American blue-eyed doll

Dr. Sidney Gulick was a former missionary who spent time in Japan between 1888 and 1913. He was familiar with the importance of dolls in Japanese culture, and to promote goodwill between the countries he initiated a program to send dolls from the US to children in Japan. Gulick helped form a group called the Committee on World Friendship Among Children (CWFC), which was overseen by the Federal Council of the Churches of Christ in America, and the Commission on International Justice and Goodwill. In 1927, the group's first project was to organize the sending of 12,739 friendship dolls, also known as American blue-eyed dolls, to Japan to communicate American children's feelings of friendship and goodwill towards the Japanese people. The Committee on World Friendship Among Children, Gulick, and Japanese businessman Viscount Eiichi Shibusawa worked together on the project. The American dolls arrived in Yokohama time for Hinamatsuri, the annual Japanese doll festival, in March 1927. They were positively received, with one group of dolls receiving an audience with the Emperor of Japan. One source suggests that the dolls popularized a children's song called "The Doll with Blue Eyes". The dolls were distributed to kindergartens and elementary schools throughout Japan and their occupied territories. Fewer than 100 of the dolls were sent to Formosa and divided amongst the ethnically segregated elementary schools and kindergartens. The project focused on children due to their image as messengers of peace. Gulick also believed that a deeper understanding of different cultures from a young age could prevent the friction created by cultural prejudice. This was reflected in the report “Doll of Friendship” of the Committee on World Friendship Among Children, which stated that there is no other way for eternal world peace other than education. Shibusawa led a collection in Japan to reciprocate for this gift, although Gulick and the Committee had told them they did not expect such a thing. A group, the Committee on International Friendship among Children in Japan, was formed to oversee the project. Doll makers in Japan were commissioned to produce 58 friendship dolls, each of which represented one of 47 prefectures, four territories, and six major cities, plus one "national" doll. The dolls arrived in San Francisco in November 1927, and groups of dolls were subsequently brought on a nationwide tour of 479 cities by Gulick and the Committee. Afterwards, they were sent to libraries and museums throughout the United States, with each of the states (48 at the time) receiving at least one doll each. American parents and teachers were asked to the doll exchange as an educationally beneficial event to teach American children about Hinamatsuri and Japanese cultural values.

• Illustration — American dolls presented to the Japanese Imperial House The Friendship dolls were American Composition Dolls, which were very popular at that time. The dolls were primarily made in consultation with three doll makers: Averill Manufacturing Co., Effanbee, and E.I. Horsman & Co. Some of the friendship dolls came from outside the three companies; these included German bisque dolls and other manufactures. The CWFC requested that the donated dolls were "price as moderate as quality would permit; face, arms, and legs of unbreakable material; joints and wig handsewn; eyes that opened and closed; and a voice that should say unmistakably 'Mama'". The majority had blonde hair and blue eyes, leading to them being called the "American blue-eyed dolls"; the CWFC suggested in their materials that the dolls should “look like attractive and typical American girls,” which would “indirectly suggest that the dolls should be white”. Some dolls were donated with handmade clothing, sometimes reflective of the region they were sent from, and in response to CWFC requests that dolls "be carefully dressed in every detail". They were approximately 30 cm in height, and had mobile limbs and a cotton-filled torso. The CWFC set up a "Doll Travel Bureau" to manage the donated dolls, which was overseen by CWFC member Rosalie Ashton. • Illustration — Blue-eyed doll, Laura Margaret, Summer 2015, Tsurugi Library, Hakusan-city, Ishikawa prefecture, Japan. See the picture details for more Info. Dolls were donated by churches, schools, and scouting groups across the country. Each doll was sent with a message including the name of the doll, the names of the givers and the address for the "thank you" letter. Dolls were given farewell parties and given "passports" that cost 1 cent and "railroad and steamer tickets" that cost 99 cents. It was suggested that "girls specialize on the selection of the dolls and the making of their clothing and that boys serve as business and ticket agents". Dolls were also accompanied with a poem written by Robert Underwood Johnson, titled "Friends Across the Sea", which was written at the request of the CWFC. In total, 22,379 dolls were collected from 47 of the 48 states in the United States, 11,975 of which were sent to Japan according to the historical materials of Eiichi Shibusawa. Other sources cite the number of dolls sent at 12,739. During World War II, many of the dolls were destroyed, but some were saved by individuals. As of 2002, only 233 American-made dolls had been recovered.

• Illustration — Japanese girls dress up dolls to give to American children Each doll was 32-33 inches tall, with a silk yuzen-dyed kimono, complete with family crest and furisode-style sleeves, and "bridal trousseau" accessories. Each doll had uniquely sculpted facial features made from gofun. The majority of the dolls (51 of 58) were made by Tokyo's Yoshitoku Doll Company, and represented the 51 prefectures and colonies of Japan. They had a partial wood core covered with fabric, and human hair, glass eyes, hinged legs, and a mechanism that allowed them to say "mama" when squeezed. Individual artists are credited on labels on the back of each doll. The remaining seven dolls, representing six Japanese cities and the Imperial household, were made by the Ohki Heizo (Maruhei) Doll Company in Kyoto. They were made of wood with peg joints at the legs allowing for movement. As with the American-made dolls, the Japanese dolls were also sent with passports, steamship tickets, and letters written by children. Over the years, a few dolls were lost or went missing, but many are still on display today; some, however, may not be displayed under the correct name due to errors in transport. Up to 25 of the dolls may be currently identified under names different than originally intended. A few additional Japanese dolls were sent separately following the positive reception of the original 58. At least two, Miss Okazaki and Miss Fukue Atsumi, have been identified.

• Doll — Original location — Current location — Image — Notes — Ref • Miss Aichi — Nashville, Tennessee — Japan — — Was lost for decades, but was rediscovered in 2014 and returned to Japan • Miss Fukiko Akita — Detroit Children's Museum, Detroit, Michigan • Miss Aomori — Private collection — Bought by current owner in 1963 from an antiques dealer. • Miss Chiba — Riverside, California — Unknown • Miss Chosen — Brauer Museum of Art, Valparaiso, Indiana • Miss Dai Nippon (Miss Japan) — Department of Anthropology, National Museum of Natural History, Smithsonian Institution, Washington, D.C. • Miss Ehime — Gulfport, Mississippi — Destroyed in Hurricane Camille (1969) and replaced in 1988 • Miss Fukui — Salt Lake City — Unknown • Miss Fukuoka — Brooklyn, New York City — Jordan Schnitzer Museum of Art, Eugene, Oregon — Formerly known as Miss Gunma. Gifted to the Jordan Schnitzer Museum in 1972. • Miss Fukushima — Houston, Texas — National Museum of Toys and Miniatures, Kansas City, Missouri • Miss Gifu — Cleveland Museum of Art, Cleveland, Ohio — Repaired in Gifu Prefecture in 1995 • Miss Gunma — Morikami Museum and Japanese Gardens, Delray Beach, Florida • Miss Hiroko Hiroshima — Barry Art Museum, Norfolk, Virginia — — Recovered in 1997. The Baltimore Museum of Art also has a Friendship Doll named Miss Hiroshima; this is thought to actually be the original Miss Yamaguchi • Miss Hokkaido — Putnam Museum of History and Natural Science, Davenport, Iowa — • Miss Hyogo — St. Joseph Museum, Saint Joseph, Missouri — • Miss Ibaraki (Tsukuba Kasumi) — Milwaukee Public Museum, Milwaukee, Wisconsin — Was put on display again following the 2011 tsunami and earthquake in Japan • Miss Ishikawa — Montana Historical Society, Helena, Montana • Miss Iwate — Birmingham Public Library, Birmingham, Alabama • Miss Kagawa — North Carolina State Museum of Natural Sciences, Raleigh, North Carolina — • Miss Kagoshima — Phoenix Museum of History, Phoenix, Arizona • Miss Kanagawa — Eugene, Oregon — Unknown • Miss Kanto-shu — Manchester, New Hampshire — Private collection • Miss Karafuto — confused with Miss Nagano • Miss Kobe-shi — Stamford, Connecticut — Unknown • Miss Kochi — Wilkinsburg, Pennsylvania — Carnegie Museum of Natural History, Pittsburgh, Pennsylvania — • Miss Kumamoto — New Orleans, Louisiana — Unknown • Miss Kyoto-fu — Boston Children's Museum, Boston, Massachusetts — • Miss Kyoto-shi — Museum of Discovery, Little Rock, Arkansas — After being removed from exhibit during World War, was returned to display in 1953. Restored in 2012. • Miss Mie — University of Nebraska State Museum in Lincoln, Nebraska — • Miss Miyagi — Private collection in Kansas • Miss Miyazaki — Hennepin County Library in Minneapolis, Minnesota — Minnesota Historical Society, Saint Paul, Minnesota — Given to the Minnesota Historical Society in 2016; restored in Tokyo in 2017 • Miss Nagano — Providence, Rhode Island — Delaware Historical Society in Wilmington, Delaware — — Thought to be Miss Karafuto until 1996. Repaired in Japan in 2004 • Miss Nagasaki (Tamako) — Rochester Museum and Science Center in Rochester, New York • Miss Nagoya-shi — Atlanta History Center, Atlanta, Georgia • Miss Nara — Idaho Historical Museum, Boise, Idaho — Repaired in Japan in 1994 and returned to Idaho with a 'sister' doll, New Miss Nara. In return, Idaho sent a friendship doll named LaTis Kuts Kuts to Japan, dressed in Native American clothing • Miss Oita — Springfield Science Museum in Springfield, Massachusetts • Miss Okayama — Valley City, North Dakota — North Dakota State University Textile Collection in Fargo, North Dakota (since 1973) — — Repaired in Japan in 2001 and 2020 • Miss Okinawa — Cincinnati Art Museum in Cincinnati, Ohio • Miss Marika Osaka-fu — Newark, New Jersey — Ohio Historical Society in Columbus, Ohio — • Miss Osaka-shi — Newark Museum in Newark, New Jersey — Was sent to the United States with a "little brother" doll • Miss Saga — Philadelphia, Pennsylvania — Unknown • Miss Saitama — Charleston Museum in Charleston, South Carolina • Miss Shiga — Miami, Florida — Unknown • Miss Shimane — Children's Museum of Indianapolis in Indianapolis — • Miss Shizuoka — Kansas City Museum in Kansas City, Missouri • Miss Taiwan — Natural History Museum of Los Angeles County in Los Angeles, California • Miss Tochigi — Charleston, West Virginia — Unknown • Miss Tokushima — Northwest Museum of Arts and Culture in Spokane, Washington • Miss Tokyo-fu — Richmond, Virginia — Unknown • Miss Tokyo-shi — New York City, New York — Unknown • Miss Tottori — Topeka, Kansas — Museum of the South Dakota State Historical Society in Pierre, South Dakota — Originally known as Miss Miyagi • Miss Toyama — Speed Art Museum in Louisville, Kentucky • Miss Wakayama — Nevada Historical Society in Reno, Nevada • Miss Yamagata — Maine — Maine State Museum in Augusta, Maine — Was loaned to Japan in 1988-1989 • Miss Yamaguchi — Chicago, Illinois — Museum of International Folk Art in Santa Fe, New Mexico • Miss Yamanashi — Wyoming State Museum in Cheyenne, Wyoming • Miss Yokohama-shi — Denver Public Library, Denver Colorado — Denver Museum of Miniatures, Dolls and Toys, Denver, Colorado — Entrusted to Denver Museum of Miniatures, Dolls and Toys after being restored • San Francisco, California — Unknown