. He became a central character and influence on the French theater in the post-war period, especially in the technique of teaching drama. He was also translator of Chekhov, Vladimir Mayakovsky and Mikhail Sholokhov.
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wikidata · Q2657576 · wikipedia · Antoine Vitez
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Key facts
Key facts
• Name — Antoine Vitez • Born — 20 December 1930 • Birthplace — Paris, France • Died — 30 April 1990 (aged 59) • Place of death — Paris, France • Field — Theatre director, stage director • Training — Tania Balachova
Early life
Early life
Antoine Vitez was born in Paris and trained to be an actor, finding his first acting job at the age of 19 in Ils attendent Lefty at the Théâtre Maubel. He failed to enter the National Conservatory of Dramatic Art in Paris and became a Communist activist, which he continued until 1979, when he left the Communist Party following the invasion of Afghanistan by the USSR. He met Louis Aragon in 1958 and became his private secretary from 1960 to 1962. He worked in the theater Balachova Tania, and wrote reviews published by Jean Vilar in the magazine Théâtre populaire. Vitez also found work reading on the radio and voice-dubbing in films. He had his first opportunity as director with Sophocles' Electra at the Maison de la Culture de Caen in 1966.
Career
Career
Vitez' production of Electra was successful and he continued directing with Russian and Greek repertoire, directing Mayakovsky's Les Bains in 1967, Eugene Schwartz's Le Dragon in 1968, and Chekhov's La Mouette in 1970. After this initial period, he began working more with French and German repertoire, directing works by Racine, Jakob Lenz, Goethe, Brecht and René Kalisky. He later expanded his work to both traditional and classical theatrical repertoire, including Sophocles, Shakespeare, Marivaux, Molière, Jean Racine, Paul Claudel, Vladimir Mayakovsky, Pierre Guyotat, Jean Metellus and Jean Audureau. Vitez became a professor at the National Conservatory of Dramatic Arts in 1968, and in 1972 he founded the Théâtre des Quartiers d'Ivry. In the same year, he founded the Ateliers d'Ivry workshop, where amateurs and professionals could share a common theatrical practice. He became director at the Chaillot National Theatre in 1981, and was appointed deputy head of the Comédie Française in June 1988, a post he held until his sudden death in Paris in 1990. In 1978, Vitez' workshop sessions were recorded by film-maker Maria Koleva, who made five films on different workshop sessions.
Filmography
Filmography
• Year — Title — Role — Notes • 1966 — The War Is Over — Un employé Pan-am / Pan-Am Employee • 1969 — My Night at Maud's — Vidal • 1970 — La nuit bulgare • 1970 — The Confession — Un ami communiste • 1976 — Les Ambassadeurs • 1976 — Antoine Vitez s'amuse avec Claudel et Brecht — Himself • 1978 — The Green Room — Bishop's secretary • 1978 — Le barbouillé ou la mort gaie — Le professeur • 1979 — Écoute voir — Le délégue de la secte • 1979 — Je parle d'amour — Le comédien de Tartuffe • 1989 — Hiver 54, l'abbé Pierre — Le ministre de l'intérieur Léon Martinaud-Déplat — (final film role) • 1991 — Paroles tues ou Aimer en étrangère à Paris — Himself
Life and career
Dated record
Life and career
Explore 1930–1990
The full dated record · 3 entries
1930
Antoine Vitez born at 15th arrondissement of Paris.
1990
Antoine Vitez died at 15th arrondissement of Paris.
1990
Confrontations avec Antoine Vitez is dated 1990.
Aesthetic
Vitez often presented his plays in locations with non-theatrical elements and without any descriptive function, employing an aesthetic of "free play" and "association of ideas," according to Georges Banu. Vitez' work required thought on the part of the audience, more than the reality of a set. He saw the theater as a "force field" and demanded an "elitist theater for all." He defended the great classical texts as "sunken galleons," works that were remote, archaic and mythological.
Legacy
• Théâtre Antoine Vitez on the campus of the University of Provence, now Aix-Marseille University is named for him. • Théâtre d'Ivry Antoine Vitez in Ivry-sur-Seine, is also named for him.
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Formation and teaching. He trained under Tania Balachova. Each of those relationships is stated by the authority record rather than inferred from style.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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