Amalarius of Metz

The authorities additionally record the headings Amalarius and Amalarius of Trier. His recorded languages were French and Old French. His recorded confession was Catholic Church.

3 works under this name are catalogued by The Art Institute of Chicago. Their recorded dates run from 1805 to 1981.

Chaos, dated 1805, pen and brown ink and brush and brown wash, heightened with lead white (discolored), over graphite, on cream laid paper, laid down on blue laid paper, laid down on ivory laid paper, held by The Art Institute of Chicago, inventory 1922.3333. Denver Block No. 142 Office Tower 4, Denver, Colorado, Elevation, dated 1981, collage of pencil, watercolor, marking pen on sepia diazo prints, toned and colored paper, mounted on 1.2 cm foam board, held by The Art Institute of Chicago, inventory 1982.692. Venus and Adonis, dated n.d., pen and black and brown ink, with brush and brown and black wash, on cream laid paper, laid down on cream laid paper, held by The Art Institute of Chicago, inventory 1922.618.

Work associated with this heading is recorded in 1 named public collection.

The Art Institute of Chicago: 132681 recorded objects, read from the institution's own published catalogue.

5 scholarly publications naming this subject were located in the registry of record.

Amalarius of Metz, Oxford Music Online, 2001. Amalarius of Metz, Religion Past and Present. Amalarius of Metz, Encyclopedia of the Bible Online. Amalarius of Metz and the Meaning of Place, The Carolingian Debate over Sacred Space. Amalarius, Bishop of Metz (c.780-850), A Companion to the Medieval Theatre, 1989.

the recorded working language is French and Old French.

Positions recorded include Roman Catholic Archbishop of Trier.