Andreas Karkavitsas

• Year — Title — English meaning — Published in • 1892 — Διηγήματα (Diiyimata) — Stories — Athens • 1896 — Η Λυγερή (I Liyeri) — The willowy girl — Athens • 1897 — Θεσσαλικές εικόνες. Ο ζητιάνος (Thessalikes eikones. O zitianos) — Thessalian images. The beggar — Athens • 1899 — Λόγια της πλώρης. θαλασσινά διηγήματα (Logia tis ploris. Thalassina diiyimata) — Words from the prow. Sea stories — Athens • 1900 — Παλιές αγάπες 1885-1897 (Palies agapes) — Old loves 1885-1897 — Athens • 1904 — Ο αρχαιολόγος (O arheologos) — The archeologist — Athens • 1922 — Διηγήματα του γυλιού(Diiyimata tou yiliou) — Stories from the backpack — Athens • 1922 — Διηγήματα για τα παληκάρια μας (Diiyimata ya ta palikaria mas) — Stories about our lads — Athens Karkavitsas wrote in the European tradition of naturalism (exemplified by Émile Zola), which does not shrink from portraying the seamier parts of life among humble people, rather than romanticising or embellishing reality. He was a folklorist with a gift for spinning tales full of authentic details of simple people's lives, local customs, dialects and folktales, as well as psychological insights about them. He was more successful as a short-story and novella writer. "The Beggar" is a novella about con-men, violence and the grotesque practices of professional beggars (including purposely maiming children to turn them into profitable objects of pity). "Words from the prow" is about the lives of seafarers, fishermen and sponge-divers, full of arcane details of their craft as well as folk-tale-inflected plots of tragedy, shipwreck, hands lost at sea, murder, superstition and the supernatural, as well as the joys of making a living off the sea.