Tristan Rogers

What the record establishes about Tristan Rogers.

Palaeopathology in Egypt and Nubia : a century in review / edited by Ryan Metcalfe, Jenefer Cockitt, and Rosalie David. is dated [2014] and held by Wellcome Collection. Tristram and Isolde lying dead next to each other. Line block after Roger de Egusquiza, 1911. is dated 1911 and held by Wellcome Collection. Nydia, The Blind Flower Girl of Pompeii is dated modeled 1855–56, carved 1858 and held by The Art Institute of Chicago (inventory 1896.77). The Lost Pleiade is dated 1874–75 and held by The Art Institute of Chicago (inventory 1889.8). Tristan Rogers is recorded with the citizenship of Australia and United States. The Art Institute of Chicago records 2 objects associated with this heading.

Wellcome Collection records 3 objects associated with this heading. Tristan Rogers is recorded as actor.

The identifiers under which Tristan Rogers may be traced in institutional catalogues.

Tristan Rogers is established in the international name authorities as Wikidata Q1316535.

Work associated with this heading is recorded in 2 named public collections.

The Art Institute of Chicago: 2 recorded objects, read from the institution's own published catalogue. Wellcome Collection: 3 recorded objects, read from the institution's own published catalogue.

Bibliographic registers publish measured figures for this heading: 9 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 3 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 3 means 3 genuinely separate publishers of record. 17 further registers were consulted and returned nothing for this heading.