Angie Reano Owen
Angelita "Angie" Reano Owen (born 1946) is a Santo Domingo Pueblo jeweler and lapidary artist from New Mexico. Owen is known for her intricate jewelry that draws inspiration from precontact Ancestral Pueblo and Hohokam designs. She is recognized for helping to revitalize Pueblo shell mosaic inlay in the 1970s.
Also recorded as Angie R. Owen · Angelita Owen · Angie Reano
Angie Reano Owen
- Name
- Angie Reano Owen
- Birth Name
- Angelita Reano
- Born
- 1946
- Birthplace
- Santo Domingo Pueblo
- Education
- Albuquerque High School (1965)
- Known for
- mosaic inlay jewelry
- Spouse
- Don Owen
- Occupation
- designer
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Documentary summary
Angelita "Angie" Reano Owen (born 1946) is a Santo Domingo Pueblo jeweler and lapidary artist from New Mexico. Owen is known for her intricate jewelry that draws inspiration from precontact Ancestral Pueblo and Hohokam designs. She is recognized for helping to revitalize Pueblo shell mosaic inlay in the 1970s.
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Note VALÉORINE
Angie Reano Owen (born 1946) is a designer. The designer was born in Kewa Pueblo. Works are held at National Museum of the American Indian and Smithsonian Institution.
Composed from admitted, traceable facts · 01 October 2026
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Authority files
wikidata · Q98590688 · wikipedia · Angie Reano Owen
In this article
Key facts
Key facts
• Name — Angie Reano Owen • Birth Name — Angelita Reano • Born — 1946 • Birthplace — Santo Domingo Pueblo • Citizenship — Santo Domingo Pueblo and U.S. • Education — Albuquerque High School (1965) • Known for — mosaic inlay jewelry • Spouse — Don Owen • Father — Joe Isidro Reano • Mother — Clara Lovato Reano
Early life and education
Early life and education
• Illustration — Santa Domingo Pueblo, birthplace of Angie Reano Owen Owen was born in 1946 to Joe Isidro and Clara Lovato Reano in Santo Domingo Pueblo in New Mexico. Her family was known for their heshi shell beads, and her mother was a jeweler. She attended Bernalillo High School and graduated from Albuquerque High School in 1965. As one of Joe and Clara's eight children, she joined in the family's jewelry business, making Thunderbird necklaces for the tourist trade, after the boom in interest in Southwestern jewelry. Owen and her brothers and sisters would sell the family's wares on the steps of the Palace of the Governors in Santa Fe, New Mexico. • Illustration — Hohokam turquoise mosaics, an example of the precontact art that inspires Owen's jewelry designs
Art career
Art career
In the 1970s, Owen became known for her mastery of ancient Ancestral Pueblo and Hohokam inlay jewelry, a delicate technique which she is noted for reviving. After a trip to Tucson, Arizona, where she viewed precontact mosaic inlays, Owen began to develop her own take on the traditional artwork. She innovated a technique of combining shell and stone with a unique adhesive that is known only to the family. Her mosaics use slices of stones and shell, such as turquoise, coral and Tiger cowrie, which she arranged in patterns or landscapes and inlays with epoxy. They are carefully placed, set, then sanded smooth. By the 1980s, her designs became more elaborate, with mosaic designs adorning complex organic forms, arranged in an "unconventional integration of various prehistoric and postmodern design elements". Owen's designs are noted for their intricacy and multifaceted surfaces of inlaid shells, stones. and natural materials. Owen is recognized for helping popularize this traditional Ancestral Pueblo style of Native American jewelry, which was not previously well known. After developing her technique, she taught her family members to carry on the tradition, including her brother Joe, sister in law Angie P. Reano, and her children Rena, Dean and Donna. Other members of the Reano Owen family have gone on to become talented inlay jewelry artisans in their own right.
Selected exhibitions
Selected exhibitions
• Get a Bead On: Jewelry and Small Objects, Racine Art Museum • RAM Showcase: Focus on Adornment, Racine Art Museum • Totems to Turquoise, American Museum of Natural History New York • Turquoise, Water Sky: The Stone and Its Meaning, Museum of Indian Arts and Culture Santa Fe • Water, Wind, Breath: Southwest Native Art, Barnes Foundation
Life and career
Dated record
Life and career
The full dated record · 1 entries
1946
Angie Reano Owen was born on 10 November 1946.
Collections
Collections
• School for Advanced Research, Indian Arts Research Center • Museum of Fine Arts Boston • National Museum of the American Indian • IAIA Museum of Contemporary Native Arts, Santa Fe • Nelson-Atkins Museum of Art, Kansas City, MO
Documents and archives
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q98590688: Angie Reano Owen
General reference · Wikidata
reference work
- “Angie Reano Owen”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Honors and awards
In 1995, she was named the Ronald and Susan Dubin Artist Fellow at the School for Advanced Research in Santa Fe. Owen's artwork has won several Best of Division awards at the Santa Fe Indian Market and Heard Museum Fair in Phoenix, Arizona.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Angie Owen & Family. The Rainbow Man.
- 2.Graff, Michelle. Museum to Host Turquoise Jewelry Exhibition. National Jeweler]. May 10, 2016.
- 3.Cuff bracelet. collections.mfa.org.
- 4.El Palacio. Angie Reano Owen attributes this Depression-era necklace to her mother, Clara Reano.
- 5.Pardue, Diana F. Contemporary Southwestern Jewelry. Gibbs Smith. 2007. 978-1-4236-0190-6.
- 6.Bischoff's Gallery. Silversmith & Lapidary Biographies: Angie Reano Owen.
- 7.El Palacio. Santo Domingo Pueblo's Depression Jewelry.
- 8.Angie Reano Owen – Artists – Indian Arts Research Center. emuseum.sarsf.org.
- 9.British Museum. Joe Reano.
- 10.Greenbaum, Toni and Pat Kirkham. "Chapter 8. Women Jewelry Designers." Women Designers in the USA, 1900–2000: Diversity and Difference, edited by Pat Kirkham, Bard Graduate Center and Yale University Press, 2002. A&AePortal, aaeportal.com/?id=-20279.
- 11.Pardur, Diana. Portfolio Native American Innovators. Southwest Art Magazine. 2010-07-16.
- 12.Mosaic cuff bracelet. collections.mfa.org.
- 13.Baxter, Paula. "Cross-cultural controversies in the design history of Southwestern American Indian jewellery." Journal of Design History 7.4 (1994): 233–45.
- 14.Gänsicke, Susanne. Looking at Jewelry: A Guide to Terms, Styles, and Techniques. Getty Publications. 2019-06-25. 978-1-60606-599-0.
- 15.Lowry, Joe Dan. Turquoise. Gibbs Smith. 2010-10-01. 978-1-4236-1980-2.
- 16.1995 Native Artist Fellows School for Advanced Research.
- 17.Pardue, D. F. (1997). The Cutting Edge: Contemporary Southwestern Jewelry and Metalwork. Heard Museum.
- 18.Baxter, Paula A. Encyclopedia of Native American Jewelry: A guide to history, people, and terms. Oryx Press. 2000. 978-1-57356-128-0.
- 19.British Museum. Joe Reano Related Objects.
- 20.Roberts, Kathaleen. Kewa artist Angie Owen uses techniques of her ancestors to craft award-winning jewelry. Albuquerque Journal. 2021-08-14.
- 21.Angie Owen – Santa Fe Indian Market.
- 22.Bracelet. emuseum.sarsf.org.
- 23.Results – Advanced Search Objects – Museum of Fine Arts, Boston. Museum of Fine Arts, Boston.
- 24.Earrings National Museum of the American Indian. americanindian.si.edu.
- 25.Nelson-Atkins Museum of Art. Bracelet.
- 26.Racine Art Museum. Get a Bead On: Jewelry and Small Objects.
- 27.Racine Art Museum. RAM Showcase: Focus on Adornment.
- 28.Totems to Turquoise Native North American Jewelry Arts of the Northwest and Southwest https://www.amnh.org/content/download/58463/944383/file/totems_main.pdf www.amnh.org/resources/exhibitions/totems
- 29.Department of Cultural Affairs Media Center: Media Bank: Turquoise, Water, Sky: The Stone and Its Meaning: Contemporary Artistic Expressions. media.newmexicoculture.org.
- 30.Barnes Foundation. Water, Wind, Breath: Southwest Native Art in Community The Barnes Foundation. February 20 – May 15, 2022.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority record
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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