Alexandre Montfort
Alexandre Montfort (12 May 1803 – 13 February 1856) was a French classical composer. His works included instrumental music, art songs and six operas. He was awarded the Prix de Rome in composition in 1830.
Alexandre Montfort
- Name
- Alexandre Montfort
- Born
- 12 May 1803
- Birthplace
- Paris, France
- Died
- 13 February 1856
- Occupation
- Classical composer
- Nationality
- France
- Fields
- music
- Education
- Conservatoire National Supérieur de Musique et de Danse
- Languages
- French
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Alexandre Montfort (12 May 1803 – 13 February 1856) was a French classical composer. His works included instrumental music, art songs and six operas. He was awarded the Prix de Rome in composition in 1830.
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Alexandre Montfort (1803–1856) was a French composer. The composer was born and died in Paris.
Alexandre Montfort studied at Conservatoire National Supérieur de Musique et de Danse. The composer was active in music.
Genres include opera. Languages used include French.
Composed from admitted, traceable facts · 27 September 2026
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Key facts
Key facts
• Name — Alexandre Montfort • Born — 12 May 1803 • Birthplace — Paris, France • Died — 13 February 1856 • Place of death — Paris, France • Occupation — Classical composer
Life and career
Life and career
Montfort was born in Paris, the son of a prominent antiquarian and numismatist. He studied at the Paris Conservatory under Fétis and Berton and in 1830 was awarded (jointly with Berlioz) the Prix de Rome in composition. He stayed in Rome at the Villa Medici for two years and used the rest of his Prix de Rome bursary to travel and study in other parts of Italy and then in Germany. On his return to Paris in 1835 he made his debut as a composer with a series of instrumental overtures, piano music, and art songs. Montfort's first stage work was La chatte metamorphosée en femme, a three-act ballet which premiered at the Paris Opéra on 16 October 1837 with Fanny Elssler in the title role. Berlioz, who had attended the premiere, described the music as displaying "a smooth, elegant and graceful talent." Five more stage works by Montfort were premiered between 1839 and 1855, all in the opéra comique genre. Of these, the most successful was the first, Polichinelle. Pieces from Polichinelle were also published separately and became popular as salon music. In January 1843 Montfort married Alexandrine Dacheux in a ceremony at the Église Saint-Roch with Adolphe Adam as the organist. Alexandrine was the niece of François-Louis Crosnier, the director of the Théâtre de Opéra-Comique company from 1834 until 1845. As a wedding present, Eugène Scribe had promised a new libretto for Montfort. This was to become the three-act opéra comique La Charbonnière. Scribe had planned to finish the libretto by the time Montfort returned from his honeymoon, but did not even begin working on it until August of that year. According to Scribe La Charbonnière was based on an idea he and Mélesville had conceived twenty years earlier. He wrote to his friend Mahérault, "if ideas are like wine in bottles, then this one must now be excellent." It was not a view shared by the critics when the opera finally premiered in 1845. After the relative failure of La Charbonnière and the change in management at the Opéra-Comique in 1845, Montfort produced no further stage works for the next eight years. During that period he supported himself by giving music lessons and working as a piano accompanist and organist. He returned to stage composition with his one-act L'Ombre d'Argentine in 1853. It was followed by another one-act opéra comique, Deucalion et Pyrrha, which premiered to critical success on 8 October 1855 with Ernest Mocker and Marie-Charlotte Lemercier in the title roles. It was to be his last work. Four months later, Montfort died in Paris from typhoid fever at the age of 52. His funeral was held at the Église de la Madeleine.
Stage works
Stage works
• La Chatte métamorphosée en femme, ballet in three acts, libretto by Charles Duveyrier, choreography by Jean Coralli, premiered Paris Opéra (Salle Le Peletier), 16 October 1837 • Polichinelle, opéra comique in one act, libretto by Eugène Scribe and Charles Duveyerier, premiered Théâtre de l'Opéra-Comique (Théâtre des Nouveautés), 14 June 1839 • La Jeunesse de Charles-Quint, opéra comique in three acts, libretto by Mélesville (Anne-Honoré-Joseph Duveyrier) and Charles Duveyrier, premiered Théâtre de l'Opéra-Comique (2° Salle Favart), 1 December 1841 • La Sainte-Cécile, opéra comique in three acts, libretto by Jacques-François Ancelot and Alexis Decomberousse, premiered Théâtre de l'Opéra-Comique (2° Salle Favart), 19 September 1844 • La Charbonnière, opéra comique in three acts, libretto by Eugène Scribe and Mélesville (Anne-Honoré-Joseph Duveyrier), premiered Théâtre de l'Opéra-Comique (2° Salle Favart), 13 October 1845 • L'Ombre d'Argentine, opéra comique in one act, libretto by Jean-François-Alfred Bayard and Edmond de Biéville, premiered Théâtre de l'Opéra-Comique (2° Salle Favart), 28 April 1853 • Deucalion et Pyrrha, opéra comique in one act, libretto by Michel Carré and Jules Barbier, premiered Théâtre de l'Opéra-Comique (2° Salle Favart), 8 October 1855
Primary material
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reference work
- “Alexandre Montfort”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
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- Wikidata, structured authority record Q2643754: Alexandre Montfort
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Jullien, Adolphe (1888). Hector Berlioz, sa vie et ses oeuvres, p. 334. Librairie de L'Art
- 2.Braam, Gunther (2003). The Portraits of Hector Berlioz, Part 1, p. 15. Bärenreiter.
- 3.Fétis, François-Joseph (1864). "Montfort (Alexandre)". Biographie universelle des musiciens et bibliographie générale de la musique, vol. 6, p. 186. Firmin Didot frères, fils et Cie
- 4.Michaud, Louis Gabriel (1863). "Montfort (Alexandre)". Biographie universelle, vol. 20, p. 119. Desplaces
- 5.Fleury, Arthus (1839). "Théâtres de Paris". Le Monde dramatique, 2 e Série, pp. 378–379
- 6.Berlioz, Hector (22 October 1837) review of La chatte metamorphosée en femme in Revue et gazette musicale de Paris, republished in Katherine Kolb (ed.) (2015). Berlioz on Music: Selected Criticism 1824–1837, p. 273. Oxford University Press.
- 7.Alexandre Montfort. Performances of works by Alexandre Montfort.
- 8.Blaze, Castil (22 January 1843). "La Part du Diable". La France Musicale, p. 26
- 9.Bonnefon, Paul (1921). "Scribe sous la Monarchie de Juillet, d'après des documents inédits". Revue d'Histoire littéraire de la France, 28 e Année, N o 2, pp. 241–260. 12 May 2017 .
- 10."M. M." (23 October 1845). "Foreign Intelligence". The Musical World, vol. 20, no. 43, p. 513
- 11."A. M." (1845). "Chronique musicale". La Revue nouvelle, vol. 5, p. 381
- 12.Camus, F. (9 October 1855). "Bulletin des Théâtres". Journal des débats, p. 2
- 13.Vapereau, Gustave (1858). "Montfort (Alexandre)". Dictionnaire universel des contemporains, vol. 2, p. 1243. Hachette
- 14.S.n. (6 January 1856). "Nécrologie". La France Musicale, p. 61
- 15.All entries in this list are sourced from Casaglia (2005)
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 19 August 2026.
Elsewhere in Music memorabilia
42,824 published records in this field, each with its sources named.
- Alexandre KantorowPerson
- Alexandre LagoyaPerson
- Alexandre LevyPerson
- Alexandre LuiginiPerson
- Alexandre NeroPerson
- Alexandre PiresPerson
- Alexandre Rabinovitch-BarakovskyPerson
- Alexandre TansmanPerson
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