Amira Casar
Amira Casar is a British-French film actress. She was nominated for a César Award for Most Promising Actress for the 1997 film La Vérité si je mens! And also for the Palme d'Or at the 2005 Cannes Film Festival for the film To Paint or Make Love.
Amira Casar

Maximilian Bühn · CC BY-SA 4.0
- Name
- Amira Casar
- Birthplace
- London, England
- Occupation
- Actress
- Born
- 1971 · London.
- Nationality
- France · United Kingdom · Ireland
- Education
- Conservatoire national supérieur d'art dramatique · Cours Florent
- Honours
- Chevalier des Arts et des Lettres
- Languages
- French · English · German
Reference Check
Propose documentary evidence for Amira Casar. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q271553 · wikipedia · Amira Casar
In this article
Biography
Biography
In 2010, she won the Best Actress award at La Rochelle Television Film Festival in 2010 for her turn in La femme qui pleure au chapeau rouge.

Olivier Py au milieu de ses acteurs après la représentation des Enfants de Saturne. De gauche à droite: Matthieu Dessertine, Frédéric Giroutru, Olivier Py, Nâzim Boudjenah, Philippe Girard, Amira Casar, Michel Fau, Bruno Sermonne.
Jegou

Amira Casar au festival du film de Cabourg
Georges Biard
Key facts
Key facts
• Name — Amira Casar • Birthplace — London, England • Occupation — Actress • Years Active — 1989present
Early life
Early life
Amira Casar was born in London and raised in England, Ireland, and France. She studied drama at the Conservatoire National d'Art Dramatique de Paris between 1991 and 1994. She is fluent in English, Kurdish, and French and has also worked in German, Italian, and Spanish.
Career
Career
• Illustration — Casar in 1998 Casar's first role was in the 1989 film Erreur de jeunesse (Error of Youth) by Radovan Tadic. She played Sandra Benzakhem in the 1997 film La Vérité si je mens!, for which she was nominated for a César Award for Most Promising Actress. She later appeared in the film's two sequels, in 2001 and 2012. Casar portrayed Myriem in How I Killed My Father (2001) by Anne Fontaine; Assia Wevill in Sylvia (2003) by Christine Jeffs; the lead role of The Woman in the Catherine Breillat erotic film Anatomy of Hell (2004); and Eva in To Paint or Make Love (2005) by Arnaud and Jean-Marie Larrieu, which was nominated for the Palme d'Or at the 2005 Cannes Film Festival. Other roles include Marianne in Hypnotized and Hysterical (2002), a film by Claude Duty which won the Grand Golden Rail at the 2002 Cannes Film Festival; Malvina van Stille in The Piano Tuner of Earthquakes by the Brothers Quay (2005); and Marie in Tony Gatlif's Transylvania in 2006. In 2007, Casar appeared in installation artist Sophie Calle's Venice Biennale piece Prenez soin de vous (Take Care of Yourself). In 2008, she played Dolorès in Laetitia Masson's Coupable (film), and portrayed Irene in Werner Schroeter's last film, Nuit de chien. Casar played the lead role of Anna Di Baggio in the Éléonore Faucher film Gamines in 2009. She won the Best Actress award at La Rochelle Television Film Festival for her portrayal of Dora Maar in La femme qui pleure au chapeau rouge in 2010. In 2011, Casar played Irène in Let My People Go!, and Deniz in Playoff. In 2013, she appeared in the Arnaud des Pallières film Michael Kohlhaas, and portrayed Anne-Marie Munoz in Bertrand Bonello's Saint Laurent in 2014. In 2015, Casar appeared in The Forbidden Room by Canadian director Guy Maddin. and portrayed Béatrice, Madame de Clermont, in the TV series Versailles. In 2017, she played Annella Perlman in the film Call Me by Your Name. She also appeared in the 2019 Caroline Fourest film Sisters in Arms, about a team of female Kurdish soldiers and volunteers. In 2022, Casar appeared in the film The Contractor. She portrayed Edith Frank, the mother of Anne Frank, in the 2023 Disney+ series A Small Light. On stage, Casar's work includes the Almeida Theatre production of Aunt Dan and Lemon, the title role in Hedda Gabler at Le Petit Théâtre de Paris, and Olivier Py's 2009 production of Les Enfants de Saturne at the Theatre National de L'Odéon, Paris. In 2011, she appeared in the title role of Petra in The Bitter Tears of Petra von Kant, and received critical acclaim in Arthur Honegger's Jeanne d'Arc au bûcher at the Barbican Centre with the London Symphony Orchestra. Casar also appeared in the 1995 Bryan Adams music video for "Have You Ever Really Loved a Woman?".
Filmography
Filmography
• Illustration — Casar in 2013 Film • Year — Title — Role — Director • 1989 — Erreur de jeunesse — Girl on the train — Radovan Tadic • 1994 — Le Temps du bonheur (short) — Caroline Champetier • 1995 — Départ immediat (short) — Woman — Thomas Briat • Ainsi soient-elles — Alice — Patrick Alessandrin • 1996 — Tiré à part — Farida — Bernard Rapp • Mirada liquida — Ana — Rafael Monleon • 1997 — Marie from the Bay of Angels — Young woman at the villa — Manuel Pradal • La Vérité si je mens! — Sandra Benzakhem — Thomas Gilou • 1999 — Why Not Me? — Camille — Stéphane Giusti • Le Derrière — Anne-Laure — Valérie Lemercier • 2000 — Tôt ou tard (film) — Catherine — Anne-Marie Etienne • Le coeur à l'ouvrage — Noëlle — Laurent Dussaux • 2001 — Quand on sera grand — Claire — Renaud Cohen • La Vérité si je mens! 2 — Sandra Benzakhem — Thomas Gilou • How I Killed My Father — Myriem — Anne Fontaine • Buñuel y la mesa del rey Salomón — Fatima / Carmen — Carlos Saura • 2002 — Hypnotized and Hysterical (Hairstylist Wanted) — Marianne — Claude Duty • 2003 — Un autre homme — Marie — Catherine Klein • Sylvia — Assia Wevill — Christine Jeffs • The Very Merry Widows — Claudia — Catherine Corsini • Under Another Sky (Les Chemins de l'oued) — Nadia — Gaël Morel • 2004 — Toi, vieux (short) — Ghost — Pierre Coré • Rien, voilà l'ordre — Zelda Mitchell — Jacques Baratier • Anatomy of Hell — The Woman — Catherine Breillat • 2005 — The Piano Tuner of Earthquakes — Malvina van Stille — Brothers Quay • To Paint or Make Love — Ava — Arnaud Larrieu • La cloche a sonné — Vera — Bruno Herbulot • 2006 — Transylvania — Marie — Tony Gatlif • 2007 — The Last Mistress — Mademoiselle Divine des Airelles — Catherine Breillat • Kandisha — Nyla Jayde — Jérôme Cohen-Olivar • Intrusions — Muriel — Emmanuel Bourdieu • 2008 — Quelques nouvelles du continent — Alice — Max Jourdan • Nuit de chien — Irene — Werner Schroeter • Made in Italy (2008 film) — Isabella — Stéphane Giusti • Le Voyage aux Pyrénées — Socialite journalist — Arnaud et Jean-Marie Larrieu • Coupable (film) — Dolorès — Laetitia Masson • 2009 — Oscar et la dame rose (film) — Mme Gommette — Éric-Emmanuel Schmitt • Gamines — Anna Di Biaggio — Éléonore Faucher • Park Benches — Customer — Bruno Podalydès • 2010 — Districted Leporello (short) — Woman — Julião Sarmento • 2011 — Playoff — Deniz — Eran Riklis • Let My People Go! — Irène — Mikael Buch • 2012 — Michael Kohlhaas — Abbess — Arnaud des Pallières • La vérité si je mens! 3 — Sandra Benzakhem — Thomas Gilou • 2013 — Spiritismes (film) — Guy Maddin • 2014 — Saint Laurent — Anne-Marie Munoz — Bertrand Bonello • Not My Type — Marie — Lucas Belvaux • 2015 — The Last Summer of the Rich — Hanna von Stezewitz — Peter Kern • The Forbidden Room — Mrs. M____ — Guy Maddin • Me and Kaminski — Miriam Kaminski — Wolfgang Becker • 2016 — Die Nacht der 1000 Stunden — Renate Bode — Virgil Widrich • 2017 — Call Me by Your Name — Annella Perlman — Luca Guadagnino • 2018 — At Eternity's Gate — Johanna van Gogh-Bonger — Julian Schnabel • 2019 — Sisters in Arms — Commander — Caroline Fourest • Curiosa — Madame de Heredia — Lou Jeunet • 2020 — Honey Cigar — Selma's mother — Kamir Aïnouz • 2022 — The Contractor — Sophie Mohsin — Tarik Saleh • 2023 — Visions — Johana Van Damaker — Yann Gozlan • 2025 — Honeyjoon — Lela — Lilian T. Mehrel Television • Year — Title — Role — Notes • 1996 — Sharpe's Siege — Catherine — TV series, S04E02 • 1997 — Opération Bugs Bunny — Marie-Noëlle — TV movie • 2000 — Arabian Nights — Morgiana — TV miniseries • 2001 — Murder on the Orient Express — Helena von Strauss — TV movie • 2003 — 40 — Kristina — TV miniseries • Les Thibault (miniseries) — Rachel — TV miniseries • 2008 — Les Héritières — Antonia — TV movie • 2010 — La femme qui pleure au chapeau rouge — Dora Maar — TV movie • 2015 — Versailles — Béatrice, Madame de Clermont — TV series • 2017 — Tensions sur le Cap Corse — Gabrielle Monti — TV movie • 2019 — Savages (Les Sauvages) — Daria — TV series • 2021 — Voltaire High (Mixte_(série_télévisée)) — Irène — TV Series, S1E5 • 2023 — A Small Light — Edith Frank — TV miniseries • 2024 — La Maison (série télévisée) — Perle Foster — TV series
Accolades
Accolades
• 1998 – Nomination: César Award for Most Promising Actress for La Vérité si je mens! • 2016 – Chevalier of the Order of Arts and Letters
Identity
Identity
Amira Casar is recorded as having received Chevalier des Arts et des Lettres.
Life and career
Dated record
Life and career
The full dated record · 1 entries
1971
Amira Casar born at London.
Primary material
Documents and archives
reference work
- Wikidata, structured authority record Q271553: Amira Casar
Reputable secondary · Wikidata
- “Amira Casar”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority file
- VIAF cluster 48939342 for Amira Casar, aggregating national library name authorities.
General reference · OCLC
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Amira Casar, revision 1364534539 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Gorkow, Alexander. AMIRA CASAR - 032c Workshop. 032c. 12. 114–119. 1 December 2006.
- 2.Média, Prisma. Amira Casar, l'élégance audacieuse. Gala. 16 September 2014.
- 3.Le décor entre imaginaire et réel: trois questions à Amira Casar. 7 March 2017.
- 4.Mayorga, Emilio. Series Mania TV Fest Unveils Jury Members. Variety. 1 April 2016.
- 5.Nesselson, Lisa. Would I Lie To You? 2. Variety. 16 February 2001.
- 6.Mintzer, Jordan. Would I Lie to You 3: Film Review. The Hollywood Reporter. 3 February 2012.
- 7.Schwarzbaum, Lisa. How I Killed My Father. Entertainment Weekly. 6 September 2002.
- 8.Scott, A.O. Film Review: A Poet's Death, A Death's Poetry. The New York Times. 17 October 2003.
- 9.Ebert, Roger. Review of Anatomy of Hell. 11 November 2004.
- 10.2005 Cannes Film Festival. Festival de Cannes: To Paint or Make Love.
- 11.Nesselson, Lisa. Hypnotized and Hysterical, (Hairstylist Wanted). Variety. 18 May 2002.
- 12.Catsoulis, Jeannette. Film in Review: The Piano Tuner of Earthquakes. The New York Times. 17 November 2006.
- 13.2006 Cannes Film Festival. Festival de Cannes: Transylvania.
- 14.Cinenews.be. Coupable (2008) – Leatitia Masson.
- 15.Weissberg, Jay. Review: Tonight. Variety. 7 September 2008.
- 16.Scheyé, Aurélia. Amira Casar: 'Je n'ai pas de vanité dans mon métier. Version Femina. 11 December 2009.
- 17.Fiction TV Festival La Rochelle 2010: Here is the winners list. 9 December 2010.
- 18.DeFore, John. Let My People Go!: Film Review. The Hollywood Reporter. 28 August 2011.
- 19.Harvey, Dennis. Playoff. Variety. 31 August 2011.
- 20.Mintzer, Jordan. Playoff: Film Review. The Hollywood Reporter. 5 July 2012.
- 21.2013 Cannes Film Festival. Michael Kohlhaas: Festival de Cannes. 2 January 2018.
- 22.BBC. Age of Uprising: The Legend of Michael Kohlhaas. 2 January 2018.
- 23.Harvey, Dennis. Film Review: The Forbidden Room. Variety. 29 September 2015.
- 24.Gove, Ed. Who's who in Versailles? A guide to the French court. Royal Television Society. 21 April 2017.
- 25.Deen, Sarah. This is what the stars of BBC's Versailles look like when they're not in costume. Metro. 11 August 2016.
- 26.Berlin International Film Festival. Berlinale: Archive: Annual Archives: 2017: Programme – Call Me by Your Name.
- 27.Keslassy, Elsa. Rising Stars Topline French Debut Feature About Female Kurdish Warriors. Variety. 11 January 2018.
- 28.Petski, Denise. A Small Light: Amira Casar, Billie Boullet & Ashley Brooke Join Disney+ Limited Series. Deadline Hollywood. 10 June 2022.
- 29.Wolf, Matt. Aunt Dan and Lemon. Variety. 1999-05-31.
- 30.Les Enfants de Saturne. Odéon - Théâtre de l'Europe.
- 31.Les larmes amères. Un maelström passionnel. Le Télégramme. 1 October 2011.
- 32.Les Larmes Ameres de Petra von Kant.
- 33.Dreyfus, Alain. J'ai fait surgir des fantômes avec Amira Casar. Lesinrock.com. 10 March 2012.
- 34.TV Guide. Amira Casar.
- 35.Ministère de la Culture. Nomination dans l'ordre des Arts et des Lettres janvier 2016. 31 March 2016.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority file
Secondary witnessreference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Film memorabilia
38,713 published records in this field, each with its sources named.
- Amir Reza KoohestaniPerson
- Amir Reza SalariPerson
- Amir TalaiPerson
- Amir-Shahab RazavianPerson
- Amit FarkashPerson
- Amit KhannaPerson
- Amit KumarPerson
- Amit RoyPerson
Best supported in this field
For owners
Own a work by Amira Casar?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.