Abd al-Qadir al-Maraghi
Abd al-Qadir al-Maraghi[4] ibn Ghaybi was a music theorist, composer and performer of the Timurid Empire. A renowned writer on music and musician, his theories had a profound influence on subsequent Persian, Arab, and Turkish music.
Also recorded as ʿAbd-al-Qāder Marāḡaʾī · ʿAbd-al-Qadir Marāḡaʾī · Abd al-Kadir ibn Ghajbi al-Hafiz al-Maraghi · 'Abd al-Qadir al-Maraghi ibn Ghaybi
Abd al-Qadir al-Maraghi

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- Name
- 'Abd al-Qadir al-Maraghi
- Birth Name
- 'Abd al-Qadir al-Maraghi ibn Ghaybi
- Birthplace
- Maragh, Timurid Empire
- Died
- 1435
- Place of death
- Herat, Timurid Empire
- Born
- 1353. · Maragheh.
- Occupation
- poet, music theorist, calligrapher and composer.
- Languages
- Persian and Arabic.
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Documentary summary
Abd al-Qadir al-Maraghi[4] ibn Ghaybi was a music theorist, composer and performer of the Timurid Empire. A renowned writer on music and musician, his theories had a profound influence on subsequent Persian, Arab, and Turkish music.
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Abd al-Qadir al-Maraghi (1353–1435) was a calligrapher, composer and music theorist, among other activities. The calligrapher was born in Maragheh. Languages used include Arabic and Persian.
Composed from admitted, traceable facts · 26 September 2026
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wikidata · Q2986906 · wikipedia · Abd al-Qadir al-Maraghi
In this article
Key facts
Key facts
• Name — 'Abd al-Qadir al-Maraghi • Native Name — عبدالقادر غیبی مراغی • Birth Name — 'Abd al-Qadir al-Maraghi ibn Ghaybi • Birthplace — Maragh, Timurid Empire • Died — 1435 • Place of death — Herat, Timurid Empire
Life
Life
Abd al-Qadir al-Maraghi ibn Ghaybi was born Maragh of the Timurid Empire during the mid 14th century, to a Persian family.[1] He had become one of the court minstrels of the Jalayirid Sultan al-Husayn around 1379. Under Sultan Ahmad Jalayirid, he was appointed the chief court minstrel. When Timur captured Baghdad in 1393, he was transported to Samarqand, which was the capital of the Timurid dynasty. In 1399, he was in Tabriz at the service of Timur's wayward son Miran Shah. Abdl al-Qadir was blamed for the erratic conduct of Miranshah, and Timur acted swiftly in order to capture him. But Abd al-Qadir was forewarned and escaped to the Jalayrid court of Sultan Ahmad in Baghdad. Timur again recaptured Baghdad in 1401 and took Abd al-Qadir back to Samarqand. Abd al-Qadir became one of the brilliant men at the court of Timur's son, Shahrukh. In 1421, he also wrote a musical treatise (see below) for the Ottoman Sultan Murad II. He died in Samarqand in 1435.[2]
Linguistic significance
Linguistic significance
Al-Maraghi not only wrote songs in the Persian Language, but also in Arabic, Mongolian, Turkish (Khatai, Chagatay) as well as various regional Iranian dialects (Fahlaviyyat) of Hamadan, Mazandaran, Qazvin, Tabriz, and Rayy.[3] Thus his work gives us a better view of the regional dialects of Iran. Four quatrains titled fahlaviyyat from Khwaja Muhammad Kojjani (d. 677/1278-79); born in Kojjan or Korjan, a village near Tabriz, recorded by Abd al-Qadir al-Maraghi. A sample of one of the four quatrains from Khwaja Muhammad Kojjani. Two qet'as (poems) quoted by Abd al-Qadir Maraghi in the dialect of Tabriz (d. 838/1434-35; II, p. 142). A sample of one of these poems Six Centuries, Six Years is a film made by a prominent filmmaker, Mojtaba Mirtahmasb which depicts a group of Iranian master musicians' efforts to identify, preserve, and record a collection of compositions by Abd al-Qadir Maraghi.[5] The film won several awards including the Best Documentary Film from 12th Action On Film (AOF) International Film Festival, L.A., USA, in 2016 and Best Documentary Film from 6th London Iranian Film Festival, UK, in 2015.[6]
Life and career
Dated record
Life and career
The full dated record · 2 entries
1353
Abd al-Qadir al-Maraghi was born on 1 January 1353.
1435
Abd al-Qadir al-Maraghi died on 1 January 1435.
Works on music theory
Abd al-Qadir was proficient in music, poetry, and painting. This made him be a highly desired artisan amongst the courts of different dynasties. It was due to his musical talent that he was named by his contemporaries as the Glory of the past age. Abd al-Qadir is known for his four works on music theory. All three surviving works were written in Persian. His most important treatise on music is the Jami al-Alhan (جامع الالحان; 'Compendium of Melodies'), autographs of which are preserved at the Bodleian Library and the Nuruosmaniye Mosque Library in Istanbul. The first manuscript of this work was written in 1405 for his Nur al-din Abd al-Rahman and was revised by the author in 1413. The second manuscript was written in 1415, and carries a dedication to Sultan Sharukh of the Timurid dynasty. The second major work of Abd al-Qadir is the Persian book Maqasid al-Alhan (Arabic for Purports of Music) (مقاصد الالحان). It was dedicated to the Ottoman Sultan Murad II. A third treatise on music, the Kanz al-Tu.af (Treasury of Music) which contained the author's notated compositions, has not survived. His last work, the Sharh al-Adwar (Commentary on the [Kitab al-Adwar] of Safi al-Din al-Urmawi) (شرح الادوار), is to be found in the Nuruosmaniye Mosque Library in Istanbul.
Writings
* • * • 2nd ed, 1977 *
Legacy
According to the Encyclopedia of Islam, he "was the greatest of the Persian writers on music". According to Kubilay Kolukırık, al-Maraghi is regarded as a "very important musician whose name is frequently mentioned in the development process of Turkic music history".[7]
External References
External References
• A kâr (second movement), attributed to 15th century composer Abd-al Qadir Maraghi • Abd al-Qadir Maraghi - عبدالقادر مراغهایs • 1=Anwar, on the footsteps of Maraghi (Ensemble Maraghi and Sepideh Raissadat)
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Heinrich von Diez and his Eponymous Albums, David J. Roxburgh, Muqarnas, Vol.12, 1995, 127; "Ghaybi al-Hafiz al-Maraghi, the Persian musician and musical theorist who attended the court of Shahrukh after 1405..".
- 2.DAILY SABAH. Grandmaster of Turkish classical music Abd al-Qadir Maraghi. 25 March 2017.
- 3.Dr. A. A. Sadeqi, "Ash'ar-e mahalli-e Jame' al-alHaann," Majalla-ye zaban-shenasi 9, 1371./1992, pp. 54-64/ http://www.azargoshnasp.net/languages/Azari/AshrafSadeqiasharmahalimaraqi.pdf
- 4.Fahlaviyat in Encyclopedia Iranica by Dr. Ahmad Tafazzoli
- 5.Stanford Humanities Center. Six Centuries, Six Years. 6 October 2016.
- 6.Kara Film Studio. Six Centuries, Six Years.
- 7.Kolukırık, Kubilay. ABDÜLKADiR MERAGi'NiN HAYATI, KİŞİLİĞİ VE MUSİKİ YÖNÜ. Fırat Üniversitesi İlahiyat Fakültesi Dergisi. Fırat University. 15. 227. 2010.
Bibliography printed in the source article · 13
- Blum, Stephen. Abd al-Qādir al-Marāghī. Encyclopaedia of Islam. Brill Publishers. 2007. 978-90-04-16164-1.
- Biran, Michael. The Mongols' Middle East: Continuity and Transformation in Ilkhanid Iran. Brill. 133–155. 2016. 978-90-04-31199-2.
- Donzel, E. J. van. Islamic Desk Reference. Brill Publishers. 1994. 90-04-09738-4.
- Wright, Owen. 'Abd al-Qādir. Grove Music Online. Oxford University Press. 2001. 978-1-56159-263-0.
- Seyedahmady, Zavieh. A Comparative Analysis of Structural Similarities Between Persian and Hungarian Music. Art-Sanat. 175–189. 2016. 2148-3582.
- Doğrusöz, Nilgün. Writing the History of "Ottoman Music". Ergon-Verlag. 75–86. 12 July 2015. 978-3-95650-094-7.
- Feldman, Walter. Cultural Authority and Authenticity in the Turkish Repertoire. Asian Music. 22. 1. 73–111. Autumn 1990 – Winter 1991. 10.2307/834291.
- Feldman, Walter. The Musical "Renaissance" of Late Seventeenth Century Ottoman Turkey: Reflections on the Musical Materials of Ali Ufkî Bey (ca. 1610-1675), Hâfiz Post (d. 1694) and the "Marâghî" Repertoire. Ergon-Verlag. 87–138. 12 July 2015. 978-3-95650-094-7.
- Wright, O. 'Abd al-Qādir al-Marāghī and 'Alī b. Muḥammad Binā'ī: Two Fifteenth-Century Examples of Notation Part 2: Commentary. Bulletin of the School of Oriental and African Studies. 58. 1. 17–39. 1995. 10.1017/s0041977x00011836.
- Babak, Khazrai. Abd al-Qadir Maraghi s Statements Concerning Fretting the String Instruments. Journal for the History of Science. 6. 2. 2008. 2717-1965.
- Recovering Maraghi's Music from Six Centuries Ago
- Wright, O. 'Abd al-Qādir al-Marāghī and 'Alī b. Muḥammad Binā'ī: two fifteenth-century examples of notation. Part 1: Text. Bulletin of the School of Oriental and African Studies. 57. 3. 475–515. 2008. 10.1017/S0041977X00008880.
- Karabaşoğlu, Cemal. MAKĀSİDU'L-ELHÂN'DA SES SİSTEMİ. Journal of Faculty of Theology, Sakarya University. 1. 25. 163–188. 2012. 1304-6535.
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The authorities additionally record the headings ʿAbd-al-Qāder Marāḡaʾī, ʿAbd-al-Qadir Marāḡaʾī, Abd al-Kadir ibn Ghajbi al-Hafiz al-Maraghi and 'Abd al-Qadir al-Maraghi ibn Ghaybi. His recorded languages were Persian and Arabic.
Identity and origins
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Books
38,960 published records in this field, each with its sources named.
- Abd al-Majid ibn AbdunAuthor
- Abd al-Masih al-AntakiAuthor
- Abd al-MuttalibAuthor
- Abd al-Qadir al-BaghdadiAuthor
- Abd al-Qadir dan TafaAuthor
- Abd al-Qahir al-JurjaniAuthor
- Abd al-Rahman al-KawakibiAuthor
- Abd al-Rahman al-SufiAuthor
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