Aleksei Gan
Illustration — Alexei Gan at the First OSA Conference, 1928 Aleksei Mikhailovich Gan (Russian: Алексей Михайлович Ган; born Imberkh; 1887 or 1893 – 8 September, 1942) was a Russian anarchist and later Marxist avant-garde artist, art theorist and graphic designer. Gan was a key figure in the development of Constructivism after the Russian Revolution.
Also recorded as Aleksei Hahn · Aleksey Gan
Aleksei Gan

Aleksei Gan · Photograph of original · Public domain
- Full name
- Алексей Михайлович Имберх.
- Died
- 1942. · Novosibirsk.
- Nationality
- Russian Empire, Russian Socialist Federative Soviet Republic and Soviet Union.
- Occupation
- painter, architect, designer, art theorist and artist.
- Fields
- visual arts.
- Languages
- Russian.
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Documentary summary
Illustration — Alexei Gan at the First OSA Conference, 1928 Aleksei Mikhailovich Gan (Russian: Алексей Михайлович Ган; born Imberkh; 1887 or 1893 – 8 September, 1942) was a Russian anarchist and later Marxist avant-garde artist, art theorist and graphic designer. Gan was a key figure in the development of Constructivism after the Russian Revolution.
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wikidata · Q15941205 · wikipedia · Aleksei Gan
In this article
Life
Life
• Illustration — Cover of Constructivism by Gan, 1922 Gan's involvement with creative activity began in 1917 when he became involved with the Moscow Union of Food Workers with whom he set up an amateur theatrical group. The group encompassed various political groupings and following the Bolshevik seizure of power, some joined the Red Army, others the Black Guards or affiliated to the Left Socialist-Revolutionaries. Gan reorganised the group as the Proletarian Theatre, which affiliated to the Moscow Federation of Anarchist Groups. Gan was the first to write on art in the anarchist newspaper Anarkhiia (Anarchy) when it introduced an art section in early 1918. In March 1921, Gan was one of the seven artists, including Alexander Rodchenko and his wife Varvara Stepanova, who announced themselves as the First Working Group of Constructivists. The group rejected fine art in favour of graphic design, photography, posters, and political propaganda. Gan collaborated with Aleksandr Rodchenko and Varvara Stepanova on a Constructivist manifesto in 1922, and published his own pamphlet Konstruktivism in the same year. He also founded the first Soviet film journal, Kino-Fot (or Kinofot), in 1922. In 1928 he was one of the founders of the October Group. He married Esfir Shub, a prominent female soviet documentary filmmaker. Gan was arrested for "counter-revolutionary" activities in October 1941, found guilty in August 1942, and executed on 8 September 1942.
Written
Written
• Konstruktivizm (Constructivism). Tver: Tver'skoe izdatel' stvo, 1923.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Moscow.
Birth place
Novosibirsk.
Death place
Films
• The Island of the Young Pioneers, 1924. (Documentary) • The Seventh October, • Trades Unions • Greetings Teamworkers • In the Battle for Time and Space (unknown whether completed)

Inside back cover of "SA" 1926 no. 1
Aleksei Gan · Современная архитектура № 1 1926

Обложка журнала «Современная архитектура», № 2, 1926 год
Aleksei Gan
Primary material
Documents and archives
reference work
- “Aleksei Gan”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q15941205: Aleksei Gan
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Romberg (2018), S. 16 weist dieses Geburtsjahr durch mehrere Quellen nach. Die Geburtsjahre 1889, 1893 und 1995, die in älterer Literatur zu finden sind, sind sehr wahrscheinlich falsch.
- 2.Kristin Romberg. Gan’s Constructivism. Aesthetic Theory for an Embedded Modernism. 2018. 978-0-520-29853-8.
- 3.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 4.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 5.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 6.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 7.Malewitsch behauptet in seiner Autobiografie, im Herbst 1919 wären noch einmal mehrere Ausgaben erschienen, allerdings sind keine Exemplare mehr auffindbar. Es ist fraglich, ob diese überhaupt je erschienen, oder ob es sich um einen Irrtum handelt. (vgl. Romberg 2010, S. 38)
- 8.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 9.Kristin Romberg. Gan's Constructivism. Aesthetic Theory for an Embedded Modernism. 2018.
- 10.Kristim Romberg: Gan’s Constructivism: Aesthetic Theory for an Embedded Modernism University of California Press, 2019.
- 11.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 12.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 13.Simon Karlinsky. Selected Plot Summaries. 1991. 0-500-27646-3.
- 14.Kristin Romberg. Gan’s Constructivism. Aesthetic Theory for an Embedded Modernism. 2018. 978-0-520-29853-8.
- 15.Gan’s Constructivism. Aesthetic Theory for an Embedded Modernism. 2018.
- 16.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 17.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 18.Kristin Romberg. Gan’s Constructivism.
- 19.Denise J. Youngblood. Soviet Cinema in the Silent Era 1918–1935. 1991. 0-292-77645-4.
- 20.Christina Lodder. Promoting Constructivism: Kino-fot and Rodchenko’s move into photography. 2000. 0308-7298.
- 21.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 22.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 23.Charlotte Douglas. Übergangsbedingungen: Die Erste Diskussionsausstellung und die Gesellschaft der Staffelmaler (OST). 1992.
- 24.Die große Utopie. Die russische Avantgarde 1915–1932. 1992.
- 25.Tendenzen der Zwanziger Jahre. Katalog zur 15. Europäischen Kunstausstellung in Berlin 1977. 1977. 3-496-01000-2.
- 26.Pervaya vystavka SA. Montazh delal Alexsey Gan. 1927.
- 27.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 28.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 29.John E. Bowlt: The Construction of Caprice: The Russian Avant-Garde Onstage. In: Nancy Van Norman Baer (Hrsg.): Theatre in Revolution. Russian Avant-Garde Stage Design 1913–1935. Thames and Hudson, New York, 1991, S. 73
- 30.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 31.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 32.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 33.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 34.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 35.Aleksej Gan: Der Konstruktivismus. In: Boris Groys, Aage Hansen-Löve (Hrsg.): Am Nullpunkt. Positionen der russischen Avantgarde. Suhrkamp, Frankfurt am Main, 2005, S. 298–299.
- 36.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 37.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 38.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 39.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 40.Aleksej Gan. Der Konstruktivismus. 2005. 3-518-29364-8.
- 41.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 42.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 43.Aleksej Gan: Der Konstruktivismus in: Boris Groys, Aage Hansen-Löve (Hrsg.): Am Nullpunkt. Positionen der russischen Avantgarde. Suhrkamp, Frankfurt am Main, 2005, S. 347.
- 44.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 45.Friedrich Engels. Dialektik der Natur. 1962.
- 46.Christina Kiaer. Imagine No Possessions. The Socialist Objects of Russian Constructivism. 2005.
- 47.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 48.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 49.Kristin Romberg. Gan’s Constructivism. Aesthetic Theory for an Embedded Modernism. 2018. 978-0-520-29853-8.
- 50.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 51.Museum of Modern Art. Artist: Aleksei Gan.
- 52.Perwaja wystawka SA. Montasch delal Aleksei Gan. 1927.
- 53.Современная архитектура (СА) Sowremennaja architektura (SA). 1926.
- 54.Moissei Ginsburg. Style and Epoch [1924]. 1982.
- 55.Andrei Nowikow. Деревенскии Киоск. Проект – Макет Derewenskii Kiosk. Projekt – Maket („Kiosk für den ländlichen Raum. Projekt – Entwurf“). 1926.
- 56.Kristin Romberg. Aleksei Gan’s Constructivism, 1917–1928. 2010.
- 57.Tendenzen der Zwanziger Jahre. 15. Europäische Kunstausstellung Berlin 1977. 1977. 3-496-01000-2.
- 58.Kasimir Malewitsch: Das weiße Rechteck. Schriften zum Film. 1997. 3-9804989-2-1.
- 59.Museum of Modern Art. Exhibition: Cubism and Abstract Art.
- 60.Museum of Modern Art. Exhibition: Art of the Twenties.
- 61.Museum of Modern Art. Exhibition: The Modern Poster.
- 62.Museum of Modern Art. Exhibition: The Russian Avant-Garde Book 1910–1934.
- 63.Museum of Modern Art. Collection Gallery 511: The Vertical City.
- 64.Museum of Modern Art. Exhibition: Engineer, Agitator, Constructor. The Artist Reinvented.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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