Antal Doráti

He made his first recording with the London Philharmonic Orchestra for the recording label His Master's Voice. This was later transferred to RCA Records with whom HMV were for some time associated. Over the course of his career Doráti made over 600 recordings. With the Philharmonia Hungarica, Doráti was the second conductor to record the complete symphonies of Joseph Haydn (the first complete recorded edition was conducted by Ernst Märzendorfer and the Vienna Chamber Orchestra, but it had a very limited release). He also recorded an unprecedented cycle of Joseph Haydn's operas and Ottorino Respighi's Ancient Airs and Dances, Suites 1, 2 and 3. Doráti became especially well known for his recordings of Tchaikovsky's music. He was the first conductor to record all three of Tchaikovsky's ballets – Swan Lake, The Sleeping Beauty and The Nutcracker – complete. The albums were recorded in mono in 1954 and 1955, for Mercury Records released on CD by The Doráti Society, with the Minneapolis Symphony Orchestra (later renamed the Minnesota Orchestra), as part of their famous "Living Presence" series. All three ballets were at first issued separately, but were later re-issued in a 6-LP set. Dorati did re-record Swan Lake [released on CD by Universal Mercury], but he made a stereo recording of The Sleeping Beauty (complete) with the Royal Concertgebouw Orchestra of Amsterdam for Philips Classics Records, and two complete recordings in stereo of The Nutcracker, one with the London Symphony Orchestra (again for Mercury), and the other with the Concertgebouw Orchestra for Philips – all this within a span of about twenty-seven years. He also recorded all four of Tchaikovsky's orchestral suites with the New Philharmonia Orchestra, and he was the first conductor to make a recording of Tchaikovsky's "1812" Overture (featuring the Minneapolis Symphony Orchestra) with real cannons, brass band, and church bells, first in mono in 1954 and then in stereo in 1958. Both the mono and stereo "1812" versions reached No. 3 in the United States and sold over one million copies, with that they were awarded a gold disc by the RIAA. He also recorded all six of Tchaikovsky's symphonies with the London Symphony Orchestra. His 1961 album titled Beethoven: Wellington's Victory reached No. 20 in the US. Other prominent composers in Doráti's recording career were Béla Bartók and Igor Stravinsky. His comprehensive series of Bartók's orchestral works for Mercury have been brought together on a 5-CD set. He also made the first stereo recording of Léo Delibes' Coppélia, with the Minneapolis Symphony Orchestra. An album set of Wagner's Der fliegende Holländer is also among Doráti's popular recordings. In 1969, he made the world premiere recording of Sibelius's tone poem Luonnotar, with Gwyneth Jones as soprano soloist. In 1973 he conducted the world premiere recording of Max Bruch's Concerto for Two Pianos and Orchestra, which was written in 1912 but only rediscovered in 1971. In 1969, with the Stockholm Philharmonic Dorati conducted the first recording of the Symphony No. 7 of Swedish composer Allan Pettersson, of which he was the dedicatee. He made digital recordings, for English Decca Records (released in the U.S. on the London label), with the Detroit Symphony Orchestra and the Royal Philharmonic Orchestra and the Royal Concertgebouw Orchestra for Philips. One of these, the recording of Stravinsky's The Rite of Spring with the Detroit Symphony Orchestra, received the coveted French award Grand Prix du Disque.