Angelo Torres

• Imagesize — 150 • Born — 14 April 1932 • Birthplace — Santurce, Puerto Rico • Nationality — American • Pencil — y • Ink — y • Awards — Inkpot Award (2000)

Torres was friends with artist Al Williamson in the early 1950s and occasionally assisted him on work for EC Comics with fellow artists Frank Frazetta and Roy Krenkel (known as the Fleagle Gang). The story which was to be Torres' first solo EC story, "An Eye for an Eye" in Incredible Science Fiction #33 (Jan.-Feb. 1956), was rejected by the Comics Code and did not see print for the first time until 1971.

When the EC comics line ended after the enforcement of the Comics Code, Torres (and several other EC alumni) went to Atlas Comics (later to be known as the Marvel Comics Group) and drew a number of short stories for their mystery titles in 1956-57, titles such as Astonishing, Spellbound, Uncanny Tales, Marvel Tales and many others.

Torres later worked for Warren Publishing under editor Archie Goodwin. He contributed art on 20 stories for Creepy, Eerie and Blazing Combat from 1964 through 1967.

From October 1969 until April 2005 he drew the satires of contemporary U.S. television shows (and later movies) as the penultimate feature in Mad magazine (whereas Mort Drucker drew the movie parodies in its opening portions). He was named #61 in Atomic Comics' (retailer) list of The Top 100 Artists of American Comic Books.

Torres drew five "what if?"-pseudo-covers for comic historian Grant Geissman's book The History of EC Comics, appearing in the end of the book, under the general guideline, " what if the anti-comics crusade which took down EC and countless competitors had been able to survive the McCarthy Era censorship assault, and EC had asked Torres to illustrate its covers?"

Angelo Torres provided layouts and pencils for a "new work" by the late Otto Binder (1911-1974). Adapted by Robert L. Reiner, the story was written in 1953 and was previously unpublished. Stefan Koidl, a Salzburg-based sculptor and master digital artist provided finishing art. Titled, "The Unwanted," the story is a parable where a society learns to be careful what it wishes for and to understand what it means to be unwanted. Fantagraphics is the publisher.