Victor Orsel

The authorities additionally record the headings André Jacques Victor Orsel, André-Jacques-Victor Orsel, Andre Jacques Victor Orsel, Jacques-Victor André and Andre-Jacques-Victor Orsel. His recorded language was French.

Victor Orsel studied at École nationale supérieure des beaux-arts de Lyon. He trained under Pierre Révoil and Pierre-Narcisse Guérin.

As a teacher, Victor Orsel is recorded in connection with Louis Janmot and Gabriel Tyr. Each of those relationships is stated by the authority record rather than inferred from style.

Work by Victor Orsel is held by Museo del Prado, Museum of Fine Arts of Lyon, Musée des Beaux-Arts de la ville de Paris and Museum Boijmans Van Beuningen.

What the record establishes about Victor Orsel.

A woman representing knowledge examining a sick child. Lithograph by G. Tyr after A.J.V. Orsel. is catalogued and held by Wellcome Collection. Self-Portrait is dated ca. 1815–20 and held by The Metropolitan Museum of Art (inventory 2007.49.604). Head of Christ is dated 1810–50 and held by The Metropolitan Museum of Art (inventory 1990.254.4). The Metropolitan Museum of Art records 2 objects associated with this heading. Wellcome Collection records 1 object associated with this heading. Victor Orsel is recorded with the citizenship of France.

Victor Orsel is recorded as painter and artist.

The identifiers under which Victor Orsel may be traced in institutional catalogues.

Victor Orsel is established in the international name authorities as Wikidata Q3557491.

3 works under this name are catalogued by The Metropolitan Museum of Art and Wellcome Collection. Their recorded dates run from 1810 to 1815.

Self-Portrait, dated ca. 1815–20, black chalk with touches of white chalk on beige (formerly blue) laid paper, held by The Metropolitan Museum of Art, inventory 2007.49.604. Head of Christ, dated 1810–50, graphite, held by The Metropolitan Museum of Art, inventory 1990.254.4. A woman representing knowledge examining a sick child. Lithograph by G. Tyr after A.J.V. Orsel., held by Wellcome Collection.

Work associated with this heading is recorded in 2 named public collections.

The Metropolitan Museum of Art: 2 recorded objects, read from the institution's own published catalogue. Wellcome Collection: 1 recorded object, read from the institution's own published catalogue.

2 scholarly publications naming this subject were located in the registry of record.

Orsel, (André-Jacques-)Victor, Oxford Art Online, 2003. Victor Orsel : deux acquisitions du Musée des Beaux-Arts de Lyon, Bulletin des musées et monuments lyonnais, 1988.

Bibliographic registers publish measured figures for this heading: 9 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 4 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 4 means 4 genuinely separate publishers of record. 16 further registers were consulted and returned nothing for this heading.

Victor Orsel studied at École nationale supérieure des beaux-arts de Lyon. training under Pierre Révoil and Pierre-Narcisse Guérin is recorded. Louis Janmot and Gabriel Tyr are recorded as having studied under Victor Orsel. the recorded working language is French.

The field of work recorded is visual arts and painting. Subjects and genres recorded for the work are portrait.

Places of work recorded in the authority are Rome.

Works named in the authority record are Good and Evil.

Work by Victor Orsel is recorded in the collections of Museo del Prado, Museum of Fine Arts of Lyon, Musée des Beaux-Arts de la ville de Paris, Museum Boijmans Van Beuningen and Musée des Beaux-Arts de Rennes.