Abraham van Calraet

Training under Aelbert Cuyp is recorded. Barent van Kalraet is recorded as having studied under Abraham van Calraet. The recorded working language is Dutch. Subjects and genres recorded for the work are still life. Places of work recorded in the authority are Dordrecht. Works named in the authority record are Still life with peaches and grapes, Cavalry Skirmish and Cattle. Work by Abraham van Calraet is recorded in the collections of Museum Boijmans Van Beuningen, Royal Museum of Fine Arts Antwerp, Suermondt-Ludwig-Museum, Kröller-Müller Museum and Amsterdam Museum.

He was the eldest son of Pieter Jansz. van Calraet, who came to Dordrecht from Utrecht. He learned to sculp from AEmilius and Samuel Hup, who were well known sculptors. After learning to sculpt, young Abraham took to the painter's brush, and started on fruit, while helping his father, who was a wood sculptor. He resided throughout his life in Dordrecht, and may have been a pupil of Aelbert Cuyp, who was a generation older and had the same initials (AC). Cuyp's signature was often forged on top of Calraet's paintings. Abraham Bredius was responsible for the first "rediscovery" of this painter, re-attributing two of his still life paintings that at that time were considered to be by Cuyp. Cornelis Hofstede de Groot strongly disagreed with him and the Cuyp-Calraet question was escalated in the Dutch newspapers after Frits Lugt announced a new Abraham Calraet painting in the Frans Hals Museum in 1915. Bredius "won" the argument and many of his attributions still stand today. Calraet is known today for still life pieces with fruit, and recently also for landscapes with horses. He was the teacher of his younger brother, the landscape painter Barent van Kalraet.