Alexander Brener
Alexander Davidovich Brener (born 1957, in Alma-Ata, Kazak ASSR, Soviet Union), is a Russian performance artist and a self-described political activist. He is considered one of the main figures of Moscow Actionism along with Oleg Kulik.
Also recorded as Alexander Davidovich Brener
Alexander Brener
- Name
- Alexander Brener
- Born
- 1957
- Birthplace
- Alma-Ata, Kazak ASSR, Soviet Union
- Known for
- Performance art, literature art-activism
- Training
- Kazakh National Pedagogic University (named after Abay)
- Movement
- Moscow Actionism, Neoism, Actionism
- Nationality
- Russia.
- Occupation
- writer, performance artist, art critic and poet.
- Fields
- performance art, poetry and action art.
- Education
- Kazakh National Pedagogical University.
- Languages
- Russian and English.
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Alexander Davidovich Brener (born 1957, in Alma-Ata, Kazak ASSR, Soviet Union), is a Russian performance artist and a self-described political activist. He is considered one of the main figures of Moscow Actionism along with Oleg Kulik.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Alexander Brener. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q268482 · wikipedia · Alexander Brener
In this article
Biography
Biography
Alexander Brener studied at Kazakh National Pedagogical University. The recorded working language is Russian and English. The field of work recorded is performance art, poetry and action art. Subjects and genres recorded for the work are performance art. Work by Alexander Brener is recorded in the collections of Art Museum of Estonia.
Key facts
Key facts
• Name — Alexander Brener • Born — 1957 • Birthplace — Alma-Ata, Kazak ASSR, Soviet Union • Known for — Performance art, literature art-activism • Training — Kazakh National Pedagogic University (named after Abay) • Movement — Moscow Actionism, Neoism, Actionism
Work
Work
Brener's performances of note include defecating in front of a painting by Vincent van Gogh at the Museum of Fine Arts in Moscow, having sex in front of the Monument to Alexander Pushkin (Rostov-on-Don), and vandalizing art works by other artists. He was jailed in 1997 for painting a green dollar sign on Kazimir Malevich's painting Suprematisme. In the court case Brener said in his defense: • The cross is a symbol of suffering, the dollar sign a symbol of trade and merchandise. On humanitarian grounds are the ideas of Jesus Christ of higher significance than those of the money. What I did was not against the painting. I view my act as a dialogue with Malevich. Giancarlo Politi, the editor of Flash Art, resolutely defended Brener from the pages of his magazine, stirring controversy and campaigning for his acquittal. Brener was sentenced to five months in prison, where he wrote the essay Obossani Pistolet. In the text he explains his beliefs and summarizes his actions. In 2000 Brener disrupted the press conference of Manifesta 3 in Ljubljana by spraying slogans on the presentation screen and handing out leaflets stating: "Demolish neo-liberalist multicultural art system now!" Bodyguards came and dragged Brener out of the hall. He was later arrested by Slovenian secret police in the streets. In 2003 Brener vandalized the work of Swiss-Italian artist Gianni Motti during the opening of Motti's exhibition "Turnover" at Artra Gallery in Milan. Brener co-wrote a number of books together with Austrian artist and critic Barbara Schurz, including Bukaka spat Here, Tattoos auf Gefängnissen, Anti Technologies of Resistance and The Art of Destruction. Brener is mentioned in passing in Stewart Home's 2007 novel Memphis Underground. An artwork by the art collective IOCOSE is dedicated to Brener.
Identity and origins
Identity and origins
He also worked under the name Bertran de Born. The authorities additionally record the heading Alexander Davidovich Brener. His recorded languages were Russian and English.
Life and career
Dated record
Life and career
The full dated record · 1 entries
1957
Alexander Brener born at Almaty.
Books
• Furzende Völker: Ein Dokumental-Roman (2000, Austria, Edition Selene.) • Demolish Serious Culture! (2000, Austria, Edition Selene.) • Tattoos auf Gefängnissen (2001, Austria, Edition Selene.) • Bukaka Spat Here (2001, Austria, Edition Selene.; 2002, UK) • The Art of Destruction (2005, Austria)
Primary material
Documents and archives
reference work
- “Alexander Brener”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q268482: Alexander Brener
General reference · Wikidata
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
People, houses and institutions
Knowledge graph
People, houses and institutions
Teachers, collaborators, publishers and institutions recorded against this person, each on a stated basis.
Genre
1- Performance artTerminology
Established from a fact already recorded on a verified source.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Books
39,285 published records in this field, each with its sources named.
- Alexander BestuzhevAuthor
- Alexander BethuneAuthor
- Alexander BlokAuthor
- Alexander BogdanovAuthor
- Alexander BromeAuthor
- Alexander ByvshevAuthor
- Alexander ChalmersAuthor
- Alexander ChavchavadzeAuthor
Best supported in this field
For owners
Own a work by Alexander Brener?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.