Alegret

The work of Alegret is also intertextually and stylistically related to that of Peire d'Alvernhe. Also one of the first troubadours to employ the feudal metaphor to describe courtly love. He describes his relationship to his domna (lady) as that of vassalage by calling himself her endomenjatz (basically, vassal or liegeman). Pelligrini saw this passage as imitating Bernart de Ventadorn, considered the master of this metaphor: •:De sol aitan mi tengr'ieu per pagatz:Quel vengues, mas jontas, denan:El mostres de ginolhs ploran:Cum suy sieus endomenjatz, —:I should be satisfied simply:if I might come before her with hands joined:and show her, weeping, on my knees:how I am her endomenjatz, Marcabru parodied the structure of Alegret's Ara pareisson li'aubre sec in his own poem Bel m'es quan la rana chanta. In his typically moralising tone he accuses of Alegret of being a flatterer who cuckolds his lord. Implicitly compared to the Tristan of legend for he wears la blancha camiza (the white shirt symbolising a sexual relationship). In his own work Alegret criticses marritz drutz (faithless husbands), but primarily, like Cercamon, because they encourage promiscuity in women.

• Aissi cum selh qu'es vencutz ("Just as the one who's beat"), translated by James H. Donalson (2005) • Ara pareisson ll'aubre sec ("Now all the trees appear dried up"), translated by James H. Donalson (2005)