Victor Orsel

Victor Orsel studied at École nationale supérieure des beaux-arts de Lyon. Training under Pierre Révoil and Pierre-Narcisse Guérin is recorded. Louis Janmot and Gabriel Tyr are recorded as having studied under Victor Orsel. The recorded working language is French. The field of work recorded is visual arts and painting. Subjects and genres recorded for the work are portrait. Places of work recorded in the authority are Rome. Works named in the authority record are Good and Evil. Work by Victor Orsel is recorded in the collections of Museo del Prado, Museum of Fine Arts of Lyon, Musée des Beaux-Arts de la ville de Paris, Museum Boijmans Van Beuningen and Musée des Beaux-Arts de Rennes.

He was born in Oullins to an old merchant family of Dauphiné. His father, Jacques Orsel (1750–1800), was a gauze manufacturer in Lyon. He had three brothers: André-Jacques (1784–1868), who served as Mayor of Oullins and Tarare, Jean (1787–1847), a soldier, and Pierre Jean-Jacques (1791–1858), a writer. He was successively a student of Pierre Révoil, at the École impériale des beaux-arts de Lyon (1809) and Pierre-Narcisse Guérin in Paris. In 1822, when Guérin was appointed Director of the French Academy in Rome, Orsel went with him. He remained there until 1830 and became associated with the Nazarene movement; especially Johann Friedrich Overbeck and his entourage. He also spent time copying works of Medieval art, whose style he incorporated into his own. Back in France, the city of Paris commissioned him to decorate the church of Notre-Dame-de-Lorette. A friend from Rome, Alphonse Périn, worked with him and Michel Dumas acted as their assistant. Orsel chose to illustrate the Litanies of the Blessed Virgin Mary, divided into sixty paintings. He spent the last seventeen years of his life devoted to this project. He died in 1850 in Paris. Among his best-known works are Good and Evil, at the Musée des Beaux-Arts de Lyon, and the Vow to Cholera, inspired by the cholera epidemic of 1832, which largely spared Lyon due, it is said, to the vows of its inhabitants. It was left incomplete and finished by his students in 1852. It was placed in the Basilique Notre-Dame de Fourvière in 1896. His notable students included Louis Janmot, François-Frédéric Grobon, Gabriel Tyr and Louis Stanislas Faivre-Duffer.