Abdessadeq Cheqara
Abdessadeq Cheqara (17 october 1931 – 31 October 1998) (in Arabic: عبد الصادق شقارة) was a Moroccan singer of traditional Andalusian classical music and Moroccan folk music. Known as the grand master of al-Ala (Andalusian music), he was also a violin and oud virtuoso. His first name is also written Abd el Saddeq, Abdessadek, Abdesaddek, and many other variations.
Abdessadeq Cheqara
- Name
- Abdessadeq Cheqara
- Born
- 17 octobre 1931
- Birthplace
- Tetouan, Morocco
- Died
- 1998 10
- Nationality
- Morocco
- Occupation
- singer · musician
- Languages
- Moroccan Arabic · Arabic · Spanish
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wikidata · Q4664933 · wikipedia · Abdessadeq Cheqara
In this article
Biography
Biography
His surname is variously spelt Chekara, Cheqara, Chqara, Sheqara, Shekara, Shkara, and variations thereof.
Key facts
Key facts
• Name — Abdessadeq Cheqara • Native Name — عبد الصادق شقارة • Born — 17 octobre 1931 • Birthplace — Tetouan, Morocco • Died — 1998 10 • Place of death — Tetouan, Morocco • Instrument — Vocals, violin • Years Active — 1947–1998
Life
Life
Abdessadeq Cheqara was born in Tetuan, Morocco. His father, Abdessalam Cheqara, was a singer and musician in Tetuan, while his mother, Assoudia Alharrak, was descended of a family of poets, musicians and philosophers. From a young age, Cheqara was drawn to music and poetry, being influenced by his father, who gave him his first oud. Cheqara sang Andalusian and traditional Moroccan folksongs in mawawil (improvised solo), inshad (solo) styles. Cheqara did much to popularize Andalusian music. Prior to the advent of Abdessadeq, Andalusian music was largely elite music for Andalusians alone. Much of the Andalusian popular songs or Cha'abi (Sha'abi) are believed to have been appropriated from female Andalusian musicians of Tetuan such as Hajja Shili and Hajja Shahaba. Because of sexism, they were not permitted to record or perform if any males were present and are henceforth not well known. Reportedly Abdessadeq Chekara used to sit with Hajja Cha'haba and Hajja Shili and learn the women's songs, only to go on to record them. Many of the popular Andalusian songs (such as Ben't Bladi) are written from a women's perspective.
Death
Death
Abdessadeq died on 31 October 1998, after a prolonged illness.
Records and events
Records and events
Other notable achievements include: • In 1961, Cheqara recorded eight nawbas of Andalusian Music in association with UNESCO's Andalusian Music Fans Association – an initiative to preserve the Andalusian heritage of Morocco. • In 1978, Cheqara was appointed Supervisor General of the National Conservatory. • In 1982, Cheqara met Professor Jose Heredia in Granada, Spain, and collaborated to produce one of his most famous songs, Bent Bladi, a combination of Tétouani music and flamenco. • In 1991, Cheqara collaborated with British-Jewish pianist Michael Nyman, releasing a CD titled "The Upside-Down Violin" (1992). The CD was recorded live at the 1992 World's Fair in Seville. • Abdesadaq Cheqara Melodías de una vida • Melodies of a life time (historical recordings) PN-620
Legacy
His work in preserving and developing the Andalusian legacy continues with fellow Tetuani, Tarik Banzi of Al andalus ensemble, or Radio Tarifa.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Abdessadeq Cheqara, revision 1360581412 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.See Alison Bakers book of interviews of Tetuani women's contributions (Baker 1998) in addition to the thesis on Andalusian women'musicians entitled "Women's Andalusian Ensembles of Tetuan, Morocco" (University of California, Santa Barbara: Ethnomusicology) (Banzi 2002) https://www.proquest.com/products_umi/dissertations/ and http://www.Andalus.com/
- 2.(Spanish) Biography by Eduardo Paniagua. Essay on recordings by Omar Metioui
References
Citations
References
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Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 27 August 2026.
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