Anthony J. Resta
Resta is a Canadian musician and record producer. He has received awards for work on film soundtracks. Resta has also engineered albums for Duran Duran, Blondie, Elton John, Megadeth, Shawn Mullins, Collective Soul, and Perry Farrell.
Anthony J. Resta
- Name
- Anthony J.
- Occupation
- * Record producer
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wikidata · Q4772813 · wikipedia · Anthony J. Resta
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Key facts
Key facts
• Name — Anthony J. Resta • Background — person • Instruments — * Guitar • bass guitar • drums • percussion • keyboards • Occupation — * Record producer • musician • Years Active — 1980s–present
Collaborations and projects
Collaborations and projects
Resta has also worked with artists including Guster, and Needtobreathe. His film and television work includes contributions to The Saint, Scream 3, Twilight, and Melrose Place. He has also been involved in projects by TV Mania, a collaboration between Nick Rhodes and Warren Cuccurullo, and has participated in the composers’ collective Electrons.
Awards
• 2015: Hollywood Music in Media Awards, Music Genre winner in the Producer/Production category. • 2022: Indie Short Fest, Los Angeles International Film Festival, award for Best Original Score for the indie short film The Chair.
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Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Anthony J. Resta, revision 1317869823 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 29 August 2026.
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