Alexander von Zemlinsky
Alexander Zemlinsky or Alexander von Zemlinsky (14 October 1871 – 15 March 1942) was an Austrian composer, conductor, and teacher.
Also recorded as Alexander Zemlinsky
Alexander von Zemlinsky

The original uploader was Eaaumi at German Wikipedia. (Original text: nicht bekannt) · Public domain
- Name
- Alexander Zemlinsky
- Born
- 14 October 1871
- Birthplace
- Vienna, Austria-Hungary
- Died
- 15 March 1942
- Place of death
- Larchmont, New York, US
- Education
- Vienna Conservatory
- Occupation
- * Conductor
- Nationality
- Austria–Hungary
- Fields
- opera · symphony
- Known for
- Der Kreidekreis · Sonata in A minor for cello and piano
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Alexander Zemlinsky or Alexander von Zemlinsky (14 October 1871 – 15 March 1942) was an Austrian composer, conductor, and teacher.
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museum · 51ff9f19-22de-43d2-a8df-748b062e557a · wikidata · Q78524 · wikipedia · Alexander von Zemlinsky
In this article
Key facts
Key facts
• Name — Alexander Zemlinsky • Born — 14 October 1871 • Birthplace — Vienna, Austria-Hungary • Died — 15 March 1942 • Place of death — Larchmont, New York, US • Education — Vienna Conservatory • Occupation — * Conductor • Composer • Academic • Organization — * Vienna Volksoper • Deutsches Landestheater, Prague • Kroll Opera, Berlin
Early life
Early life
Zemlinsky was born in Vienna to a highly diverse family. Zemlinsky's grandfather, Anton Semlinski, emigrated from Žilina, Hungary (now in Slovakia) to Austria and married an Austrian woman. Both were from staunchly Roman Catholic families, and Alexander's father, Adolf von Zemlinszky, was raised as a Catholic. Alexander's mother, Clara Semo, was born in Sarajevo to a Sephardic Jewish father and a Bosniak mother. Alexander's entire family converted to the religion of his maternal grandfather, Judaism, and Zemlinsky was born and raised Jewish. His father added an aristocratic "von" to his name, though neither he nor his forebears were ennobled. He also began spelling his surname in Hungarian "Zemlinszky". He was also a freemason. Alexander studied the piano from a young age. He played the organ in his synagogue on holidays, and was admitted to the Vienna Conservatory in 1884. He studied piano with Wilhelm Rauch and Anton Door, winning the school's piano prize in 1890. He continued his studies until 1892, studying theory with Robert Fuchs and composition with Johann Nepomuk Fuchs and Anton Bruckner. At this time he began writing music. In Johannes Brahms, Zemlinsky had a valuable supporter. In July 1892, on the invitation of Zemlinsky's teacher Johann Nepomuk Fuchs, Brahms attended a performance of the first movement of Zemlinsky's Symphony in D minor at the Conservatoire. In March 1896, Brahms attended a performance of Zemlinsky's String Quintet in D minor by the Hellmesberger Quartet. Impressed with Zemlinsky's music, Brahms recommended the younger composer's Clarinet Trio (1896) to the N. Simrock company for publication. • Illustration — Portrait of Alexander von Zemlinsky by Richard Gerstl, July 1908. Zemlinsky also met Arnold Schoenberg when the latter joined the amateur orchestra Polyhymnia as a cellist; Zemlinsky had founded this group in 1895. The two became close friends and later mutual admirers and brothers-in-law when Schoenberg married Zemlinsky's sister, Mathilde. Zemlinsky gave Schoenberg lessons in counterpoint, thus becoming the only formal music teacher Schoenberg would have. In 1897, Zemlinsky composed his Symphony No. 2 (chronologically the third he had written, and sometimes numbered as such) for submission to the Beethoven Prize, a competition inaugurated and sponsored by Brahms. Zemlinsky won joint first prize, sharing the honours with Robert Gound. His reputation as a composer was further helped when Gustav Mahler conducted the premiere of his opera Es war einmal (Once Upon a Time) at the Hofoper in 1900. In 1899 Zemlinsky secured the post of Kapellmeister at Vienna's Carltheater. In 1899, Zemlinsky converted to Protestantism. He alluded to the Christian cross and to Jesus in the text of Turmwächterlied, and included verses from Psalms in several of his compositions.
Middle years
Middle years
In 1900, Zemlinsky met and fell in love with Alma Schindler, one of his composition students. She reciprocated his feelings initially; however, Alma felt a great deal of pressure from close friends and family to end the relationship. They were primarily concerned with Zemlinsky's lack of an international reputation and by an unappealing physical appearance. She broke off the relationship with Zemlinsky and subsequently married composer Gustav Mahler in 1902. The episode inspired Zemlinsky's orchestral fantasy Die Seejungfrau, completed in 1903 and first performed in 1905. Zemlinsky married Ida Guttmann in 1907, but the marriage was an unhappy one. Following Ida's death in 1929, Zemlinsky married Luise Sachsel in 1930, a woman twenty-nine years his junior, and to whom he had given singing lessons since 1914. This was a much happier relationship, lasting until Zemlinsky's death.
Last years
Last years
• Illustration — Walk of Fame Vienna • Illustration — Zemlinsky's grave in the Zentralfriedhof, Vienna. In 1906 Zemlinsky was appointed first Kapellmeister of the new Vienna Volksoper, from 1907/1908 at the Hofoper in Vienna. From 1911 to 1927, he was conductor at the Deutsches Landestheater in Prague, premiering Schoenberg's Erwartung in 1924. Zemlinsky then moved to Berlin, where he taught and worked under Otto Klemperer as a conductor at the Kroll Opera.
Nazi era
Nazi era
With the rise of the Nazi Party, he fled to Vienna in 1933, where he held no official post, instead concentrating on composing and making the occasional appearance as guest conductor. In 1938, the Zemlinsky couple managed to escape via Prague to New York. Their property was confiscated to pay for the "Reich Flight Tax" imposed on Jews. Their collection, which included "a work by Schiele, various engravings, carpets" was, according to the German Lost Art Foundation, "released and presumably exported to the USA." Although fellow émigré Schoenberg was celebrated and feted in the Los Angeles of the 1930s and 40s – teaching at the University of California, Los Angeles and the University of Southern California and gaining a new generation of acolytes – Zemlinsky was neglected and virtually unknown in his adopted country. He fell ill, suffering a series of strokes, and ceased composing. Zemlinsky died in Larchmont, New York, of pneumonia in 1942.
Identity and origins
Identity and origins
He also worked under the name Al Roberts. The authorities additionally record the heading Alexander Zemlinsky. His recorded language was German. His recorded confession was Judaism. He was the child of Adolf von Zemlinsky. He married Louise Zemlinsky.
Identity
Identity
Alexander von Zemlinsky is recorded as conductor, classical composer, writer and teacher.

Portrait of Alexander Zemlinsky, Gmunden, July 1908.
Richard Gerstl
Life and career
Dated record
Life and career
Explore 1871–1942
The full dated record · 4 entries
1871
Alexander von Zemlinsky was born in 1871.
1894
Sonata in A minor for cello and piano is dated 1894.
1896
String Quartet No.1 in A major is dated 1896.
1942
Alexander von Zemlinsky died at Larchmont.
Compositions
Zemlinsky's best-known work is the Lyric Symphony (1923), a seven-movement piece for soprano, baritone and orchestra, set to poems by the Bengali poet Rabindranath Tagore (in German translation), which Zemlinsky compared in a letter to his publisher to Mahler's Das Lied von der Erde. The work in turn influenced Alban Berg's Lyric Suite, which quotes from it and is dedicated to Zemlinsky. Other orchestral works include the large-scale fantasy, Die Seejungfrau (The Mermaid), based on the tale of the same name by Hans Christian Andersen. It premiered in 1905 at the same concert as Schoenberg's Pelleas und Melisande. Zemlinsky withdrew the work, which was thought lost until two separated portions of the score were found to belong together in the 1980s. It was performed again in 1984 in Vienna and has become one of Zemlinsky's most frequently performed works. A three-movement Sinfonietta written in 1934, admired by Schoenberg and Berg, is written in a style comparable to contemporary works by Paul Hindemith and Kurt Weill. Zemlinsky composed eight operas, including Eine florentinische Tragödie (1915–16) and the semi-autobiographical Der Zwerg (The Dwarf, 1919–21), both based on works by Oscar Wilde; chamber music, including four string quartets, and an unfinished ballet Der Triumph der Zeit (1901). He also composed works for chorus and orchestra including three psalm settings as well as numerous song cycles, both with piano and with orchestra, of which the Sechs Gesänge, Op. 13, to texts by Maurice Maeterlinck is the best-known. While the influence of Brahms is evoked in Zemlinsky's early works (prompting encouragement from Brahms himself), an original voice is present from the first works on, handling dissonances in a much freer manner than Brahms. Later works adopt the kind of extended harmonies that Wagner had introduced and also reflect the influence of Mahler. In contrast to his friend Schoenberg, he never wrote atonal music, and never used the twelve-tone technique. However, some of his late works such as the Symphonische Gesänge, Sinfonietta and the third and fourth string quartets move away from post-Romanticism towards a leaner, harder-edged idiom that incorporates elements of Neue Sachlichkeit, Neoclassicism, and even jazz. As a conductor, Zemlinsky was admired by, among others, Kurt Weill and Stravinsky, not only for his notable interpretations of Mozart, but also for his advocacy of Mahler, Schoenberg and much other contemporary music. As a teacher, his pupils included Erich Wolfgang Korngold, Hans Krása and Karl Weigl.
Primary material
Documents and archives
reference work
- Wikidata, structured authority record Q78524: Alexander von Zemlinsky
Reputable secondary · Wikimedia Foundation
- “Alexander von Zemlinsky”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Institutional database
- MusicBrainz artist record for Alexander von Zemlinsky
Scholarly · MetaBrainz Foundation
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Alexander Zemlinsky | Musica non grata.
- 2.Alexander (von) Zemlinsky Timeline.
- 3.Die Großloge – Grossloge von Österreich der Alten, Freien und Angenommenen Maurer.
- 4.Fenzl, Harald. Alexander Zemlinsky: Karriereschritte seiner ersten Wiener Phase. University of Vienna. 6. 2009. 10.25365/thesis.4320.
- 5.Antony Beaumont: booklet notes for Chandos recording (CHAN 10138), 2003.
- 6.Antony Beaumont: booklet notes for Nimbus recording (NI 5682), 2001.
- 7."Arnold Schoenberg" by Kathleen Kuiper and Dika Newlin, Encyclopædia Britannica
- 8.Antony Beaumont: foreword to published score, UE 35541, p.xxxi.
- 9.Lost Art Internet Database - Jüdische Sammler und Kunsthändler (Opfer nationalsozialistischer Verfolgung und Enteignung) - Zemlinsky, Alexander. www.lostart.de.
- 10.Lillie, Sophie. Was einmal war: Handbuch der enteigneten Kunstsammlungen Wiens. Czernin. 2003. 978-3-7076-0049-0.
- 11.Lost Art Internet Database - Jüdische Sammler und Kunsthändler (Opfer nationalsozialistischer Verfolgung und Enteignung) - Zemlinsky, Alexander. www.lostart.de.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
Institutional database
MusicBrainz artist record for Alexander von ZemlinskyMetaBrainz Foundation
Verifiedreference work
Wikidata, structured authority record Q78524: Alexander von ZemlinskyWikimedia Foundation
Partially resolvedreference work
Partially resolved
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Alexander von Zemlinsky studied at University of Music and Performing Arts Vienna. He trained under Anton Door, Robert Fuchs, Johann Nepomuk Fuchs and Anton Bruckner. Each of those relationships is stated by the authority record rather than inferred from style.
Alexander von Zemlinsky worked in performing arts. He was employed by National Theatre, Divadlo 5. Května and Nové německé divadlo. Recorded position is director. Work and production. Works recorded as notable number 2: Der Kreidekreis and Sonata in A minor for cello and piano. His recorded genres are opera and symphony.
Career and activity
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Music memorabilia
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