Adam of Saint Victor

He was well acquainted with numerous contemporary scholars and musicians, including the philosopher and composer Peter Abelard, the theologian Hugh of Saint Victor and the composer Albertus Parisiensis, the last possibly being his student.

Adam of Saint Victor was born in the late eleventh century; the musicologist Gustave Reese estimated c. 1068. He was most likely born in Paris, where he was educated. The first reference to him dates from 1098, in the archives of Notre Dame Cathedral, where he held office first as a subdeacon and later as a precentor. He left the cathedral for the Abbey of Saint Victor around 1133, probably because of his attempts at imposing the Rule of St Augustine at the cathedral. Adam likely had contact with a number of important theologians, poets, and musicians of his day, including Peter Abelard and Hugh of St Victor, and he may have taught Albertus Parisiensis. He lived in the abbey, which was something of a theological center, until his death

Adam of St Victor's surviving works are sequences for liturgical use, not theological treatises. Jodocus Clichtovaeus, a Catholic theologian of the 16th century, published thirty-seven of his hymns in the Elucidatorium Ecclesiasticum (1516). The remaining seventy hymns were preserved in the Abbey of Saint Victor until its dissolution during the French Revolution. They were then transferred to the Bibliothèque Nationale, where they were discovered by Léon Gautier, who edited the first complete edition of them (Paris, 1858). Around 47 sequences by Adam survive. In a practice that developed from the ninth century onwards, these are poems composed to be sung during the mass, between the Alleluia and the gospel reading. The sequence therefore bridges the Old Testament or epistle readings and the gospel, both liturgically and musically.